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His preference for negotiation with [[Ming Dynasty]] China rather than military means of solving a territorial dispute over his home region of Ssangseong played a role in causing the fall of the [[Koryo Dynasty]], and the establishment of his own, new, Joseon Dynasty, in [[1392]].<ref>Kang, David C. “Hierarchy and Legitimacy in International Systems: The Tribute System in Early Modern East Asia.” ''Security Studies'' 19, no. 4 (2010): 612</ref>
His preference for negotiation with [[Ming Dynasty]] China rather than military means of solving a territorial dispute over his home region of Ssangseong played a role in causing the fall of the [[Koryo Dynasty]], and the establishment of his own, new, Joseon Dynasty, in [[1392]].<ref>Kang, David C. “Hierarchy and Legitimacy in International Systems: The Tribute System in Early Modern East Asia.” ''Security Studies'' 19, no. 4 (2010): 612</ref>
The court produced twenty-six formal portraits of King Taejo; however, only one is known to survive today. The surviving painting, today in the collection of the [[National Museum of Korea]], is an [[1872]] copy of an original, enshrined in Gyeonggijeon Hall in Jeonju in [[1410]], and restored in [[1763]]. Gyeonggijeon Hall was one of six official portrait halls established by the court to host royal portraits in the provinces, thus extending the sense of royal authority out into the countryside.<ref>Gallery labels, National Museum of Korea.[https://www.flickr.com/photos/toranosuke/39629479372/sizes/h/]</ref>
