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The head of a faction of military officials who allied with literati (civil) officials in seeking social reform, his preference for negotiation with Ming Dynasty China rather than military means of solving a territorial dispute over his home region of Ssangseong led to the fall of the Goryeo Dynasty, and the establishment of his own, new, Joseon Dynasty, in [[1392]].<ref>Kang, David C. “Hierarchy and Legitimacy in International Systems: The Tribute System in Early Modern East Asia.” ''Security Studies'' 19, no. 4 (2010): 612</ref>
The head of a faction of military officials who allied with literati (civil) officials in seeking social reform, his preference for negotiation with Ming Dynasty China rather than military means of solving a territorial dispute over his home region of Ssangseong led to the fall of the Goryeo Dynasty, and the establishment of his own, new, Joseon Dynasty, in [[1392]].<ref>Kang, David C. “Hierarchy and Legitimacy in International Systems: The Tribute System in Early Modern East Asia.” ''Security Studies'' 19, no. 4 (2010): 612</ref>
The court produced twenty-six formal portraits of King Taejo; however, only one is known to survive today. The surviving painting, today in the collection of the [[National Museum of Korea]], is an [[1872]] copy of an original, enshrined in Gyeonggijeon Hall in Jeonju in [[1410]], and restored in [[1763]]. Gyeonggijeon Hall was one of six official portrait halls established by the court to host royal portraits in the provinces, thus extending the sense of royal authority out into the countryside.<ref>Gallery labels, National Museum of Korea.[https://www.flickr.com/photos/toranosuke/39629479372/sizes/h/]</ref>
Though Taejo requested [[investiture]] from the Ming several times, he was repeatedly rejected. Scholars such as Ji-Young Lee attribute this rejection to a concern on the part of the Ming that Taejo was too friendly with the Jurchens, and was perhaps considering conquering parts or all of the [[Liaodong]] region, a vital strategic buffer zone for the Ming. In his letters rejecting investiture, the [[Hongwu Emperor]] repeatedly advised Taejo against the advice of Joseon official [[Jeong Dojeon]], the head of the planned Liaodong campaigns; ultimately, Hongwu requested that Jeong be sent to China as a hostage. Thus, it was not until the time of Taejo's successor that Joseon received investiture from the Ming court.<ref>Ji-Young Lee, 326.</ref>
The Joseon court produced twenty-six formal portraits of King Taejo; however, only one is known to survive today. The surviving painting, today in the collection of the [[National Museum of Korea]], is an [[1872]] copy of an original, enshrined in Gyeonggijeon Hall in Jeonju in [[1410]], and restored in [[1763]]. Gyeonggijeon Hall was one of six official portrait halls established by the court to host royal portraits in the provinces, thus extending the sense of royal authority out into the countryside.<ref>Gallery labels, National Museum of Korea.[https://www.flickr.com/photos/toranosuke/39629479372/sizes/h/]</ref>
