Difference between revisions of "Four Accomplishments"

From SamuraiWiki
Jump to navigationJump to search
(Created page with "*''Japanese'': 四芸 ''(shigei)'', 琴棋書画 ''(kinki shoga)'' The Four Accomplishments were the four pursuits, or arts, in which a Confucian gentleman...")
 
Line 4: Line 4:
  
 
The four include:
 
The four include:
*Music, specifically the ''[[qin]]'' (or ''[[koto]]'' in Japan), representing harmony with the universe, and the ability of the government to inspire society to function in harmony
+
*Music, specifically the ''[[qin (instrument)|qin]]'' (or ''[[koto]]'' in Japan), representing harmony with the universe, and the ability of the government to inspire society to function in harmony
 
*Games of strategy, especially ''[[go]]'', representing strategic skill, and the value of meritocracy in government.
 
*Games of strategy, especially ''[[go]]'', representing strategic skill, and the value of meritocracy in government.
 
*Calligraphy, reflecting respect for texts and records. One's moral character was also said to be reflected in one's handwriting.
 
*Calligraphy, reflecting respect for texts and records. One's moral character was also said to be reflected in one's handwriting.

Revision as of 14:53, 19 August 2015

  • Japanese: 四芸 (shigei), 琴棋書画 (kinki shoga)

The Four Accomplishments were the four pursuits, or arts, in which a Confucian gentleman was expected to be accomplished, in order to be cultured, and refined. They also represented aspects of ideal government.

The four include:

  • Music, specifically the qin (or koto in Japan), representing harmony with the universe, and the ability of the government to inspire society to function in harmony
  • Games of strategy, especially go, representing strategic skill, and the value of meritocracy in government.
  • Calligraphy, reflecting respect for texts and records. One's moral character was also said to be reflected in one's handwriting.
  • Painting, reflecting the ability to express wordless sentiments, and the value of the kind of knowledge that cannot be expressed in writing.

References

  • Timon Screech, Obtaining Images, University of Hawaii (2012), 146.