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  • ...ombinations are ''[[nagauta]]'' & ''[[kiyomoto]]'', and ''kiyomoto'' & ''[[gidayu-bushi|gidayû]]''; a few pieces in the repertoire make use of three styles, such
    721 bytes (101 words) - 10:18, 8 August 2012
  • 1 KB (188 words) - 06:41, 16 March 2008
  • ...in the ''shinnai'', ''[[katobushi|katôbushi]]'', ''[[tomimoto]]'', and ''[[gidayu-bushi|gidayû-bushi]]'' styles.
    3 KB (476 words) - 20:29, 7 August 2012
  • 3 KB (535 words) - 21:07, 5 September 2014
  • 629 bytes (84 words) - 20:28, 31 January 2017
  • ...adehon Chûshingura]]'', and ''[[Sugawara denju tenarai kagami]]''. The ''[[gidayu-bushi|gidayû]]'' genre of music used in these pieces is often called ''takemoto'
    5 KB (840 words) - 17:59, 8 August 2012
  • ...nning, around the year [[1600]], developing its own distinctive genre (''[[gidayu-bushi|gidayû-bushi]]'') and indeed its own distinctive style of instrument (the
    11 KB (1,655 words) - 20:02, 5 March 2018
  • 1 KB (149 words) - 10:20, 29 December 2016
  • 2 KB (228 words) - 12:06, 29 January 2017
  • 2 KB (269 words) - 16:47, 11 December 2017
  • 2 KB (289 words) - 18:57, 3 March 2014
  • 6 KB (1,021 words) - 21:43, 17 February 2014
  • ...style, though the ''[[tokiwazu-bushi]]'', ''[[kiyomoto-bushi]]'', and ''[[gidayu-bushi|gidayû-bushi]]'' styles, born out of the puppet theater, dance traditions,
    43 KB (6,903 words) - 00:03, 26 June 2020