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...st person to employ ''[[shamisen]]'' music as accompaniment for ''[[ningyo joruri|ningyô jôruri]]'' (puppet theater).

...tre said to have played a role in the origins or development of ''[[ningyo joruri|ningyô jôruri]]'' (aka Bunraku).

...and shamisen, a significant contribution to the development of ''[[ningyo joruri|ningyô jôruri]]'' (puppet theatre).

...Women's [[Kanadehon Chushingura|Chûshingura]]," is a [[kabuki]] & [[ningyo joruri|bunraku]] play by [[Yo Yotai|Yô Yôtai]], about ladies-in-waiting seeking

''Michiyuki'' are dance scenes within the [[kabuki]] and ''[[ningyo joruri|ningyô jôruri]]'' theatre forms in which a dramatic journey is related th

...exciting seeds, or basis, for a number of [[kabuki]] and ''[[ningyo joruri|ningyo jôruri]]'' plays of the time, as well. One of the most famous and popular

''Go-Taiheiki shiraishi-banashi'' is a ''[[ningyo joruri|ningyô jôruri]]'' and [[kabuki]] play, based on the [[1723]] incident of

...kasane katabira'', or "Gonza the Lancer," is a [[love suicides]] [[ningyo joruri|puppet play]] written by [[Chikamatsu Monzaemon]] in [[1717]]. The play cen

...n]]<!--一炊庵紹廉-->. Born and raised in [[Osaka]], and a fan of the ''[[ningyo joruri|ningyô jôruri]]'' puppet theatre since childhood, Tokuzô became a discip

*1715/11 [[Chikamatsu Monzaemon]]'s ''[[ningyo joruri|ningyô jôruri]]'' play "[[The Battles of Coxinga]]," debuts at the [[Take

A ''[[ningyo joruri|bunraku]]'' and [[kabuki]] play entitled ''[[Igagoe Dochu Sugoroku|Igagoe D

...h emerged sometime after 1525, and which later evolved into the ''[[ningyo joruri|ningyô jôruri]]'' or ''bunraku'' puppet theatre of the [[Edo period]].

...events, including the [[1717]] debut of the kabuki version of the [[ningyo joruri|puppet play]] ''[[Battles of Coxinga]]'', the [[1762]] premiere of the danc

"The Battles of Coxinga" is a ''[[ningyo joruri|ningyô jôruri]]'' (''bunraku'') and [[kabuki]] play written by [[Chikamat

''Domo-mata'', or ''Stuttering Matahei'', is a ''[[ningyo joruri|ningyô jôruri]]'' and ''[[kabuki]]'' play by [[Chikamatsu Monzaemon]], wh

...ost popular were ''[[maruhonmono]]'', kabuki plays adapted from ''[[ningyo joruri|ningyô jôruri]]'' (puppet theatre). Villages often amassed a communal col

...Trubner & Company, Limited, 1926.</ref> Many of the most famous ''[[ningyo joruri|ningyô jôruri]]'' (''bunraku'' puppet theatre) plays were written by Chik

*[[Chikamatsu Monzaemon|Chikamatsu Monzaemon's]] [[ningyo joruri|puppet play]] ''[[Heike Nyogo-ga-shima]]''　is debuted.

...Chikamatsu Monzaemon]], and two of the most famous works of the ''[[ningyo joruri|bunraku]]'' puppet theatre form as a whole. These two plays premiered on th

''Koi musume mukashi hachijô'' is a fifth-category ''[[ningyo joruri|ningyô jôruri]]'' play and [[kabuki]] play.

...e ''[[Tale of the Heike]]''; a number of [[Noh]], [[kabuki]], and [[ningyo joruri|puppet]] plays based on this incident feature Naozane, including the Noh pl

...(Japanese dance), both as performed in kabuki and ''[[ningyo joruri|ningyô joruri]]'' theatre, and by [[geisha]] and [[courtesans]], developed together over

...des at Amijima]]" and "[[Love Suicides at Sonezaki]]," written by [[ningyo joruri|puppet theatre]] playwright [[Chikamatsu Monzaemon]], are the most famous a

...]]''. This chapter has inspired numerous [[Noh]], [[kabuki]], and [[ningyo joruri|puppet]] plays, including ''[[Atsumori]]'', ''[[Ikuta Atsumori]]'', and ''[

..., is a common subject of paintings, theatre (incl. [[kabuki]] and [[ningyo joruri|puppet theatre]]), and literature.

...most prominent of these is [[Chikamatsu|Chikamatsu's]] [[1715]] ''[[ningyo joruri|ningyô jôruri]]'' (puppet theatre) play ''[[The Battles of Coxinga]]'', t

...nstrument central to the musical traditions of the [[kabuki]] and [[ningyo joruri|bunraku]] theatre forms, of [[geisha]] and courtesan entertainments, and of ...one of the chief styles of geisha music), and the ''sekkyô-bushi'' and ''[[joruri|jôruri]]'' storytelling modes. The ''ningyô jôruri'' puppet theater inco

...writer, Fûrai Sanjin (風来山人) and Tenjiku Rônin (天竺浪人); and as a ''[[ningyo joruri|ningyô jôruri]]'' playwright, he went by Fukuchi Kigai (福内鬼外).

...t is of great significance as the source on which many [[Noh]], ''[[ningyo joruri|jôruri]]'', and [[kabuki]] plays, as well as other literary and theatrical

...hbooks include images of ''[[kyogen|kyôgen]]'' performances and ''[[ningyo joruri|ningyô jôruri]]'' puppets, and he is known to have entertained Tokyo-base

...ntil 1713, the characters of Sukeroku and Agemaki appeared on the [[ningyo joruri|bunraku]] stage as early as [[1678]]. [[Kamigata]] (Kansai) kabuki theatres

...of kabuki plays being based on those from the puppet theatre, a ''[[ningyo joruri|ningyô jôruri]]'' version of ''Ise Ondo'' first debuted in [[1838]].

...''). Unlike in the [[Edo period]] theater forms of [[kabuki]] and [[ningyo joruri|ningyô jôruri]], Noh does not incorporate [[shamisen]] or other string in

Kabuki is, along with [[Noh]] and ''[[ningyo joruri|ningyô jôruri]]'' (aka ''bunraku''), one of the three most prominent form ...caused a fight, leading to all female kabuki performers, dancers, and ''[[joruri|jôruri]]'' chanters being banned. The 1629 edict is the standard date cite

...for the first time in [[1371]]. Numerous [[Noh]], [[Kabuki]], and [[ningyo joruri|puppet]] plays, as well as countless paintings and other cultural creations