Difference between revisions of "Satsuma biwa"
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''Satsuma biwa'' is a style or genre of narrative storytelling in which the storyteller accompanies him or herself on a lute-like musical instrument called a ''[[biwa]]''. | ''Satsuma biwa'' is a style or genre of narrative storytelling in which the storyteller accompanies him or herself on a lute-like musical instrument called a ''[[biwa]]''. | ||
| − | The style is based on the ''[[Heike biwa]]'' tradition, but uses a larger ''biwa'', which is said to produce a more dramatic sound. It emerged in [[Satsuma province]] in the 16th century, and | + | The style is based on the ''[[Heike biwa]]'' tradition, but uses a larger ''biwa'', which is said to produce a more dramatic sound. It emerged in [[Satsuma province]] in the 16th century, and [[Shimazu Tadayoshi (Soshu)|Shimazu Tadayoshi]] (1493-1568) had a particularly strong connection with the instrument. He is said to have composed the piece ''[[Mt. Horai|Hôraizan]]''. |
| − | ''Satsuma biwa'' enjoyed a revival in the [[Meiji period]]. | + | ''Satsuma biwa'' performance originally focused on a repertoire of stories aimed at the moral or educational edification of young men, women, and the elderly. However, in the [[Edo period]], several different schools of ''Satsuma biwa'' developed. While the samurai style added military tales and other dramatic pieces, "town" (''machi'') and "troupe head" (''zatô'') schools developed along different lines. |
| + | |||
| + | ''Satsuma biwa'' enjoyed a revival in the [[Meiji period]], as some of the most prominent figures in the [[Meiji government]] were from Satsuma, and introduced the school into [[Tokyo]], and elsewhere. The [[Meiji Emperor]], too, is said to have enjoyed ''Satsuma biwa'' music. | ||
==References== | ==References== | ||
*Malm, William. "Music Cultures of Momoyama Japan." in ''Warlords, Artists, and Commoners: Japan in the Sixteenth Century''. University of Hawaii, 1981. p170. | *Malm, William. "Music Cultures of Momoyama Japan." in ''Warlords, Artists, and Commoners: Japan in the Sixteenth Century''. University of Hawaii, 1981. p170. | ||
| + | *"[http://www.shuseikan.jp/culture/culture20.html Satsuma biwa]," ''Shimazu-ke ga hagukunda bunka'', [[Shokoshuseikan|Shôkoshûseikan]] official website. | ||
[[Category:Poetry and Theater]] | [[Category:Poetry and Theater]] | ||
[[Category:Sengoku Period]] | [[Category:Sengoku Period]] | ||
Latest revision as of 21:55, 16 January 2016
- Japanese: 薩摩琵琶 (Satsuma biwa)
Satsuma biwa is a style or genre of narrative storytelling in which the storyteller accompanies him or herself on a lute-like musical instrument called a biwa.
The style is based on the Heike biwa tradition, but uses a larger biwa, which is said to produce a more dramatic sound. It emerged in Satsuma province in the 16th century, and Shimazu Tadayoshi (1493-1568) had a particularly strong connection with the instrument. He is said to have composed the piece Hôraizan.
Satsuma biwa performance originally focused on a repertoire of stories aimed at the moral or educational edification of young men, women, and the elderly. However, in the Edo period, several different schools of Satsuma biwa developed. While the samurai style added military tales and other dramatic pieces, "town" (machi) and "troupe head" (zatô) schools developed along different lines.
Satsuma biwa enjoyed a revival in the Meiji period, as some of the most prominent figures in the Meiji government were from Satsuma, and introduced the school into Tokyo, and elsewhere. The Meiji Emperor, too, is said to have enjoyed Satsuma biwa music.
References
- Malm, William. "Music Cultures of Momoyama Japan." in Warlords, Artists, and Commoners: Japan in the Sixteenth Century. University of Hawaii, 1981. p170.
- "Satsuma biwa," Shimazu-ke ga hagukunda bunka, Shôkoshûseikan official website.
