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[[King Sejong]] of Joseon reformed or formalized ''aak'' further in the early 15th century, combining the formal ''aak'' tradition with ''dangak'' (唐楽, Tang music) and ''hyangak'' (郷楽, native Korean "village music") traditions into a new form of formal ritual ''aak'' court music.<ref>Gallery labels, "Story of King Sejong," King Sejong Square, Seoul.</ref>
[[King Sejong]] of Joseon reformed or formalized ''aak'' further in the early 15th century, combining the formal ''aak'' tradition with ''dangak'' (唐楽, Tang music) and ''hyangak'' (郷楽, native Korean "village music") traditions into a new form of formal ritual ''aak'' court music.<ref>Gallery labels, "Story of King Sejong," King Sejong Square, Seoul.</ref>
''Aak'' continues to be performed today in particular contexts, including in formal annual Confucian ceremonies at the [[Jongmyo Shrine]] in [[Seoul]].
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