Difference between revisions of "Muromachi Period"
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However, the military and civil government soon came to a head. [[Ashikaga Takauji]], one of the generals who had placed Go-Daigo back on the throne, disobeyed an Imperial command, and eventually marched on Kyôto. Emperor Go-Daigo fled, supported by [[Nitta Yoshisada]] and others. War raged across the country. Eventually, Go-Daigo submitted to Takauji, in [[1336]], but he would continue to oppose the Ashikaga Bakufu. He eventually fled with his supporters to Yoshino, in the south, while Takauji, had another Emperor installed in Kyôto. Thus began the [[Nanbokucho Period]], or era of Southern and Northern Courts. | However, the military and civil government soon came to a head. [[Ashikaga Takauji]], one of the generals who had placed Go-Daigo back on the throne, disobeyed an Imperial command, and eventually marched on Kyôto. Emperor Go-Daigo fled, supported by [[Nitta Yoshisada]] and others. War raged across the country. Eventually, Go-Daigo submitted to Takauji, in [[1336]], but he would continue to oppose the Ashikaga Bakufu. He eventually fled with his supporters to Yoshino, in the south, while Takauji, had another Emperor installed in Kyôto. Thus began the [[Nanbokucho Period]], or era of Southern and Northern Courts. | ||
<!--Elements on nation-building and the shogunate's establishment--> | <!--Elements on nation-building and the shogunate's establishment--> | ||
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| + | As the shogunate was based in Kyoto, and was relatively politically weak, and thus reliant on the imperial court and court nobility in certain respects, much political interactions took place over banquets, or otherwise within cultural social situations. [[Noh]] theater and various forms of poetry, among other arts, benefited considerably from this situation, developing into more mature, defined forms.<ref name=ikegami106>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 106.</ref> | ||
===Nambokucho=== | ===Nambokucho=== | ||
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==Economy and Trade== | ==Economy and Trade== | ||
| + | The use of [[currency]] became more widespread than ever before during this period, with much taxes being paid in coin, and a majority of documented sales contracts involving the exchange of coin, rather than such deals being made purely through the barter of goods and services.<ref name=ikegami106/> | ||
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| + | While not as extensive or intensive as in later developments in the [[Tokugawa period]], the Muromachi period saw considerable expansion of the specialization of labor, with the greater development of various crafts and other professions, as well as the expansion of domestic and overseas trade networks, greater flow of commodities, and so forth, as well as a certain degree of urbanization, especially in Kyoto. ''[[Za]]'' and other guild structures also emerged in this period as merchants and craftsmen organized into associations with one another for mutual protection, and other sorts of benefits. Self-governing organizations within Kyoto neighborhoods emerged, too, out of these developments.<ref name=ikegami106/> | ||
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| + | As for overseas trade, the Muromachi period saw the only formal diplomatic relations and [[tribute]] trade between any Japanese state and the Chinese Imperial court since the [[Nara period]]. The Ashikaga shogunate, certain powerful temples, and a few powerful samurai clans (including the [[Ouchi clan|Ôuchi]], [[Otomo clan|Ôtomo]], and [[Hosokawa clan]]s) engaged in official authorized trade in Chinese ports, through a [[kango boeki|tally trade]] system. Much smuggling, [[wako|piracy]], and other trade also took place, and so exchanges across the region were quite active, even outside of official trade. | ||
==Popular Culture== | ==Popular Culture== | ||
| + | A number of officially patronized and popular arts developed in the Muromachi period, particularly in Kyoto, and particularly in conjunction with samurai patronage or simply with the shogunate's presence amplifying Kyoto's position as a cultural center. | ||
| + | |||
| + | In addition to official samurai patronage of Noh, [[tea ceremony]], various forms of poetry, calligraphy, and painting, and martial arts, Kyoto began to see the expansion of popular spectatorship of certain arts, as performance troupes organized into ''za'', and took part in paid performances (''kanjin'') held in the riverbanks or other marginal areas, made less marginal by these officially authorized events. Though officially sanctioned, however, these performances, and the marginal spaces where they were held, continued to be associated with spiritual pollution and marginality. When, in a famous incident in [[1349]], the stands collapsed under an excited crowd, killing over one hundred people at a ''[[dengaku]]'' performance attended by the shogun & ''[[kanpaku]]'', there was much criticism that the shogun was perhaps too infatuated with such petty entertainments.<ref>Ikegami, 107-108.</ref> | ||
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| + | Though [[Zen]] Buddhism was introduced to Japan in the Kamakura period, arts associated with it saw considerable development and prominence in the Muromachi period, with the Zen painting of [[Sesshu|Sesshû]], [[Shubun|Shûbun]], and [[Josetsu]], all Muromachi era painter-monks associated with the Kyoto temple of [[Shokoku-ji|Shôkoku-ji]], becoming some of the most famous and treasured ink paintings in the Japanese canon today. | ||
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==Society== | ==Society== | ||
Revision as of 17:57, 28 November 2014
- Japanese: 室町時代 (Muromachi jidai)
The Muromachi Period, also known as the Ashikaga Period, covers the years during which the Ashikaga Bakufu controlled Japan. It runs from around 1333 (some say 1336) until 1573. The era began with turmoil, as the country divided itself between support of the Northern and Southern Imperial courts, while the Ashikaga shôguns consolidated their power, ruling from the Muromachi district of Kyôto. Eventually, the two lineages were reconciled, ending the civil war.
Eventually, the Bakufu began to lose authority in the provinces, becoming more insular. Regional powers grew up in the countryside, with daimyô taking de facto control as local lords. The countryside devolved into chaos, culminating in the Ônin War, opening the Sengoku Period.
The Ashikaga shôguns continued to rule in Kyôto, but had very little actual authority. The era eventually came to a close when Oda Nobunaga deposed the final shôgun, Ashikaga Yoshiaki.
History
Beginnings
The Kamakura Period came to a close with the end of the Kamakura Bakufu and the re-establishment of Emperor Go-Daigo. Go-Daigo instituted the Kemmu Restoration to revive Imperial power.
However, the military and civil government soon came to a head. Ashikaga Takauji, one of the generals who had placed Go-Daigo back on the throne, disobeyed an Imperial command, and eventually marched on Kyôto. Emperor Go-Daigo fled, supported by Nitta Yoshisada and others. War raged across the country. Eventually, Go-Daigo submitted to Takauji, in 1336, but he would continue to oppose the Ashikaga Bakufu. He eventually fled with his supporters to Yoshino, in the south, while Takauji, had another Emperor installed in Kyôto. Thus began the Nanbokucho Period, or era of Southern and Northern Courts.
As the shogunate was based in Kyoto, and was relatively politically weak, and thus reliant on the imperial court and court nobility in certain respects, much political interactions took place over banquets, or otherwise within cultural social situations. Noh theater and various forms of poetry, among other arts, benefited considerably from this situation, developing into more mature, defined forms.[1]
Nambokucho
Decline and Fall
Sengoku
Political Structures
Economy and Trade
The use of currency became more widespread than ever before during this period, with much taxes being paid in coin, and a majority of documented sales contracts involving the exchange of coin, rather than such deals being made purely through the barter of goods and services.[1]
While not as extensive or intensive as in later developments in the Tokugawa period, the Muromachi period saw considerable expansion of the specialization of labor, with the greater development of various crafts and other professions, as well as the expansion of domestic and overseas trade networks, greater flow of commodities, and so forth, as well as a certain degree of urbanization, especially in Kyoto. Za and other guild structures also emerged in this period as merchants and craftsmen organized into associations with one another for mutual protection, and other sorts of benefits. Self-governing organizations within Kyoto neighborhoods emerged, too, out of these developments.[1]
As for overseas trade, the Muromachi period saw the only formal diplomatic relations and tribute trade between any Japanese state and the Chinese Imperial court since the Nara period. The Ashikaga shogunate, certain powerful temples, and a few powerful samurai clans (including the Ôuchi, Ôtomo, and Hosokawa clans) engaged in official authorized trade in Chinese ports, through a tally trade system. Much smuggling, piracy, and other trade also took place, and so exchanges across the region were quite active, even outside of official trade.
Popular Culture
A number of officially patronized and popular arts developed in the Muromachi period, particularly in Kyoto, and particularly in conjunction with samurai patronage or simply with the shogunate's presence amplifying Kyoto's position as a cultural center.
In addition to official samurai patronage of Noh, tea ceremony, various forms of poetry, calligraphy, and painting, and martial arts, Kyoto began to see the expansion of popular spectatorship of certain arts, as performance troupes organized into za, and took part in paid performances (kanjin) held in the riverbanks or other marginal areas, made less marginal by these officially authorized events. Though officially sanctioned, however, these performances, and the marginal spaces where they were held, continued to be associated with spiritual pollution and marginality. When, in a famous incident in 1349, the stands collapsed under an excited crowd, killing over one hundred people at a dengaku performance attended by the shogun & kanpaku, there was much criticism that the shogun was perhaps too infatuated with such petty entertainments.[2]
Though Zen Buddhism was introduced to Japan in the Kamakura period, arts associated with it saw considerable development and prominence in the Muromachi period, with the Zen painting of Sesshû, Shûbun, and Josetsu, all Muromachi era painter-monks associated with the Kyoto temple of Shôkoku-ji, becoming some of the most famous and treasured ink paintings in the Japanese canon today.
Society
The total population of the archipelago in 1400 may have been around 12.5 million, up from 9.75 million in 1300.[3]
Notes
- ↑ 1.0 1.1 1.2 Eiko Ikegami, Bonds of Civility, Cambridge University Press (2005), 106.
- ↑ Ikegami, 107-108.
- ↑ Robert Tignor, Benjamin Elman, et al, Worlds Together, Worlds Apart, vol B, Fourth Edition, W.W. Norton & Co (2014), 410.
References
- Sansom, George. A History of Japan 1334-1615. Stanford: Stanford University Press, 1963.
- Hall, John Whitney. Government and Local Power in Japan 500 to 1700: A Study Based on Bizen Province". Princeton: Princeton University Press, 1966.
- Hall, John Whitney and Toyota, Takeshi. Japan in the Muromachi Age. Los Angeles: University of California Press, 1977.
| Previous Period Kamakura Period |
Muromachi Period | Following Period Sengoku Period/Azuchi-Momoyama Period |
