Difference between revisions of "Sakai"

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From [[1469]] until [[1510]], Sakai was the chief departure port for [[tribute]] missions to [[Ming Dynasty]] China.
 
From [[1469]] until [[1510]], Sakai was the chief departure port for [[tribute]] missions to [[Ming Dynasty]] China.
  
The city was governed by a board of thirty-six merchant councilors called ''egôshû'', and was walled off and surrounded with moats, not unlike some of the free cities of Europe.<ref name=ikegami>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 122.</ref> Despite the chaos and turmoil of the Sengoku period, Sakai reportedly saw little violence - even in the form of street brawls.<ref>Morgan Pitelka, ''Spectacular Accumulation'', University of Hawaii Press (2016), 28.</ref>
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The city was governed by a board of thirty-six merchant councilors called ''egôshû'', and was walled off and surrounded with moats, not unlike some of the free cities of Europe.<ref name=ikegami>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 122.</ref> After [[1568]], the more independent ''egôshû'' were replaced by [[Oda Nobunaga]] with families he selected; they gained power, favor, and protection for the city from Nobunaga in exchange for providing services and gifts of prized tea implements and other [[karamono|Chinese treasures]] to him.<ref name=ikegami/><ref name=pitelka29>Morgan Pitelka, ''Spectacular Accumulation'', University of Hawaii Press (2016), 28-30.</ref>
  
Though it enjoyed considerable freedom and prosperity for a time, the city fell to [[Oda Nobunaga]] in [[1568]].<ref name=ikegami/> It remained a prominent port city, however, both culturally and economically, and at its [[Edo period]] peak, was home to roughly 50,000 people.<ref>''Bezaisen to santo'' 「弁才船と三都」、Asahi hyakka Nihon rekishi 62, p7-46.</ref>
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Despite the chaos and turmoil of the Sengoku period, Sakai reportedly saw little violence - even in the form of street brawls.<ref name=pitelka29/>
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Sakai remained a prominent port city, both culturally and economically, and at its [[Edo period]] peak, was home to roughly 50,000 people.<ref>''Bezaisen to santo'' 「弁才船と三都」、Asahi hyakka Nihon rekishi 62, p7-46.</ref>
  
 
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Latest revision as of 13:52, 22 February 2018

For the samurai clan, see Sakai clan.
  • Japanese: 堺 (Sakai)

Sakai is a port town near Osaka which, in the 15th-17th centuries was a major center of merchant activity, including especially maritime trade and the manufacture and trade in firearms; it was also a center of arts and culture, tea ceremony in particular. The merchant leaders of Sakai managed to maintain a considerable degree of independence from samurai control throughout much of the Sengoku period.

Arguments between merchants in Sakai and Hakata over trading rights led in the early or mid-15th century to Ryukyuan trade being directed only through Hakata and Bônotsu for a time.[1]

From 1469 until 1510, Sakai was the chief departure port for tribute missions to Ming Dynasty China.

The city was governed by a board of thirty-six merchant councilors called egôshû, and was walled off and surrounded with moats, not unlike some of the free cities of Europe.[2] After 1568, the more independent egôshû were replaced by Oda Nobunaga with families he selected; they gained power, favor, and protection for the city from Nobunaga in exchange for providing services and gifts of prized tea implements and other Chinese treasures to him.[2][3]

Despite the chaos and turmoil of the Sengoku period, Sakai reportedly saw little violence - even in the form of street brawls.[3]

Sakai remained a prominent port city, both culturally and economically, and at its Edo period peak, was home to roughly 50,000 people.[4]

References

  • Morgan Pitelka. "Art, Agency, and Networks in the Career of Tokugawa Ieyasu." in A Companion to Asian Art and Architecture. Wiley-Blackwell, 2011, 451.
  1. Yokoyama Manabu 横山学, Ryûkyû koku shisetsu torai no kenkyû 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 36.
  2. 2.0 2.1 Eiko Ikegami, Bonds of Civility, Cambridge University Press (2005), 122.
  3. 3.0 3.1 Morgan Pitelka, Spectacular Accumulation, University of Hawaii Press (2016), 28-30.
  4. Bezaisen to santo 「弁才船と三都」、Asahi hyakka Nihon rekishi 62, p7-46.

External Links