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He was named head of the Western Painting section at the [[Tokyo School of Fine Arts]] in [[1896]],<ref>Takashina Shûji, "Eastern and Western Dynamics in the Development of Western-style Oil Painting during the Meiji Era," ''Paris in Japan: The Japanese Encounter with European Painting'', Washington University (1987), 21.</ref> and the same year co-founded the [[Hakubakai]] ("White Horse Society") group of painters, alongside [[Kume Keiichiro|Kume Keiichirô]] and Yamamoto Hôsui.

He was named head of the Western Painting section at the [[Tokyo School of Fine Arts]] in [[1896]],<ref>Takashina Shûji, "Eastern and Western Dynamics in the Development of Western-style Oil Painting during the Meiji Era," ''Paris in Japan: The Japanese Encounter with European Painting'', Washington University (1987), 21.</ref> and the same year co-founded the [[Hakubakai]] ("White Horse Society") group of painters, alongside [[Kume Keiichiro|Kume Keiichirô]] and Yamamoto Hôsui.

In [[1900]], Kuroda won a silver prize for his ''Wisdom, Impression, Sentiment'' at the [[Exposition Universelle (1900)|Exposition Universelle]] in Paris.<ref>Matsushima Masato, "Japan's Dream of Modern Art," ''Remaking Tradition: Modern Art of Japan from the Tokyo National Museum''. Cleveland Museum of Art (2014), 20.</ref>

In [[1900]], Kuroda won a silver prize for his ''Wisdom, Impression, Sentiment'' at the [[Exposition Universelle (1900)|Exposition Universelle]] in Paris.<ref>Matsushima Masato, "Japan's Dream of Modern Art," ''Remaking Tradition: Modern Art of Japan from the Tokyo National Museum''. Cleveland Museum of Art (2014), 20.</ref>