| All but the last mission traveled to Edo, going via Tsushima, through the [[Inland Sea]] to [[Osaka]], and then overland from there; the 1811 mission only journeyed as far as Tsushima. From 1607 until [[1682]], the Koreans were lodged at the temple of [[Honsei-ji]] in the Bakurochô neighborhood of Edo; the temple burned down in the [[Oshichi fire]] of 1682, and from then on Korean embassies stayed at the [[Higashi Honganji (Asakusa)|Higashi Honganji]] in [[Asakusa]].<ref>Toby, Ronald. "Carnival of the Aliens: Korean Embassies in Edo-Period Art and Popular Culture." ''[[Monumenta Nipponica]]'' 41:4 (1986). pp415-456.</ref> | | All but the last mission traveled to Edo, going via Tsushima, through the [[Inland Sea]] to [[Osaka]], and then overland from there; the 1811 mission only journeyed as far as Tsushima. From 1607 until [[1682]], the Koreans were lodged at the temple of [[Honsei-ji]] in the Bakurochô neighborhood of Edo; the temple burned down in the [[Oshichi fire]] of 1682, and from then on Korean embassies stayed at the [[Higashi Honganji (Asakusa)|Higashi Honganji]] in [[Asakusa]].<ref>Toby, Ronald. "Carnival of the Aliens: Korean Embassies in Edo-Period Art and Popular Culture." ''[[Monumenta Nipponica]]'' 41:4 (1986). pp415-456.</ref> |
− | The lead envoy (''seishi'') on such missions wore a robe decorated with ''[[kirin]]''. Formal letters from the King of Korea were carried in a special chest, by a number of Korean officials; this was in contrast to the [[Ryukyuan embassies to Edo]], in which a secretary (''shokanshi'') carried formal letters on his person. Even the palanquin of the lead envoy himself was carried by Japanese porters, showing the great esteem accorded these communiques. The streets were prepared ahead of time by having the streets swept, and water sprinkled to settle the dust. During the procession, men with long bamboo poles helped push the crowds out of the way, to make room for the procession to pass down the road. While many paradegoers simply stood or sat on the side of the road, others set up viewing booths, complete with [[tatami]] and sliding screen (''[[fusuma]]'') paintings. | + | The lead envoy (''seishi'') on such missions wore a robe decorated with ''[[kirin]]''. Formal letters from the King of Korea were carried in a special chest, by a number of Korean officials; this was in contrast to the [[Ryukyuan embassies to Edo]], in which a secretary (''shokanshi'') carried formal letters on his person. Even the open-sided palanquin of the lead envoy himself (making him more visible for onlookers)<ref>Toby, 433.</ref> was carried by Japanese porters, showing the great esteem accorded these communiques. The streets were prepared ahead of time by having the streets swept, and water sprinkled to settle the dust. During the procession, men with long bamboo poles helped push the crowds out of the way, to make room for the procession to pass down the road. While many paradegoers simply stood or sat on the side of the road, others set up viewing booths, complete with [[tatami]] and sliding screen (''[[fusuma]]'') paintings. |
| Japan obtained a variety of goods from Korea during this period, either through tribute or the associated trade, or other gifts, including rice, textiles, ceramics, mother-of-pearl inlays, books, documents such as Buddhist [[sutras]], Buddhist sculptures, and temple bells. However, the greatest bulk of the trade was for ginseng, which comprised 27% of the Korean goods flowing into Japan, and which at times created monetary and trade deficit issues for the Japanese.<ref>Schottenhammer. pp56-57.</ref> | | Japan obtained a variety of goods from Korea during this period, either through tribute or the associated trade, or other gifts, including rice, textiles, ceramics, mother-of-pearl inlays, books, documents such as Buddhist [[sutras]], Buddhist sculptures, and temple bells. However, the greatest bulk of the trade was for ginseng, which comprised 27% of the Korean goods flowing into Japan, and which at times created monetary and trade deficit issues for the Japanese.<ref>Schottenhammer. pp56-57.</ref> |