| [[Image:Miyagawa Issho - Shunga emaki.jpg|right|thumb|300px|An early section from a ''shunga'' handscroll painting by [[Miyagawa Issho|Miyagawa Isshô]], c. 1750.]] | | [[Image:Miyagawa Issho - Shunga emaki.jpg|right|thumb|300px|An early section from a ''shunga'' handscroll painting by [[Miyagawa Issho|Miyagawa Isshô]], c. 1750.]] |
| ''Shunga'' images also sometimes appeared within otherwise innocent guides to fashion, makeup, and hairstyling. | | ''Shunga'' images also sometimes appeared within otherwise innocent guides to fashion, makeup, and hairstyling. |
− | They were also referred to as ''warai-e'', or "laughing pictures," not because they were meant to be humorous, but with the meaning that they were set apart from the normal realm; they belonged to a cultural or conceptual space outside of the mundane realm of real-life propriety and duty.<ref>Jacqueline Berndt, “Manga and ‘Manga’: Contemporary Japanese Comics and their Dis/similarities with Hokusai Manga,” in ''Manggha'', Krakow: Japanese Art and Technology Center (2008), 7.</ref> | + | They were also referred to as ''warai-e'', or "laughing pictures," not because they were meant to be humorous, but with the meaning that they were set apart from the normal realm; they belonged to a cultural or conceptual space outside of the mundane realm of real-life propriety and duty.<ref>Jacqueline Berndt, “Manga and ‘Manga’: Contemporary Japanese Comics and their Dis/similarities with Hokusai Manga,” in ''Manggha'', Krakow: Japanese Art and Technology Center (2008), 7.</ref> While ''shunga'' or ''warai-e'' refers to the pictures themselves, or to single-sheet prints of such pictures, the terms ''shunpon'' (春本) and ''warai-hon'' (笑本) refer to books of such pictures. |