Changes

From SamuraiWiki
Jump to navigationJump to search
no edit summary
Line 14: Line 14:  
*On omote & uchi - "authorities were less concerned with orthodoxy, or correct belief, than they were with orthopraxy, or correct practice" - Marcia Yonemoto, The Problem of Women, 221.
 
*On omote & uchi - "authorities were less concerned with orthodoxy, or correct belief, than they were with orthopraxy, or correct practice" - Marcia Yonemoto, The Problem of Women, 221.
   −
*Chinese ancestral altars - typically a long, narrow, high table pushed up against a northern wall so that it faces south. This long table holds either a large paper scroll inscribed with the names of the ancestors, or multiple smaller wooden ancestor tablets, on the left side (stage right). The right side (stage left) holds either paper images or small statues of folk deities. Candlesticks, incense burners, and a flower vase sit in front of the god images or ancestral tablets on both left and right halves of the altar. A lower square table immediately in front of the altar holds foods and other offerings made to the ancestors. Traditionally, the senior woman of the household might light incense for the altar twice a day, bowing with three pieces of lit incense in her hands, and then distributing the three sticks to the ancestors, the gods, and to a third incense burner kept near the door of the house, to help ward off ghosts. The male head of household oversaw offerings on seasonal festivals, family events (e.g. weddings, births) and other major occasions, at which time offerings of food, spirit money, etc. might be made. - Catherine Bell, "Performance," ''Critical Terms for Religious Studies''.
+
*Chinese ancestral altars - typically a long, narrow, high table pushed up against a northern wall so that it faces south. This long table holds either a large paper scroll inscribed with the names of the ancestors, or multiple smaller wooden ancestor tablets, on the west side (stage right). The east side (stage left) holds either paper images or small statues of folk deities. Candlesticks, incense burners, and a flower vase sit in front of the god images or ancestral tablets on both left and right halves of the altar. A lower square table immediately in front of the altar holds foods and other offerings made to the ancestors. Traditionally, the senior woman of the household might light incense for the altar twice a day, bowing with three pieces of lit incense in her hands, and then distributing the three sticks to the ancestors, the gods, and to a third incense burner kept near the door of the house, to help ward off ghosts. The male head of household oversaw offerings on seasonal festivals, family events (e.g. weddings, births) and other major occasions, at which time offerings of food, spirit money, etc. might be made. - Catherine Bell, "Performance," ''Critical Terms for Religious Studies''.
    
*The [[Rokujo Palace]] was located between Aburanokoji and Nishinotôin, on the north side of Rokujô.
 
*The [[Rokujo Palace]] was located between Aburanokoji and Nishinotôin, on the north side of Rokujô.
contributor
26,975

edits

Navigation menu