Dejima
Dejima or Deshima was a manmade island in Nagasaki Harbor to which the activities of the Dutch East India Company (VOC) in Japan were restricted in the Edo period.
The island was originally built in 1634-1636 by a group of 25 wealthy Nagasaki merchants, to be used by Portuguese merchants. These Portuguese merchants made use of Japanese-style homes and storehouses on the island, and paid rent on an individual basis to individual members of this group of Nagasaki locals, depending on the size and condition of the buildings they used. The island was originally called Tsukishima or Tsukijima ("moon island"), for its shape, being renamed Dejima in 1665.
In 1641, following the expulsion of the Portuguese in 1639, Dejima became the home of the VOC. The Dutch made a single payment which was divided equally among the twenty-five original Japanese merchant investors. For a few decades beginning in 1655, the shogunate allowed a free trade policy in the port, but from 1685, trade and other matters in the port town came under the control of the Nagasaki bugyô, the chief shogunal official in the city.
The island was miniscule, roughly 564 meters in circumference,[1] with a land area under 4,000 tsubo in size (3.2 acres, or just under 13,000 m2). Dejima was home to only about forty-four buildings, the original Japanese-style structures being soon replaced by the only European-style buildings in Edo period Japan, which housed at any given time only about ten to fifteen officers (including kapitans, factors, clerks, and physicians), plus their families, cooks, and servants.[2] These included two warehouses built by the Dutch[3] and one built by the shogunate for its own purposes in 1696. Shogunate authorities frequently searched the island for signs of smuggling or other illegal activities, in which scholars believe members of the VOC did indeed, at times, engage.
Access to mainland Japan, i.e. permission to leave Dejima, was via a wooden bridge (later replaced by one in stone) on the north side of the island. Access was severely limited, but included regular journeys made by all 10-15 VOC representatives to pay respects to the shogun at Edo. These visits took place annually until 1790, after which the Dutch visited the shogun only once every five years until 1850, when the practice came to an end. These missions generally cost around 3.7% of the company's annual profits.
Dutch ships were limited to two a year. They generally arrived in the seventh month, and were required to leave no later than the 20th of the ninth month. The VOC imported a variety of goods into Japan, including chiefly Chinese silk, but also Dutch books, microscopes, telescopes, and the like in small quantities. In exchange, they obtained Japanese gold, silver, and porcelains, later learning to produce their own porcelains, copying Japanese styles.
Generally, both European and Japanese women were not permitted on Dejima. The courtesans of the Maruyama pleasure district were a notable exception; they also served the Chinese merchants of the city, and Japanese visitors to Nagasaki from other parts of the archipelago. The courtesans were officially required to return from Dejima in the morning, but in practice, often stayed for up to a week. Enforcement of restrictions on the island were quite lax at times, and on occasion, courtesans even escorted Dutchmen off Dejima (into Nagasaki proper), or accompanied them out of the country.[4] A number of Maruyama courtesans also had children with members of the Dejima community; some of these children came to be regarded as "Japanese," being accepted and incorporated into Japanese society, and remained in Japan for the rest of their lives, banned from leaving just like any other Japanese, while others were deemed foreigners, and lived on Dejima or outside of Japan the remainder of their lives, banned from entering or traveling freely within the archipelago like any other foreigner.
The VOC Factory was officially closed in 1860.
References
- Marc Jason Gilbert. "Paper Trails: Deshima Island: A Stepping Stone between Civilizations." World History Connected 3.3 (2006). Accessed 4 Jan. 2013.
- Hiroko Johnson, Western Influences on Japanese Art: The Akita Ranga Art School and Foreign Books, Amsterdam: Hotei Publishing (2005), 23-24.
- ↑ The north wall ran 190 meters, the southern wall 234 meters, and 70 meters on east and west.
- ↑ Gonnami, Tsuneharu. "Images of Foreigners in Edo Period Maps and Prints." Unpublished manuscript. Presentation at symposium "Edo: Past & Present," University of British Columbia, April 1998. p8.
- ↑ One fireproof and built for textiles in 1666, and one for sundries built in 1674.
- ↑ Johnson, 22.
