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A short distance down the wall from the Kankaimon is the Kyûkeimon (久慶門), the women's gate, which is elevated somewhat, and reached by a short staircase. Constructed during the reign of Shô Shin, the Kyûkeimon was also used when the king paid official visits to temples and shrines, or to sites in [[Urasoe]] or further north. Rainwater falling on and around the castle naturally gathered here, at a pair of springs which thus served to supply fresh water to the castle<ref>"Shisetsu annai: Kyûkeimon." Shuri Castle Park Official Website.</ref>. Rainwater was also collected in large terracotta pots known as ''tensuigame'' (天水瓷), arranged around the compound.

A short distance down the wall from the Kankaimon is the Kyûkeimon (久慶門), the women's gate, which is elevated somewhat, and reached by a short staircase. Constructed during the reign of Shô Shin, the Kyûkeimon was also used when the king paid official visits to temples and shrines, or to sites in [[Urasoe]] or further north. Rainwater falling on and around the castle naturally gathered here, at a pair of springs which thus served to supply fresh water to the castle<ref>"Shisetsu annai: Kyûkeimon." Shuri Castle Park Official Website.</ref>. Rainwater was also collected in large terracotta pots known as ''tensuigame'' (天水瓷), arranged around the compound.

An additional external gate, the Bifukumon (美福門), used to face the southeast. There are no known extant photographs of the gate, only a painting by oil painter [[Yamamoto Hosui|Yamamoto Hôsui]] which is believed to depict the gate; Hôsui visited Okinawa in [[1887]], and the gate is believed to have been lost soon afterwards. Excavations on this, and other sections of the site continue, and the gate may be rebuilt someday, along with other parts of the castle compound.<ref>This and seven others of Hôsui's Okinawa paintings are now held by the [[Museum of the Imperial Collections]] (''Sannomaru shôzôkan'') in Tokyo.<br>Takashina Erika 高階絵里加. "''Yamamoto Hôsui no Okinawa hômon ni kansuru shiron''" 山本芳翠の沖縄訪問に関する試論. ''Bijutsushi'' 144:2 (Mar 1998). pp141-142.</ref> Another gate, known as the Suetsugi-ujô 継世門 (J: ''Keisei-mon''), was completed in [[1543]], in conjunction with the expansion of the castle walls.<ref name=shimposhurireki>"Shurijô no rekishi," ''Ryukyu Shimpo'', 1 Nov 1992.</ref>

An additional external gate, the Bifukumon (美福門), used to face the southeast. There are no known extant photographs of the gate, only a painting by oil painter [[Yamamoto Hosui|Yamamoto Hôsui]] which is believed to depict the gate; Hôsui visited Okinawa in [[1887]], and the gate is believed to have been lost soon afterwards. Excavations on this, and other sections of the site continue, and the gate may be rebuilt someday, along with other parts of the castle compound.<ref>This and seven others of Hôsui's Okinawa paintings are now held by the [[Museum of the Imperial Collections]] (''Sannomaru shôzôkan'') in Tokyo.<br>Takashina Erika 高階絵里加. "''Yamamoto Hôsui no Okinawa hômon ni kansuru shiron''" 山本芳翠の沖縄訪問に関する試論. ''Bijutsushi'' 144:2 (Mar 1998). pp141-142.</ref> Another gate, known as the Suetsugi-ujô 継世門 (J: ''Keisei-mon''), was completed in [[1543]], in conjunction with the expansion of the castle walls.<ref name=shimposhurireki/>

Upon entering the Kankaimon or Kyûkeimon (both built c. [[1477]]),<ref name=shimposhurireki/> a visitor, official, or royal would next ascend a set of stairs flanked by seven stone tablets of investiture, representing prior kings and the authority of the Throne. Even the king himself would dismount here from his [[palanquin]] and bow before proceeding further into the complex.

Upon entering the Kankaimon or Kyûkeimon (both built c. [[1477]]),<ref name=shimposhurireki/> a visitor, official, or royal would next ascend a set of stairs flanked by seven stone tablets of investiture, representing prior kings and the authority of the Throne. Even the king himself would dismount here from his [[palanquin]] and bow before proceeding further into the complex.