Changes

A gate known as the Kobikimon 木曵門 located near the Kankaimon was traditionally sealed off by a pile of stones, and opened only when bringing lumber or other materials into the castle for repair or reconstruction efforts.<ref name=shuriqa/>

A gate known as the Kobikimon 木曵門 located near the Kankaimon was traditionally sealed off by a pile of stones, and opened only when bringing lumber or other materials into the castle for repair or reconstruction efforts.<ref name=shuriqa/>

===Shicha-nu-Unâ===

===Shicha-nu-Unaa===

[[Image:Kofukumon.jpg|right|thumb|250px|Kôfukumon (広福門)]]

[[Image:Kofukumon.jpg|right|thumb|250px|Kôfukumon (広福門)]]

[[Image:Suimui utaki.jpg|right|thumb|250px|Suimui utaki (首里森御嶽)]]

[[Image:Suimui utaki.jpg|right|thumb|250px|Suimui utaki (首里森御嶽)]]

[[Image:Hoshinmon.jpg|right|thumb|250px|Hôshinmon (奉神門)]]

[[Image:Hoshinmon.jpg|right|thumb|250px|Hôshinmon (奉神門)]]

The Kôfukumon, a large, vermillion wooden structure leads finally into the ''shicha-nu-unâ'' (下之御庭), an area equivalent to what would be called the second bailey in English or ''ni-no-maru'' in a Japanese castle. The offices of the ''jishaza'' (寺社座), which oversaw Shinto shrines and Buddhist temples, and the ''ôkumiza'' (大与座) which mediated disputes between aristocrats, were housed here<ref>"Shisetsu annai: Kôfukumon." Shuri Castle Park Official Website.</ref>.

The Kôfukumon, a large, vermillion wooden structure leads finally into the ''shicha-nu-unaa'' (下之御庭), an area equivalent to what would be called the second bailey in English or ''ni-no-maru'' in a Japanese castle. The offices of the ''jishaza'' (寺社座), which oversaw Shinto shrines and Buddhist temples, and the ''ôkumiza'' (大与座) which mediated disputes between aristocrats, were housed here<ref>"Shisetsu annai: Kôfukumon." Shuri Castle Park Official Website.</ref>.

The ''shicha-nu-unâ'' contains the "Shuri forest ''[[utaki]]''", or [[Suimui utaki]], a sacred grove surrounded by its own low stone walls, which features in myths about the origins of the kingdom, and appears numerous times in the ''[[Omoro Soshi|Omoro Sôshi]]'', a collection of Okinawan myths in the form of songs or poems. Another important sacred site related to the origins of the castle and the kingdom, the ''kyô-no-uchi'' (京之内), is located along the southern wall of the ''shicha-nu-unâ'' and contains a number of ''utaki'' within it, including one known as Madanmui utaki 真玉森御嶽.<ref>Also known as Madanmui gusuku and Kunda gusuku. Amidst the shift from the First to the Second Shô Dynasty following the death of King [[Sho Toku|Shô Toku]] in [[1469]], Toku's queen and heir, along with the heir's wet nurse, were slaughtered at Madanmui by forces loyal to the new king [[Sho En|Shô En]], and buried there. Smits, ''Maritime Ryukyu'', 122-124.</ref> The high priestess (''[[kikoe-ogimi|kikoe-ôgimi]]'') regularly performed rituals at sites within the Kyô-no-uchi to pray for the prosperity of the kingdom, safety for important sea voyages, good harvests and the like on behalf of the king and kingdom.<ref>"Shisetsu annai: Kyô no uchi." Shuri Castle Park Official Website.</ref> ''Noro'' (priestesses) traditionally made their way around these various sacred sites within the castle compound on four occasions each year. The ''kyô no uchi'' was traditionally forbidden to men as its sacred power was considered too strong for them; once the area was restored in the 2010s, however, it was opened to all visitors.<ref>"Hôdô shashin shû Shurijô" 報道写真集・首里城, Okinawa Times (2019), 37.</ref>

The ''shicha-nu-unaa'' contains the "Shuri forest ''[[utaki]]''", or [[Suimui utaki]], a sacred grove surrounded by its own low stone walls, which features in myths about the origins of the kingdom, and appears numerous times in the ''[[Omoro Soshi|Omoro Sôshi]]'', a collection of Okinawan myths in the form of songs or poems. Another important sacred site related to the origins of the castle and the kingdom, the ''kyô-no-uchi'' (京之内), is located along the southern wall of the ''shicha-nu-unaa'' and contains a number of ''utaki'' within it, including one known as Madanmui utaki 真玉森御嶽.<ref>Also known as Madanmui gusuku and Kunda gusuku. Amidst the shift from the First to the Second Shô Dynasty following the death of King [[Sho Toku|Shô Toku]] in [[1469]], Toku's queen and heir, along with the heir's wet nurse, were slaughtered at Madanmui by forces loyal to the new king [[Sho En|Shô En]], and buried there. Smits, ''Maritime Ryukyu'', 122-124.</ref> The high priestess (''[[kikoe-ogimi|kikoe-ôgimi]]'') regularly performed rituals at sites within the Kyô-no-uchi to pray for the prosperity of the kingdom, safety for important sea voyages, good harvests and the like on behalf of the king and kingdom.<ref>"Shisetsu annai: Kyô no uchi." Shuri Castle Park Official Website.</ref> ''Noro'' (priestesses) traditionally made their way around these various sacred sites within the castle compound on four occasions each year. The ''kyô no uchi'' was traditionally forbidden to men as its sacred power was considered too strong for them; once the area was restored in the 2010s, however, it was opened to all visitors.<ref>"Hôdô shashin shû Shurijô" 報道写真集・首里城, Okinawa Times (2019), 37.</ref>

The ''[[keizuza]]'' (系図座) and ''yômotsuza'' (用物座) were also located in the ''shicha-nu-una''. While the ''keizuza'' was the chief office overseeing the compilation of aristocratic genealogies and official kingdom histories, the ''yômotsuza'' managed supplies for the castle as well as goods prepared for presentation to the Ming or Qing imperial courts, Satsuma domain, and the Tokugawa shogunate.<ref>"Shisetsu annai: Keizusa / Yômotsuza." Shuri Castle Park Official Website.; Explanatory plaques, Shurijô Castle Park.[https://www.flickr.com/photos/toranosuke/15253505669/in/photostream/]</ref>.

The ''[[keizuza]]'' (系図座) and ''yômotsuza'' (用物座) were also located in the ''shicha-nu-unaa''. While the ''keizuza'' was the chief office overseeing the compilation of aristocratic genealogies and official kingdom histories, the ''yômotsuza'' managed supplies for the castle as well as goods prepared for presentation to the Ming or Qing imperial courts, Satsuma domain, and the Tokugawa shogunate.<ref>"Shisetsu annai: Keizusa / Yômotsuza." Shuri Castle Park Official Website.; Explanatory plaques, Shurijô Castle Park.[https://www.flickr.com/photos/toranosuke/15253505669/in/photostream/]</ref>.

The largest gate in the complex, the Hôshinmon (O: ''Kimihokori ujô''), leads into the central bailey, or ''unâ'' (J: ''honmaru''). Completed some time before 1562, the gate was overhauled in 1754 to better follow Chinese models. The structure was used as storage for documents and materials related to musical entertainments, tobacco, tea and the like, and for rituals and ceremonies; today, it serves as the central administrative office of the heritage site & public park. Of the three gateways in the Hôshinmon structure, use of the central one was restricted to the king, Chinese imperial envoys, and others of similar rank<ref>"Shisetsu annai: Hôshinmon." Shuri Castle Park Official Website. The three-roofed, three-gated form of the Hôshinmon dates to its rebuilding following the 1709 fire. Watanabe Miki 渡辺美季, "Ryûkyû Shuri no zu, Ryûkyû Naha zu: Koga rekishi hakubutsukan zô Takami Senseki kankei shiryô yori" 「琉球首里ノ図・琉球那覇図ー古河歴史博物館蔵　鷹見泉石関係資料より」, ''Tôkyô daigaku shiryôhensanjo fuzoku gazô shiryô kaiseki sentaa tsûshin'' 東京大学史料編纂所附属画像史料解析センター通信 90 (Oct 2020), p10.</ref>.

The largest gate in the complex, the Hôshinmon (O: ''Kimihokori ujô''), leads into the central bailey, or ''unaa'' (J: ''honmaru''). Completed some time before 1562, the gate was overhauled in 1754 to better follow Chinese models. The structure was used as storage for documents and materials related to musical entertainments, tobacco, tea and the like, and for rituals and ceremonies; today, it serves as the central administrative office of the heritage site & public park. Of the three gateways in the Hôshinmon structure, use of the central one was restricted to the king, Chinese imperial envoys, and others of similar rank<ref>"Shisetsu annai: Hôshinmon." Shuri Castle Park Official Website. The three-roofed, three-gated form of the Hôshinmon dates to its rebuilding following the 1709 fire. Watanabe Miki 渡辺美季, "Ryûkyû Shuri no zu, Ryûkyû Naha zu: Koga rekishi hakubutsukan zô Takami Senseki kankei shiryô yori" 「琉球首里ノ図・琉球那覇図ー古河歴史博物館蔵　鷹見泉石関係資料より」, ''Tôkyô daigaku shiryôhensanjo fuzoku gazô shiryô kaiseki sentaa tsûshin'' 東京大学史料編纂所附属画像史料解析センター通信 90 (Oct 2020), p10.</ref>.

===Unâ===

===Unaa===

[[Image:Shuri Una.jpg|right|thumb|250px|The ''unâ'' (central plaza), with the Nanden seen on the right of the Seiden.]]

[[Image:Shuri Una.jpg|right|thumb|250px|The ''unaa'' (central plaza), with the Nanden seen on the right of the Seiden.]]

The ''Unâ'' (御庭) is a square, open plaza, bounded by the Hôshinmon on one side, the Seiden, the chief royal residence, facing it, and the Hokuden and Nanden on the remaining two sides. The plaza itself was the site of many important rituals and ceremonies, including New Year's ceremonies, and the formal investiture of each king, for which a symbolic model of the Chinese Imperial Court throne room would be constructed on the plaza. Red and white tiles form ranks (''sen'', 磚) filling the plaza and marking where officials and aristocrats of various ranks would stand for these ceremonies; a raised path cutting through the plaza and leading directly across the plaza from the Hôshinmon to the Seiden was called the ''ukimichi'' (浮道, lit. "floating path") in Japanese, and was used only by the king, representatives of the Chinese Emperor, and others of similar rank<ref>"Shisetsu annai: Unâ." Shuri Castle Park Official Website.</ref>. Originally raised some 15 cm above the plaza (hence the name "floating path"), the reconstructed ''ukimichi'' today is raised by only five cm.<ref>''Ukimichi no nazo'' 浮道のなぞ, ''Fee nu kaji'' 南ぬ風 36 (2015), 9.</ref> Overall, the plaza, and buildings within it, were conceived as a miniature of the Forbidden City (the Imperial Palace) in Beijing<ref name=Turnbull44/>.

The ''Unaa'' (御庭) is a trapezoidal (roughly but not truly square), open, plaza, bounded by the Hôshinmon gate on one side, with the Seiden, the chief royal residence, facing the gate, and the Hokuden and Nanden on the remaining two sides. The plaza itself was the site of many important rituals and ceremonies, including New Year's ceremonies, and the formal investiture of each king, for which a symbolic model of the Chinese Imperial Court throne room would be constructed on the plaza. Red and white tiles form ranks (''sen'', 磚) filling the plaza and marking where officials and aristocrats of various ranks would stand for these ceremonies; a raised path cutting through the plaza and leading directly across the plaza from the Hôshinmon to the Seiden was called the ''ukimichi'' (浮道, lit. "floating path") in Japanese, and was used only by the king, representatives of the Chinese Emperor, and others of similar rank<ref>"Shisetsu annai: Unaa." Shuri Castle Park Official Website.</ref>. Originally raised some 15 cm above the plaza (hence the name "floating path"), the reconstructed ''ukimichi'' today is raised by only five cm.<ref>''Ukimichi no nazo'' 浮道のなぞ, ''Fee nu kaji'' 南ぬ風 36 (2015), 9.</ref> Overall, the plaza, and buildings within it, were conceived as a miniature of the Forbidden City (the Imperial Palace) in Beijing<ref name=Turnbull44/>.

The two-story Nanden (南殿), or "South Hall," on one size of the plaza, is known as the ''Fee-nu-udun'' (南風御殿) in Okinawan. A Japanese-style structure, it was regularly used for receiving Satsuma officials and for other Japanese-style ceremonies. The one-story Bandokoro (番所) attached to it was used by Ryukyuan officials departing for the day to pass off paperwork or duties to those arriving. Records indicate that the Nanden was first built c. [[1628]], though archaeological excavations have discovered earlier foundations. There do not appear to be any records of it ever having been painted and so, in accordance with one school of Japanese traditional architectural customs, it remains composed primarily of bare wood. The two buildings today include exhibition spaces, where artifacts related to the castle and the royal family are put on display<ref>"Shisetsu annai: Nanden / Bandokoro." Shuri Castle Park Official Website.</ref>. Attached to the eastern end of the Nanden was a space known as the Kinjûtsumesho (近習詰所), where about twenty officials and scribed attached to the king were based; a number of them typically accompanied the king as he moved through the castle on daily business.<ref name=plaques/> Beyond this space was a small inner writing studio, or ''okushoin'' (奥書院). Three by three and a half bays (''ma'') in size, it was used by the king as a place to take a break from his duties, and also contained a space where the ''okushoin'' magistrate (''okushoin [[bujo|bujô]]'') worked. The ''okushoin'' faced a garden to the south, and the Kawarume utaki (苅銘御嶽) to the east.<ref name=plaques/> In contrast to the gardens attached to the Shoin and Sasu-no-ma which were more front-facing, the ''okushoin'' garden was a more private space.<ref>Gallery label, "[https://www.flickr.com/photos/toranosuke/15253693508/sizes/h/ Okushoin teien]," Shurijo Castle Park.</ref>

The two-story Nanden (南殿), or "South Hall," on one size of the plaza, is known as the ''Fee-nu-udun'' (南風御殿) in Okinawan. A Japanese-style structure, it was regularly used for receiving Satsuma officials and for other Japanese-style ceremonies. The one-story Bandokoro (番所) attached to it was used by Ryukyuan officials departing for the day to pass off paperwork or duties to those arriving. Records indicate that the Nanden was first built c. [[1628]], though archaeological excavations have discovered earlier foundations. There do not appear to be any records of it ever having been painted and so, in accordance with one school of Japanese traditional architectural customs, it remains composed primarily of bare wood. The two buildings today include exhibition spaces, where artifacts related to the castle and the royal family are put on display<ref>"Shisetsu annai: Nanden / Bandokoro." Shuri Castle Park Official Website.</ref>. Attached to the eastern end of the Nanden was a space known as the Kinjûtsumesho (近習詰所), where about twenty officials and scribed attached to the king were based; a number of them typically accompanied the king as he moved through the castle on daily business.<ref name=plaques/> Beyond this space was a small inner writing studio, or ''okushoin'' (奥書院). Three by three and a half bays (''ma'') in size, it was used by the king as a place to take a break from his duties, and also contained a space where the ''okushoin'' magistrate (''okushoin [[bujo|bujô]]'') worked. The ''okushoin'' faced a garden to the south, and the Kawarume utaki (苅銘御嶽) to the east.<ref name=plaques/> In contrast to the gardens attached to the Shoin and Sasu-no-ma which were more front-facing, the ''okushoin'' garden was a more private space.<ref>Gallery label, "[https://www.flickr.com/photos/toranosuke/15253693508/sizes/h/ Okushoin teien]," Shurijo Castle Park.</ref>

A pair of buildings to the south of the Nanden, on the opposite side of that hall from the central plaza, served as administrative buildings and spaces for meeting with and entertaining Chinese investiture envoys and officials from Satsuma. The ''shoin'' or "study", and ''kusari-no-ma'', as they would have been called in Japanese, were also used by the kings and royal princes, respectively, as their chief study or office.<ref>"Shisetsu annai: shoin / kusari no ma." Shuri Castle Park Official Website.; plaques on-site in Shuri castle.</ref><ref name=coral2020>「よみがえれ、首里城」、''Coralway'', Nov/Dec 2020, 16.</ref>. The room was also used for entertaining Chinese envoys. The ''shoin'' appears in the [[1713]] ''[[Ryukyu-koku yuraiki|Ryûkyû-koku yuraiki]]'', but it is unclear how much earlier before that it might have been built. Connected to the Nanden by internal corridors, it contained the ''sasu-no-ma'', the office of the royal scribe or clerk (''[[yuhitsu|yûhitsu]]''<!--右筆-->), who was responsible for producing formal court documents, including those sent to the Emperor of China or the Japanese shogun. The ''sasu-no-ma'' was also used by the Crown Prince as a tearoom for receiving guests. The ''shoin'', which has today been reconstructed alongside the Nanden and other structures, also served sometimes as a waiting room or reception room for Chinese investiture envoys.<ref>Gallery labels, Okinawa Prefectural Museum, August 2013.</ref>

A pair of buildings to the south of the Nanden, on the opposite side of that hall from the central plaza, served as administrative buildings and spaces for meeting with and entertaining Chinese investiture envoys and officials from Satsuma. The ''shoin'' or "study", and ''kusari-no-ma'', as they would have been called in Japanese, were also used by the kings and royal princes, respectively, as their chief study or office.<ref>"Shisetsu annai: shoin / kusari no ma." Shuri Castle Park Official Website.; plaques on-site in Shuri castle.</ref><ref name=coral2020>「よみがえれ、首里城」、''Coralway'', Nov/Dec 2020, 16.</ref>. The room was also used for entertaining Chinese envoys. The ''shoin'' appears in the [[1713]] ''[[Ryukyu-koku yuraiki|Ryûkyû-koku yuraiki]]'', but it is unclear how much earlier before that it might have been built. Connected to the Nanden by internal corridors, it contained the ''sasu-no-ma'', the office of the royal scribe or clerk (''[[yuhitsu|yûhitsu]]''<!--右筆-->), who was responsible for producing formal court documents, including those sent to the Emperor of China or the Japanese shogun. The ''sasu-no-ma'' was also used by the Crown Prince as a tearoom for receiving guests. The ''shoin'', which has today been reconstructed alongside the Nanden and other structures, also served sometimes as a waiting room or reception room for Chinese investiture envoys.<ref>Gallery labels, Okinawa Prefectural Museum, August 2013.</ref>

====Seiden====

====Seiden====

The chief royal residence at the heart of Shuri castle, the structure known as Seiden (正殿, "Main Palace") in Japanese and as Umundasui udun (百浦添御殿, J: ''Momourasoe udun'')<ref>The palace is referred to in some documents as Momourasoe udun, or the Palace (''udun'') ruling or governing (''soe'') all the many various towns (''momo ura''). Akamine Mamoru, Lina Terrell (trans.), Robert Huey (ed.), ''The Ryukyu Kingdom: Cornerstone of East Asia'', University of Hawaii Press (2017), 85.</ref> in Okinawan, faces and overlooks the ''unâ''. The largest wooden building in the Ryûkyû Kingdom, it is three stories tall, and lavishly painted and otherwise decorated in vermillion and gold, with intricate carvings and other embellishments painted in bold colors. Its construction incorporates Chinese, Japanese, and native Okinawan architectural elements, including among many other features a Japanese ''[[karahafu]]'' gabled arch over the entrance, and Chinese-style two-tiered roof modeled upon that of the Chinese Imperial Palace. Over one hundred vertical pillars are incorporated into the structure; though some have suggested this may have been aimed at protecting the structure from earthquakes, others have suggested it was more likely a measure against typhoons.<ref name=shuriqa>"Shurijô no Q&A," ''Ryukyu Shimpo'', 1 Nov 1992.</ref>

The chief royal residence at the heart of Shuri castle, the structure known as Seiden (正殿, "Main Palace") in Japanese and as Umundasui udun (百浦添御殿, J: ''Momourasoe udun'')<ref>The palace is referred to in some documents as Momourasoe udun, or the Palace (''udun'') ruling or governing (''soe'') all the many various towns (''momo ura''). Akamine Mamoru, Lina Terrell (trans.), Robert Huey (ed.), ''The Ryukyu Kingdom: Cornerstone of East Asia'', University of Hawaii Press (2017), 85.</ref> in Okinawan, faces and overlooks the ''unaa''. The largest wooden building in the Ryûkyû Kingdom, it is three stories tall, and lavishly painted and otherwise decorated in vermillion and gold, with intricate carvings and other embellishments painted in bold colors. Its construction incorporates Chinese, Japanese, and native Okinawan architectural elements, including among many other features a Japanese ''[[karahafu]]'' gabled arch over the entrance, and Chinese-style two-tiered roof modeled upon that of the Chinese Imperial Palace. Over one hundred vertical pillars are incorporated into the structure; though some have suggested this may have been aimed at protecting the structure from earthquakes, others have suggested it was more likely a measure against typhoons.<ref name=shuriqa>"Shurijô no Q&A," ''Ryukyu Shimpo'', 1 Nov 1992.</ref>

The Seiden was originally roofed with shingles; this was changed to grey or black ceramic tiles in the 1670s or 1680s, and then to the iconic red terracotta tiles, which were supposedly cheaper to produce,<ref>Kakazu Hitosa 嘉数仁然, "Katte ni Shuri kentei! kaisetsu hen" 勝手に首里検定！解説編, ''Momoto Special Issue: Shuri, Ryûkyû no miyako o aruku'' モモト　別冊：首里・琉球の都をあるく (2013/8), 66.</ref> sometime later. Though there was some debate as to how to tile the roof when restoring the castle in the 1980s-90s, planners ultimately decided to use red terracotta tiles, as the castle's history of red tiles had been longer and as red tiles had come to be so widely regarded as an iconic feature of Okinawan architecture. There has also been some debate as to whether certain portions of the facade or pillars were painted black or red, and historical sources are unclear as to this point. Though restoration efforts in the 1980s-90s originally began with the intention of painting these sections black, reports from repair efforts in the 1920s-30s revealed that earlier layers of red had been found when stripping down the pillars (in order to repaint them) at that time.<ref name=shuriqa/>

The Seiden was originally roofed with shingles; this was changed to grey or black ceramic tiles in the 1670s or 1680s, and then to the iconic red terracotta tiles, which were supposedly cheaper to produce,<ref>Kakazu Hitosa 嘉数仁然, "Katte ni Shuri kentei! kaisetsu hen" 勝手に首里検定！解説編, ''Momoto Special Issue: Shuri, Ryûkyû no miyako o aruku'' モモト　別冊：首里・琉球の都をあるく (2013/8), 66.</ref> sometime later. Though there was some debate as to how to tile the roof when restoring the castle in the 1980s-90s, planners ultimately decided to use red terracotta tiles, as the castle's history of red tiles had been longer and as red tiles had come to be so widely regarded as an iconic feature of Okinawan architecture. There has also been some debate as to whether certain portions of the facade or pillars were painted black or red, and historical sources are unclear as to this point. Though restoration efforts in the 1980s-90s originally began with the intention of painting these sections black, reports from repair efforts in the 1920s-30s revealed that earlier layers of red had been found when stripping down the pillars (in order to repaint them) at that time.<ref name=shuriqa/>

The second floor was called the ''ufugui'' (大庫理), and was the site of more private rituals and ceremonies performed only amongst the royalty and court ladies. It contained the throne room, but was largely a women's space. The throne room itself (also called ''usasuka'' like the audience chamber below) had high ceilings and was decorated lavishly in gold and vermillion, as was the entire Seiden, inside and out. Two dragon pillars, painted gold, flank the throne, a Chinese-style chair elaborately carved, lacquered, and gilded, with mother-of-pearl inlay design. As part of the restoration of the castle in 1992, master lacquerware artist [[Maeda Koin|Maeda Kôin]] recreated this throne based on portraits of King Shô Shin and other sources, a project which took about two years.<ref name=maedakoin/> The dais upon which the throne sat resembled that of a Buddha statue, and was adorned with carvings of grape vine and squirrel designs. Some other elements of the decor featured gold inlay in black lacquered wood. Plaques given as gifts to the king by Chinese Emperors, bearing inscriptions of the Emperors' own calligraphy, adorn the throne room, where various more private rituals, as well as royal banquets, were held. As no photos or thorough descriptions of these plaques survived the war, these (like much else in the castle) were recreated based on research in Chinese imperial archives and the expertise of historical experts.<ref>Yasuyuki Uezu, "The Path towards the Restoration of Shurijo Castle," n.d., 6.</ref> Various objects would be brought out for rituals, including [[incense]], candle-stands in the form of dragons, cedars, decorative golden flowers, and paintings of Confucius<ref name=seiden/>.

The second floor was called the ''ufugui'' (大庫理), and was the site of more private rituals and ceremonies performed only amongst the royalty and court ladies. It contained the throne room, but was largely a women's space. The throne room itself (also called ''usasuka'' like the audience chamber below) had high ceilings and was decorated lavishly in gold and vermillion, as was the entire Seiden, inside and out. Two dragon pillars, painted gold, flank the throne, a Chinese-style chair elaborately carved, lacquered, and gilded, with mother-of-pearl inlay design. As part of the restoration of the castle in 1992, master lacquerware artist [[Maeda Koin|Maeda Kôin]] recreated this throne based on portraits of King Shô Shin and other sources, a project which took about two years.<ref name=maedakoin/> The dais upon which the throne sat resembled that of a Buddha statue, and was adorned with carvings of grape vine and squirrel designs. Some other elements of the decor featured gold inlay in black lacquered wood. Plaques given as gifts to the king by Chinese Emperors, bearing inscriptions of the Emperors' own calligraphy, adorn the throne room, where various more private rituals, as well as royal banquets, were held. As no photos or thorough descriptions of these plaques survived the war, these (like much else in the castle) were recreated based on research in Chinese imperial archives and the expertise of historical experts.<ref>Yasuyuki Uezu, "The Path towards the Restoration of Shurijo Castle," n.d., 6.</ref> Various objects would be brought out for rituals, including [[incense]], candle-stands in the form of dragons, cedars, decorative golden flowers, and paintings of Confucius<ref name=seiden/>.

For certain ceremonies, including New Year's celebrations and those occasions when the king formally dispatched a missive to the Chinese Emperor, the throne (御轎椅, O: ''uchuui'') would be moved forward, and shutters on the front of the castle opened, so that the king would look down from under the ''karahafu'' gable upon the courtiers gathered in the ''unâ''<ref name=seiden/>.

For certain ceremonies, including New Year's celebrations and those occasions when the king formally dispatched a missive to the Chinese Emperor, the throne (御轎椅, O: ''uchuui'') would be moved forward, and shutters on the front of the castle opened, so that the king would look down from under the ''karahafu'' gable upon the courtiers gathered in the ''unaa''<ref name=seiden/>.

A room in the southeast corner of the second floor known as ''osen mikocha'' was used for personal private devotions to the Ryukyuan deities, and for certain religious rituals overseen by the ''kikoe-ôgimi'' (high priestess)<ref name=seiden/>. It contained an altar known as ''utuku'' (御床) where the castle's [[hearth deity]] was enshrined, and where new ''nyokan'' (priestess-officials) were confirmed in their appointments.<ref>Explanatory plaque, "Osen mikocha," Shuri castle.[https://www.flickr.com/photos/toranosuke/29204105154/in/photostream/]</ref>

A room in the southeast corner of the second floor known as ''osen mikocha'' was used for personal private devotions to the Ryukyuan deities, and for certain religious rituals overseen by the ''kikoe-ôgimi'' (high priestess)<ref name=seiden/>. It contained an altar known as ''utuku'' (御床) where the castle's [[hearth deity]] was enshrined, and where new ''nyokan'' (priestess-officials) were confirmed in their appointments.<ref>Explanatory plaque, "Osen mikocha," Shuri castle.[https://www.flickr.com/photos/toranosuke/29204105154/in/photostream/]</ref>