Difference between revisions of "Ichimura-za"

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The Ichimura-za was one of the chief licensed [[kabuki]] theaters in [[Edo]].
 
The Ichimura-za was one of the chief licensed [[kabuki]] theaters in [[Edo]].
  
Opened in [[1634]] and originally located in the Fukiya-chô neighborhood near [[Nihonbashi]], just down the street or around the corner from the [[Nakamura-za]] and [[Morita-za]], all three theaters were forced to relocate to Saruwaka-chô in [[Asakusa]] in [[1841]]. Though remarkably financial stable compared to the Morita-za (which went bankrupt several times over the course of the [[Edo period]]), remaining in operation for roughly 150 years from its first opening, the Ichimura-za did succumb to financial difficulties and close in [[1784]]/4, with the building being demolished two months later. It was then, for a time, replaced by the [[Kiri-za]], which took over the Ichimura-za's place as one of the few officially licensed theaters in the city.<ref>Timothy Clark, "Edo Kabuki in the 1780s," ''The Actor's Image'', Art Institute of Chicago (1994), 28.</ref> The Ichimura-za was later rebuilt and reopened, however.
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Opened in [[1634]] as the Murayama-za and originally located in the Fukiya-chô neighborhood near [[Nihonbashi]], just down the street or around the corner from the [[Nakamura-za]] and [[Morita-za]], all three theaters were forced in [[1842]] to relocate to Saruwaka-chô in [[Asakusa]], to the former grounds of the lower mansion ([[daimyo yashiki|shimo yashiki]]) of the [[Koide clan]] lords of [[Sonobe han]].<ref>Gallery labels, Edo-Tokyo Museum.[https://www.flickr.com/photos/toranosuke/46301338735/sizes/h/]</ref> Though remarkably financial stable compared to the Morita-za (which went bankrupt several times over the course of the [[Edo period]]), remaining in operation for roughly 150 years from its first opening, the Ichimura-za did succumb to financial difficulties and close in [[1784]]/4, with the building being demolished two months later. It was then, for a time, replaced by the [[Kiri-za]], which took over the Ichimura-za's place as one of the few officially licensed theaters in the city.<ref>Timothy Clark, "Edo Kabuki in the 1780s," ''The Actor's Image'', Art Institute of Chicago (1994), 28.</ref> The Ichimura-za was later rebuilt and reopened, however.
  
 
The Ichimura-za was home to many of the most famous and popular actors of the period, and saw many notable debuts and other events, including the [[1717]] debut of the kabuki version of the [[ningyo joruri|puppet play]] ''[[Battles of Coxinga]]'', the [[1762]] premiere of the dance piece ''[[Sagi Musume]]'', and the [[1862]] premiere of ''[[Benten Kozo|Benten Kozô]]''.
 
The Ichimura-za was home to many of the most famous and popular actors of the period, and saw many notable debuts and other events, including the [[1717]] debut of the kabuki version of the [[ningyo joruri|puppet play]] ''[[Battles of Coxinga]]'', the [[1762]] premiere of the dance piece ''[[Sagi Musume]]'', and the [[1862]] premiere of ''[[Benten Kozo|Benten Kozô]]''.

Latest revision as of 21:30, 14 December 2021

Stone marker at the former site of the Ichimura-za in Saruwaka-chô (Asakusa 6-18-13)
  • Established: 1634
  • Japanese: 市村(Ichimura-za)

The Ichimura-za was one of the chief licensed kabuki theaters in Edo.

Opened in 1634 as the Murayama-za and originally located in the Fukiya-chô neighborhood near Nihonbashi, just down the street or around the corner from the Nakamura-za and Morita-za, all three theaters were forced in 1842 to relocate to Saruwaka-chô in Asakusa, to the former grounds of the lower mansion (shimo yashiki) of the Koide clan lords of Sonobe han.[1] Though remarkably financial stable compared to the Morita-za (which went bankrupt several times over the course of the Edo period), remaining in operation for roughly 150 years from its first opening, the Ichimura-za did succumb to financial difficulties and close in 1784/4, with the building being demolished two months later. It was then, for a time, replaced by the Kiri-za, which took over the Ichimura-za's place as one of the few officially licensed theaters in the city.[2] The Ichimura-za was later rebuilt and reopened, however.

The Ichimura-za was home to many of the most famous and popular actors of the period, and saw many notable debuts and other events, including the 1717 debut of the kabuki version of the puppet play Battles of Coxinga, the 1762 premiere of the dance piece Sagi Musume, and the 1862 premiere of Benten Kozô.

References

  1. Gallery labels, Edo-Tokyo Museum.[1]
  2. Timothy Clark, "Edo Kabuki in the 1780s," The Actor's Image, Art Institute of Chicago (1994), 28.