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Hideyoshi was deified, by Imperial decree, following his death in [[1598]]. Toyokuni Shrine was established in Kyoto shortly afterwards, just outside Hideyoshi's [[Hoko-ji|Hôkô-ji]] temple,<ref>Timon Screech, ''Obtaining Images'', University of Hawaii Press (2012), 97.</ref> and is said to have been the grandest site in Kyoto at the opening of the 17th century.<ref>Roberts. p142.</ref> The grounds included the first ''tamaya'', a particular type of Shinto altar dedicated to the spirit of a single individual, and a gravemound where, supposedly, hundreds of ears and noses taken off Korean warriors defeated in the [[Korean Invasions]] are buried.<ref>Nam-Lin Hur, "Korean Officials in the Land of the Kami: Diplomacy and the Prestige Economy, 1607-1811," ''Embracing the Other: The Interaction of Korean and Foreign Cultures: Proceedings of the 1st World Congress of Korean Studies'', Songnam: Academy of Korean Studies (2002), 90-91.</ref>
Hideyoshi was deified, by Imperial decree, following his death in [[1598]]. Toyokuni Shrine was established in Kyoto shortly afterwards, just outside Hideyoshi's [[Hoko-ji|Hôkô-ji]] temple,<ref>Timon Screech, ''Obtaining Images'', University of Hawaii Press (2012), 97.</ref> and is said to have been the grandest site in Kyoto at the opening of the 17th century.<ref>Roberts. p142.</ref> The grounds included the first ''tamaya'', a particular type of Shinto altar dedicated to the spirit of a single individual, and a gravemound where, supposedly, hundreds of ears and noses taken off Korean warriors defeated in the [[Korean Invasions]] are buried.<ref>Nam-Lin Hur, "Korean Officials in the Land of the Kami: Diplomacy and the Prestige Economy, 1607-1811," ''Embracing the Other: The Interaction of Korean and Foreign Cultures: Proceedings of the 1st World Congress of Korean Studies'', Songnam: Academy of Korean Studies (2002), 90-91.</ref>
An annual festival, ''Hôkoku jinja matsuri'', was held for many years on the anniversary of Hideyoshi's death. An early 17th century painting by [[Kano Naizen|Kanô Naizen]] depicts the festival, and is famous for its depiction of Japanese in ''[[nanban]]'' (European) fashions.<ref>Ronald Toby ロナルド・トビ, ''"Sakoku" toiu gaikô'' 「鎖国」という外交, Tokyo: Shogakukan (2008), 192.</ref>
Branch shrines quickly proliferated throughout the country, as regional ''daimyô'' and other influential actors established them, as a show of worship or loyalty to the late Hideyoshi.
Branch shrines quickly proliferated throughout the country, as regional ''daimyô'' and other influential actors established them, as a show of worship or loyalty to the late Hideyoshi.