Difference between revisions of "Six Great Imperial Tours"

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The Emperor carried two of the [[Imperial Regalia]] - the sword [[Kusanagi no tsurugi]] and the jewel [[Yasakani no magatama]] - on his person during these tours, and in fact is said to have carried the sword whenever leaving the Palace throughout the pre-war period. His entourage also carried Imperial [[chrysanthemum]] flags and other physical symbols on the tours, and were received in many towns by the display of [[Japanese flag|national flags]], lanterns and the like bearing the ''hinomaru'' "rising sun" emblem or other national or Imperial symbols; in this way, the tours also served to spread and fix popular awareness of national and Imperial symbols.
 
The Emperor carried two of the [[Imperial Regalia]] - the sword [[Kusanagi no tsurugi]] and the jewel [[Yasakani no magatama]] - on his person during these tours, and in fact is said to have carried the sword whenever leaving the Palace throughout the pre-war period. His entourage also carried Imperial [[chrysanthemum]] flags and other physical symbols on the tours, and were received in many towns by the display of [[Japanese flag|national flags]], lanterns and the like bearing the ''hinomaru'' "rising sun" emblem or other national or Imperial symbols; in this way, the tours also served to spread and fix popular awareness of national and Imperial symbols.
  
They included:
+
Some have argued that the Imperial Tours were engineered chiefly as a response to the [[Freedom and People's Rights Movement]], in order to gain popular support for the monarchy, and for the state, and to combat the popularity of the movement. However, as historian [[Takashi Fujitani]] points out, the imperial court was considered to be one "in motion" as early as [[1868]], the first of the greatest of the Imperial Tours took place in [[1872]], before the Popular Rights Movement had gotten off the ground, and the Tours visited many places where the Movement was quite weak (esp. in Tôhoku), and skipped over some places, such as [[Shikoku]], where the Movement was quite strong.<ref>Fujitani, 83.</ref>
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The Tours included:
 
*[[1872]]/5/23 to 7/12: A tour of the [[Chugoku region|Chûgoku]] and [[Saikoku region]]s.
 
*[[1872]]/5/23 to 7/12: A tour of the [[Chugoku region|Chûgoku]] and [[Saikoku region]]s.
 
*[[1876]] June 2 to July 21: A tour of the [[Tohoku region|Tôhoku region]].
 
*[[1876]] June 2 to July 21: A tour of the [[Tohoku region|Tôhoku region]].

Revision as of 10:33, 22 March 2015

  • Dates: 1872-1885
  • Japanese: 六大巡幸 (roku dai junkou)

The Six Great Imperial Tours were the six largest and longest-term imperial progresses made by the Meiji Emperor in the 1870s-1880s. These served as a key element of the early Meiji government's construction of a new Emperor-centered nationalism, by making the Emperor visible and accessible to the people, and to have him seen traveling and surveying the realm, reinforcing the idea of his connection to and concern for the entire realm. His travels included visits to sites of Imperial importance, including Ise and Atsuta Shrines, imperial mausolea, and the like, as well as visits with honor students, disaster victims, and the elderly, as well as individuals honored for certain forms of service to the nation (such as contributions to local industry and education), showing his concern for the people. On half of these tours, he also stopped in Kyoto to pay respects at the tomb of his father, Emperor Kômei.[1]

The Emperor carried two of the Imperial Regalia - the sword Kusanagi no tsurugi and the jewel Yasakani no magatama - on his person during these tours, and in fact is said to have carried the sword whenever leaving the Palace throughout the pre-war period. His entourage also carried Imperial chrysanthemum flags and other physical symbols on the tours, and were received in many towns by the display of national flags, lanterns and the like bearing the hinomaru "rising sun" emblem or other national or Imperial symbols; in this way, the tours also served to spread and fix popular awareness of national and Imperial symbols.

Some have argued that the Imperial Tours were engineered chiefly as a response to the Freedom and People's Rights Movement, in order to gain popular support for the monarchy, and for the state, and to combat the popularity of the movement. However, as historian Takashi Fujitani points out, the imperial court was considered to be one "in motion" as early as 1868, the first of the greatest of the Imperial Tours took place in 1872, before the Popular Rights Movement had gotten off the ground, and the Tours visited many places where the Movement was quite weak (esp. in Tôhoku), and skipped over some places, such as Shikoku, where the Movement was quite strong.[2]

The Tours included:

References

  • Takashi Fujitani, Splendid Monarchy, UC Press (1998), 47-49.
  1. Fujitani, 56.
  2. Fujitani, 83.