Changes

The second floor was called the ''ufugui'' (大庫理), and was the site of more private rituals and ceremonies performed only amongst the royalty and court ladies. It contained the throne room, but was largely a women's space. The throne room itself (also called ''usasuka'' like the audience chamber below) was decorated lavishly in gold and vermillion, as was the entire Seiden, inside and out. Two dragon pillars, painted gold, flank the throne, a Chinese-style chair elaborately carved and painted gold and vermillion as well. The dais upon which the throne sat resembled that of a Buddha statue, and was adorned with carvings of grape vine and squirrel designs. Some other elements of the decor featured gold inlay in black lacquered wood. Plaques given as gifts to the king by Chinese Emperors, bearing inscriptions of the Emperors' own calligraphy, adorn the throne room, where various more private rituals, as well as royal banquets, were held. Various objects would be brought out for rituals, including [[incense]], candle-stands in the form of dragons, cedars, decorative golden flowers, and paintings of Confucius<ref name=seiden/>.

The second floor was called the ''ufugui'' (大庫理), and was the site of more private rituals and ceremonies performed only amongst the royalty and court ladies. It contained the throne room, but was largely a women's space. The throne room itself (also called ''usasuka'' like the audience chamber below) was decorated lavishly in gold and vermillion, as was the entire Seiden, inside and out. Two dragon pillars, painted gold, flank the throne, a Chinese-style chair elaborately carved and painted gold and vermillion as well. The dais upon which the throne sat resembled that of a Buddha statue, and was adorned with carvings of grape vine and squirrel designs. Some other elements of the decor featured gold inlay in black lacquered wood. Plaques given as gifts to the king by Chinese Emperors, bearing inscriptions of the Emperors' own calligraphy, adorn the throne room, where various more private rituals, as well as royal banquets, were held. Various objects would be brought out for rituals, including [[incense]], candle-stands in the form of dragons, cedars, decorative golden flowers, and paintings of Confucius<ref name=seiden/>.

For certain ceremonies, including New Year's celebrations and those occasions when the king formally dispatched a missive to the Chinese Emperor, the throne would be moved forward, and shutters on the front of the castle opened, so that the king would look down from under the ''karahafu'' gable upon the courtiers gathered in the ''unâ''<ref name=seiden/>.

For certain ceremonies, including New Year's celebrations and those occasions when the king formally dispatched a missive to the Chinese Emperor, the throne (御轎椅, O: ''uchuui'') would be moved forward, and shutters on the front of the castle opened, so that the king would look down from under the ''karahafu'' gable upon the courtiers gathered in the ''unâ''<ref name=seiden/>.

A room in the southeast corner of the second floor was used for personal private devotions to the Ryukyuan deities, and for certain religious rituals overseen by the ''kikoe-ôgimi'' (high priestess)<ref name=seiden/>.

A room in the southeast corner of the second floor was used for personal private devotions to the Ryukyuan deities, and for certain religious rituals overseen by the ''kikoe-ôgimi'' (high priestess)<ref name=seiden/>.