Difference between revisions of "Nomura-ryu"

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[[File:Nomuraryu-monument.JPG|right|thumb|320px|A monument dedicated to the founders of Nomura-ryû, erected in the Naminoue area of [[Naha]].]]
 
*''Japanese'': 野村流 ''(Nomura-ryuu)''
 
*''Japanese'': 野村流 ''(Nomura-ryuu)''
  
 
Nomura-ryû is the largest school or style (''ryûha'') of classical Okinawan ''uta-sanshin'' (song and [[sanshin]]) music.
 
Nomura-ryû is the largest school or style (''ryûha'') of classical Okinawan ''uta-sanshin'' (song and [[sanshin]]) music.
  
Like most schools of traditional arts, Nomura-ryû places great importance on direct transmission of the tradition from teacher to student. However, Nomura-ryû adheres more strictly to written (printed) [[kunkunshi|musical notation]] than the smaller, but still prominent, [[Afuso-ryu|Afusô-ryû]] school of ''uta-sanshin'', which uses no notation for the vocals. The classical Nomura-ryû repertoire, as set by the school, is contained in the four-volume publication ''Nomura-ryû kunkunshii'', based closely on a compilation assembled by [[Nomura Ancho|Nomura Anchô]], the founder of the school, in [[1869]].
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Like most schools of traditional arts, Nomura-ryû places great importance on direct transmission of the tradition from teacher to student. However, Nomura-ryû adheres more strictly to written (printed) [[kunkunshi|musical notation]] than the smaller, but still prominent, [[Afuso-ryu|Afusô-ryû]] school of ''uta-sanshin'', which uses no notation for the vocals. The classical Nomura-ryû repertoire, as set by the school, is contained in the four-volume publication ''Nomura-ryû kunkunshii'', based closely on a compilation assembled by [[Nomura Ancho|Nomura Anchô]], the founder of the school, in [[1869]].
  
The current head of Nomura-ryû in Hawaii is Norman Kaneshiro. His late sensei and predecessor, Harry Seishô Nakasone ([[1912]]-2011), was named a Living Treasure of Hawaii in 1992, and the previous year received a National Endowments for the Arts Folk Heritage Fellowship, making him a Living National Treasure of the United States, the first Asian-American to receive that honor.<ref>"[http://obits.staradvertiser.com/2011/04/02/harry-siesho-nakasone/ Harry Siesho (sic) Nakasone]." ''Honolulu Star-Advertiser'' Obituaries. 2 April 2011.</ref>
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The current head of Nomura-ryû in Hawaii is Norman Kaneshiro. His late sensei and predecessor, [[Harry Seisho Nakasone|Harry Seishô Nakasone]] ([[1912]]-2011), was named a Living Treasure of Hawaii in 1992, and the previous year received a National Endowments for the Arts Folk Heritage Fellowship, making him a Living National Treasure of the United States, the first Asian-American to receive that honor.<ref>"[http://obits.staradvertiser.com/2011/04/02/harry-siesho-nakasone/ Harry Siesho (sic) Nakasone]." ''Honolulu Star-Advertiser'' Obituaries. 2 April 2011.</ref>
  
 
==References==
 
==References==

Latest revision as of 13:32, 13 June 2021

A monument dedicated to the founders of Nomura-ryû, erected in the Naminoue area of Naha.
  • Japanese: 野村流 (Nomura-ryuu)

Nomura-ryû is the largest school or style (ryûha) of classical Okinawan uta-sanshin (song and sanshin) music.

Like most schools of traditional arts, Nomura-ryû places great importance on direct transmission of the tradition from teacher to student. However, Nomura-ryû adheres more strictly to written (printed) musical notation than the smaller, but still prominent, Afusô-ryû school of uta-sanshin, which uses no notation for the vocals. The classical Nomura-ryû repertoire, as set by the school, is contained in the four-volume publication Nomura-ryû kunkunshii, based closely on a compilation assembled by Nomura Anchô, the founder of the school, in 1869.

The current head of Nomura-ryû in Hawaii is Norman Kaneshiro. His late sensei and predecessor, Harry Seishô Nakasone (1912-2011), was named a Living Treasure of Hawaii in 1992, and the previous year received a National Endowments for the Arts Folk Heritage Fellowship, making him a Living National Treasure of the United States, the first Asian-American to receive that honor.[1]

References

  • Thompson, Robin. "The Music of Ryukyu." Ashgate Research Companion to Japanese Music. Surrey: Ashgate Publishing, 2008. p313.
  • Thompson, Robin. "The Sanshin and its Place in Okinawan Music." Okinawa bijutsu zenshû 沖縄美術全集. vol. 5. p. vi.
  1. "Harry Siesho (sic) Nakasone." Honolulu Star-Advertiser Obituaries. 2 April 2011.