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*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 319.

Scholar [[Eiko Ikegami]] points to the use of art-names as an important facet of the functioning o *[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 145-147.

...city and from one booklender to another, but are cited by historian [[Eiko Ikegami]] as being roughly 1/6th the cost of buying the book outright. She estimate *Ikegami, Eiko. ''Bonds of Civility: Aesthetic Networks and the Political Origins of Japan

...e, but was related to ''seken'' [imagined community, society]."<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 90.</ref> Thus ..., and associate more freely regardless of official status or identity.<ref>Ikegami, 80-81.</ref>

...lar interest in fashion and the rise of a lucrative fashion industry."<ref>Ikegami, 271.</ref>

...Imperially selected compilations of the best poems of the age.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 83.</ref>

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 111.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 310.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 165-166.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 272.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 316.

...of gossip and information which took place within such spaces constituted, Ikegami argues, an important space of public discourse outside of that regulated or *[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 113-114.

...ning", i.e. reading and writing) tutoring from relatives or neighbors.<ref>Ikegami, 300.</ref> ...a humble household like ours can have lessons in writing and reading."<ref>Ikegami, 302.</ref>

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 155-156.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 273-274.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 252-253.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 321.

Scholar [[Eiko Ikegami]] suggests that, beyond being simply a fashion trend, ''iki'' connected int *[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 245-285.

...ces, music, and poetry performed to pacify these angry spirits.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 88.</ref>

*Ikegami, Eiko. ''Bonds of Civility: Aesthetic Networks and the Political Origins of Japan

...itual called ''ichimi shinsui'' ("one sip of the gods' water").<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 114-115.</ref> ...ators, faction, cabal, or clique) by the authorities, and were banned.<ref>Ikegami, 129.</ref>

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 96-97.

...thread, coral accents) turned to dyeing to produce beautiful effects.<ref>Ikegami, 275.</ref> *[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 255-260.

...riod was likely seen as a firmly entrenched traditional custom.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 269-270.</ref> ...'kabukimono'' - a close friend, perhaps a lover - sometime previously.<ref>Ikegami, 263.</ref>

...a]]'' (handguards), and elements of European clothing.<ref name=ikegami261>Ikegami. p261.</ref> ...ave acted as a man sometimes, e.g. jokingly flirting with other women.<ref>Ikegami. p264.</ref> The word for the drama form has, however, come to be written w

...d tea implements and other [[karamono|Chinese treasures]] to him.<ref name=ikegami/><ref name=pitelka29>Morgan Pitelka, ''Spectacular Accumulation'', Universi

...d cases of love suicides in Kyoto and Osaka in 1703-1704 alone.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 317. Love suic

...simply in order to get wealthy, that Hideyoshi had him killed.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 124-125.</ref>

*Eiko Ikegami, ''Bonds of Civility'', Cambridge University Press (2005), 232-233.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 233-234.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 252-253.

*[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 68-69.

...nt number of samurai retainers too low-ranking to own a horse).<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 106.</ref>

...for fifty days, and Tsutaya had half his property confiscated.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 319.</ref>

...on, developing into more mature, defined forms.<ref name=ikegami106>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 106.</ref> ...the shogun was perhaps too infatuated with such petty entertainments.<ref>Ikegami, 107-108.</ref>

...strated his deep involvement in cultural pursuits. Though historian [[Eiko Ikegami]] emphasizes the tea arts as a space outside of status hierarchies and offi ...me bowl enhances a sense of community or oneness with one's fellow guests. Ikegami emphasizes the role of tea ceremony, along with certain other arts, in crea

...nd in Japan may have increased by as much as a factor of three.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 35.</ref>

...itself benefits from the prestige of having so many adherents.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 168.</ref>

*Eiko Ikegami, ''Bonds of Civility'', Cambridge University Press (2005), 80-81.

...t, down from 40% in the 1660s, and presumably much higher before that.<ref>Ikegami, 299.</ref> ...) they engaged in both printing/publishing and retail,<ref name=ikegami286>Ikegami, 286.</ref> and numbered over a hundred by the 1630s. By around 1626, comme

...tus, or out of simple desire and fashion taste.<ref name=ikegami254>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 254.</ref>

...opies of the [[Confucian classics]] and other non-Buddhist works.<ref>Eiko Ikegami, ''Bonds of Civility'', Cambridge University Press (2005), 291-292.</ref>

...e land in Japan is believed to have nearly tripled,<ref name=eiko35>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 35.</ref> and ...been called the "public sphere" or the emergence of "publics."<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005). For Japanese c

...ls in the city into a certain area, the Yoshiwara neighborhood.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 268.</ref> He

...r was crucial to attaining fame and success in the countryside.<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 110.</ref> Yam

...irected by women, specifically courtesans of the [[Yoshiwara]].<ref>[[Eiko Ikegami]], ''Bonds of Civility'', Cambridge University Press (2005), 264.</ref> Ski ...a42/> Kabuki actors were also required to live within these districts.<ref>Ikegami, 270.</ref> The rebuilding of the theaters in the designated districts at t