Difference between revisions of "Dragon robe"
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The robes were only produced in China, at the Imperial workshops at Hangzhou, Nanjing, and Shouzhou; their production in Ryûkyû, Korea, or elsewhere was forbidden by Chinese Imperial edict. After production, the robes would be brought to the Imperial capital for certification, and then to Ryûkyû, Korea, or another destination by [[Chinese investiture envoys|investiture envoys]], along with a golden & jeweled crown and belt, and other symbols of investiture. Robes were also sometimes obtained by Ryukyuan officials in Beijing. | The robes were only produced in China, at the Imperial workshops at Hangzhou, Nanjing, and Shouzhou; their production in Ryûkyû, Korea, or elsewhere was forbidden by Chinese Imperial edict. After production, the robes would be brought to the Imperial capital for certification, and then to Ryûkyû, Korea, or another destination by [[Chinese investiture envoys|investiture envoys]], along with a golden & jeweled crown and belt, and other symbols of investiture. Robes were also sometimes obtained by Ryukyuan officials in Beijing. | ||
| − | The right to wear dragon robes was enjoyed not only by the king of Ryûkyû, but by the entire royal family, and by certain high-ranking families of the aristocracy as well. Chinese robes were also, on rare occasions, given by the king of Ryûkyû as gifts to others; in [[1605]], King [[Sho Nei|Shô Nei]] bestowed a dragon robe from his personal wardrobe upon a prominent Kyoto monk who was about to return to Japan after a three-year stay in Ryûkyû. | + | The right to wear dragon robes was enjoyed not only by the king of Ryûkyû, but by the entire royal family, and by certain high-ranking families of the aristocracy as well. Chinese robes were also, on rare occasions, given by the king of Ryûkyû as gifts to others; in [[1605]], King [[Sho Nei|Shô Nei]] bestowed a dragon robe from his personal wardrobe upon a prominent Kyoto monk who was about to return to Japan after a three-year stay in Ryûkyû. This same robe has since come into the possession of a group who display it during [[Gion Matsuri]] every year. |
Patterns varied across the centuries, at the whim of the Chinese Emperor, but always prominently featured dragons, often directly on front, back, and sleeves, with more dragons on the skirt. The robes worn by the Chinese Emperor himself bore dragons with five claws on each hand; only the King of Ryûkyû was permitted the same, while all other royals and officials who wore dragon robes (e.g. the king of Korea) were restricted to dragons with four or three talons. The designs on the robe generally represented a celestial map, with images representative of earth and sea at the bottom, and clouds and the heavens towards the top, with a variety of [[Buddhism|Buddhist]], [[Taoism|Taoist]] and other symbols scattered across the composition. | Patterns varied across the centuries, at the whim of the Chinese Emperor, but always prominently featured dragons, often directly on front, back, and sleeves, with more dragons on the skirt. The robes worn by the Chinese Emperor himself bore dragons with five claws on each hand; only the King of Ryûkyû was permitted the same, while all other royals and officials who wore dragon robes (e.g. the king of Korea) were restricted to dragons with four or three talons. The designs on the robe generally represented a celestial map, with images representative of earth and sea at the bottom, and clouds and the heavens towards the top, with a variety of [[Buddhism|Buddhist]], [[Taoism|Taoist]] and other symbols scattered across the composition. | ||
Revision as of 04:41, 7 November 2011
Dragon robes were lavish silk garments bestowed by the Chinese Emperor to the royalty of China's tributary states, most prominently Ryûkyû and Korea, as signs of their power and authority, and of their subordination and debt to the Chinese Emperor. Though records have been found indicating that robes were given on at least one occasion to a ruler in Java and even to a Sharif of Mecca, the robes seem to have only ever been worn or otherwise used in a symbolic and ceremonial way by the kings and aristocracy of Ryûkyû and Korea; the king of Ryûkyû only ever wore the robes when receiving Chinese ambassadors, however, and wore a royal costume in accordance with Ryukyuan native tradition for all other occasions[1].
The robes were only produced in China, at the Imperial workshops at Hangzhou, Nanjing, and Shouzhou; their production in Ryûkyû, Korea, or elsewhere was forbidden by Chinese Imperial edict. After production, the robes would be brought to the Imperial capital for certification, and then to Ryûkyû, Korea, or another destination by investiture envoys, along with a golden & jeweled crown and belt, and other symbols of investiture. Robes were also sometimes obtained by Ryukyuan officials in Beijing.
The right to wear dragon robes was enjoyed not only by the king of Ryûkyû, but by the entire royal family, and by certain high-ranking families of the aristocracy as well. Chinese robes were also, on rare occasions, given by the king of Ryûkyû as gifts to others; in 1605, King Shô Nei bestowed a dragon robe from his personal wardrobe upon a prominent Kyoto monk who was about to return to Japan after a three-year stay in Ryûkyû. This same robe has since come into the possession of a group who display it during Gion Matsuri every year.
Patterns varied across the centuries, at the whim of the Chinese Emperor, but always prominently featured dragons, often directly on front, back, and sleeves, with more dragons on the skirt. The robes worn by the Chinese Emperor himself bore dragons with five claws on each hand; only the King of Ryûkyû was permitted the same, while all other royals and officials who wore dragon robes (e.g. the king of Korea) were restricted to dragons with four or three talons. The designs on the robe generally represented a celestial map, with images representative of earth and sea at the bottom, and clouds and the heavens towards the top, with a variety of Buddhist, Taoist and other symbols scattered across the composition.
Chinese records of robes given to other countries are almost completely non-existent; some vague references in Ryukyuan records seem to indicate that Ryûkyû may have first received dragon robes in 1442.[1]
Ryukyuan officials also wore robes received from China (sometimes altered)[1], or robes patterned after those of Chinese officials but produced in Ryûkyû, up until the fall of the Ming Dynasty in 1644, after which the Chinese official costume changed dramatically and Ryukyuan officials adopted a system of uniform consisting of bingata robes, a native garment style influenced by the dragon robes.
The first Qing mission arrived in 1663, and granted permission to the king to maintain Ming styles, refraining from obliging the Ryukyuans from adopting Qing (Manchu) costume. As the king would continue to wear a Ming-style dragon robe up until the fall of the kingdom in the 1870s, Qing investiture envoys soon came to joke that the Ryukyuan king looked like he had stepped out of a theatre production, his costume being so different from what they were used to seeing outside of the historical settings of the theatre.
The final set of dragon robes to be bestowed upon the King of Ryûkyû were brought by Chinese envoys in 1874.
References
- Gonick, Gloria. Splendor of the Dragon: Costumes of the Ryukyu Kingdom. Craft and Folk Art Museum of Los Angeles, 1995. pp15-17.
