Difference between revisions of "Koriki Tanenobu"
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*''Japanese'': 高力種信 ''(Kouriki Tanenobu)'' | *''Japanese'': 高力種信 ''(Kouriki Tanenobu)'' | ||
| − | Kôriki Tanenobu, also known as Enkôan, was a prominent [[Nagoya]]-based book collector and illustrator, as well as being a samurai retainer of the [[Owari Tokugawa clan]]. | + | Kôriki Tanenobu, also known as Enkôan, was a prominent [[Nagoya]]-based book collector and illustrator, as well as being a samurai retainer of the [[Owari Tokugawa clan]] with a stipend of 300 ''[[koku]]''. |
Tanenobu was self-taught in book illustration, studying ''[[ukiyo-e]]'' styles and projection drawing techniques on his own, and producing images mainly of festivals and other popular and public gatherings. | Tanenobu was self-taught in book illustration, studying ''[[ukiyo-e]]'' styles and projection drawing techniques on his own, and producing images mainly of festivals and other popular and public gatherings. | ||
| Line 14: | Line 14: | ||
==References== | ==References== | ||
*Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18. | *Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18. | ||
| + | *Tomizawa Tatsuzô 富澤達三, ""Bushi ga egaita Edo no hanka" 「武士が描いた江戸の繁華」. ''Nihon kinsei seikatsu ehiki: Ryûkyûjin gyôretsu to Edo hen'' 日本近世生活絵引：琉球人行列と江戸編、Research Center for Nonwritten Cultural Materials, Institute for the Study of Japanese Folk Culture, Kanagawa University 神奈川大学日本常民文化研究所非文字資料研究センター (2020), 183. | ||
[[Category:Samurai]] | [[Category:Samurai]] | ||
[[Category:Artists and Artisans]] | [[Category:Artists and Artisans]] | ||
[[Category:Edo Period]] | [[Category:Edo Period]] | ||
Latest revision as of 03:36, 30 August 2020
Kôriki Tanenobu, also known as Enkôan, was a prominent Nagoya-based book collector and illustrator, as well as being a samurai retainer of the Owari Tokugawa clan with a stipend of 300 koku.
Tanenobu was self-taught in book illustration, studying ukiyo-e styles and projection drawing techniques on his own, and producing images mainly of festivals and other popular and public gatherings.
His students included Odagiri Shunkô. He died on 1831/7/3 at the age of 76. Many of Tanenobu's diaries survive today, serving as valuable historical sources.
References
- Yokoyama Manabu 横山学, Ryûkyû koku shisetsu torai no kenkyû 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18.
- Tomizawa Tatsuzô 富澤達三, ""Bushi ga egaita Edo no hanka" 「武士が描いた江戸の繁華」. Nihon kinsei seikatsu ehiki: Ryûkyûjin gyôretsu to Edo hen 日本近世生活絵引：琉球人行列と江戸編、Research Center for Nonwritten Cultural Materials, Institute for the Study of Japanese Folk Culture, Kanagawa University 神奈川大学日本常民文化研究所非文字資料研究センター (2020), 183.
