Difference between revisions of "Yoshida Hiroshi"
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Yoshida Hiroshi was one of the chief artists of the ''[[shin hanga]]'' movement, which revived ''[[ukiyo-e]]'' for the 20th century, with vividly colored prints of traditional scenes. | Yoshida Hiroshi was one of the chief artists of the ''[[shin hanga]]'' movement, which revived ''[[ukiyo-e]]'' for the 20th century, with vividly colored prints of traditional scenes. | ||
| − | Yoshida | + | Yoshida trained originally in ''[[yoga|yôga]]'' (oil painting), and made efforts to normalize acceptance for paintings of nudes - a standard subject in Western art - in Japan.<ref>Gallery labels, Tokyo National Museum.[https://www.flickr.com/photos/toranosuke/54294235055/in/photostream/]</ref> In 1926, he shifted from ''yôga'' to print designs, joining publisher [[Watanabe Shozaburo|Watanabe Shôzaburô's]] ''shin hanga'' efforts. |
His son Yoshida Tôshi went on to become a significant figure in the ''sôsaku hanga'' ("creative prints") movement. | His son Yoshida Tôshi went on to become a significant figure in the ''sôsaku hanga'' ("creative prints") movement. | ||
| Line 14: | Line 14: | ||
==References== | ==References== | ||
*Gallery labels, Pacific Asia Museum.[https://www.flickr.com/photos/toranosuke/14994284072/sizes/l] | *Gallery labels, Pacific Asia Museum.[https://www.flickr.com/photos/toranosuke/14994284072/sizes/l] | ||
| + | <references/> | ||
[[Category:Artists and Artisans]] | [[Category:Artists and Artisans]] | ||
| + | [[Category:Meiji Period]] | ||
Latest revision as of 17:15, 29 October 2025
Yoshida Hiroshi was one of the chief artists of the shin hanga movement, which revived ukiyo-e for the 20th century, with vividly colored prints of traditional scenes.
Yoshida trained originally in yôga (oil painting), and made efforts to normalize acceptance for paintings of nudes - a standard subject in Western art - in Japan.[1] In 1926, he shifted from yôga to print designs, joining publisher Watanabe Shôzaburô's shin hanga efforts.
His son Yoshida Tôshi went on to become a significant figure in the sôsaku hanga ("creative prints") movement.
References
- Gallery labels, Pacific Asia Museum.[2]
