Difference between revisions of "Sai Ninki"

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(Created page with "*''Japanese/Chinese'': 任貴 ''(Sai Ninki / Cài Rènguì)'' Sai Ninki was a Ryukyuan scholar-aristocrat who served as instructor t...")
 
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Sai Ninki was a [[scholar-aristocracy of Ryukyu|Ryukyuan scholar-aristocrat]] who served as instructor to the musicians attached to the [[1796]] [[Ryukyuan mission to Edo]].
 
Sai Ninki was a [[scholar-aristocracy of Ryukyu|Ryukyuan scholar-aristocrat]] who served as instructor to the musicians attached to the [[1796]] [[Ryukyuan mission to Edo]].
  
He was a son of [[Sai Koso|Sai Kôso]], who had served as music instructor for two earlier Edo missions, in [[1748]] and [[1752]]. Two of Ninki's elder brothers, [[Sai Nincho|Sai Ninchô]] and [[Sai Ninho|Sai Ninhô]], were notable instructors of Chinese music as well, and served together in training musicians for a [[1772]] mission to [[Kagoshima]].
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He was a son of [[Sai Koso|Sai Kôso]], who had served as music instructor for two earlier Edo missions, in [[1748]] and [[1752]]. Two of Ninki's elder brothers, [[Sai Nincho|Sai Ninchô]] and [[Sai Ninho|Sai Ninhô]], were notable instructors of Chinese music as well, and served together in training musicians for a [[1772]] mission to [[Kagoshima]]. Unlike most such instructors, Sai Ninki had never traveled to China; however, he was still able to secure such a position, as a result of his education and expertise coming from such a family.
  
 
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Revision as of 01:17, 3 January 2017

  • Japanese/Chinese: 任貴 (Sai Ninki / Cài Rènguì)

Sai Ninki was a Ryukyuan scholar-aristocrat who served as instructor to the musicians attached to the 1796 Ryukyuan mission to Edo.

He was a son of Sai Kôso, who had served as music instructor for two earlier Edo missions, in 1748 and 1752. Two of Ninki's elder brothers, Sai Ninchô and Sai Ninhô, were notable instructors of Chinese music as well, and served together in training musicians for a 1772 mission to Kagoshima. Unlike most such instructors, Sai Ninki had never traveled to China; however, he was still able to secure such a position, as a result of his education and expertise coming from such a family.

References

  • Liao Zhenpei 廖真珮, "Ryûkyû kyûtei ni okeru Chûgoku kei ongaku no ensô to denshô" 琉球宮廷における中国系音楽の演奏と伝承, in Uzagaku no fukugen ni mukete 御座楽の復元に向けて, Naha, Okinawa: Uzagaku fukugen ensô kenkyûkai 御座楽復元演奏研究会 (2007), 111-112, citing Naha shishi 那覇市史, vol 6 上, Naha City Office (1980), p328-329.