Elephants

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  • Japanese:(zô)

Elephants were known in Japan from an early period through Buddhist literature and iconography. In particular, the bodhisattva Fugen 普賢 (Samantabhadra) was often shown riding an elephant.

However, a number of live elephants also arrived in Japan before the Meiji Period. One came in 1408, and another in 1602. (Ôta p. 66.) An elephant was also sent from the King of Cambodia to Ôtomo Sôrin (1530-1587) of Bungo province in Kyushu; it died soon after its arrival. (They Came to Japan)

In 1597, Luis de Navarrete Fajardo, a Spanish envoy from the Philippines, took an elephant named "Don Pedro" with him when he went to Osaka for an audience with Toyotomi Hideyoshi. A "Nanban" screen by Kanô Naizen 狩野内膳 (1570-1616) depicting foreigners in a Japanese port city[1] shows an elephant carrying a man in a litter on its back accompanied by two keepers. Compared with elephants in other Japanese pictures, it is of firm shape and its skin is fairly smooth: it was probably based on a live animal, perhaps Don Pedro. On the other hand, the wobbly creature in a later Nanban screen [2] was probably based on traditional iconography.

The elephants we know most about are a pair that arrived in Japan in the 6th month of 1728. They were brought from Viet Nam (広南) by the Chinese merchant 鄭大成or大威, apparently at the request of Shogun Tokugawa Yoshimune. The female died in Nagasaki about 3 months later, but the male was sent to Edo. He was then about 6 years old. According to instructions issued for his journey along the Sanyô Highway and the Tôkaidô Highway, he was about 7 shaku (=feet) high, 11 shaku long, and 4 shaku wide (2.1m x 3.3m x 1.2m ). He ate bamboo leaves, green grass (180 kg(=400 lb)/day), and hay. People were allowed to gather to look at him, but they had to be quiet.

The elephant left Nagasaki for Edo in 1729/2, was granted an imperial audience in Kyoto, went through the Hakone check-point (the picture in the Checkpoint Museum seems to be a live portrait), and after a journey of about 3 1/2 months reached Edo and was viewed by the shogun on 5/27. After that he was housed in the shogunal property at Shiba no Hama. However, he cost 200 ryô/year to feed, and less than a year later, the bakufu tried to turn him over to the private sector, but there were no suitable takers.

However, he found an unexpected use, as a source of medicine. There were several epidemics of measles and smallpox in that period, and the shogunate was actively promoting the manufacture of a medicine made from cattle dung. Apparently it was decided that elephant dung would also work. The medicine made from the dung was called zô-hora 象洞 (elephant cavity?). A group headed by a man named Gensuke 源助 asked for permission to sell it as a commercial product. They hoped to distribute it so "everyone throughout the land, even those of lowest degree," could get its benefits; the price per package was 10 mon (a mon was the smallest monetary value). So, the elephant lived a quiet life as a medicine maker, occasionally being put on display.

However, the elephant was becoming an adult, and by 1741 he was getting aggressive and large (14 ft. tall, from shoulders down 9 feet, with a trunk of 7 feet), and there was concern about fire, so he was moved to Nakano village, where Gensuke lived. A very sturdy stable with a dry moat was built for him. But the shogunate was still interested in his welfare. Two months after he moved, an official (a dôshin) was sent unannounced to check up on him. A report was made to no one less than Yoshimune's close confidant Kanô Hisamichi 加納久通 that the elephant was doing well.

However, towards the end of the next year the elephant become ill. A nearby horse doctor had him warmed and gave him medicine, and another one used acupuncture and hot irons on his nails (presumably the large-animal equivalent of moxa treatment), but he died a few days later. The shogunate took his hide, but Gensuke took his bones. He and those after him tried to make money by displaying them, but it did not work too well. In 1779 the bones were sold to a temple, but they were lost in a fire during the Boshin War.


  1. Cat. no. 123 in Turning Point; the screen, with the elephant at the far left of the upper screen, can be seen at http://www.city.kobe.lg.jp/culture/culture/institution/museum/meihin/046.html. Click on the portion you with to view for a closer look.
  2. One belonging to Sairenji Temple 西蓮寺 in Anjô City, Aichi prefecture; Cat. no 124 in Turning Point.

References

  • Murase, Miyeko, ed., Turning Point: Oribe and the Arts of Sixteenth-Century Japan, New York, Metropolitan Museum of Art, 2003.
  • Ôta Naohiro 太田尚宏, 享保の渡来象始末記 (The complete account of the elephant that came from abroad in the Kyôhô Era), in Takeuchi Makoto 竹内誠, et al., ed., 江戸時代の古文書を読む:享保の改革 (Reading Edo-Period Documents: The Kyôhô Reforms), Tokyo-Dô, 2004.
  • They Came to Japan