Difference between revisions of "User:LordAmeth"

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<table align=right>
 
<table align=right>
<tr><td>{{Confirmed Gaijin}}</td></tr>
 
 
<tr><td>{{Edo specialist}}</td></tr>
 
<tr><td>{{Edo specialist}}</td></tr>
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<tr><td>{{Living in Japan}}</td></tr>
 
<tr><td>{{History Degree}}</td></tr>
 
<tr><td>{{History Degree}}</td></tr>
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<tr><td>{{Published author}}</td></tr>
 
<tr><td>{{Advanced Japanese}}</td></tr>
 
<tr><td>{{Advanced Japanese}}</td></tr>
 
<tr><td>{{Studied in Japan}}</td></tr>
 
<tr><td>{{Studied in Japan}}</td></tr>
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<tr><td>{{Frequent travel to Japan}}</td></tr>
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<tr><td>{{Confirmed Gaijin}}</td></tr>
 
</table>
 
</table>
  
LordAmeth (紫水晶殿) is a bit obsessed with Japan, and increasingly with the wider region of East/SE Asia. He finds interest in just about every period or aspect of Japanese history, from the earliest ancient clan conflicts, through the Heian period and the Genpei Wars, the complexities of clan histories and regional histories of the Sengoku period, and into the vivid cultural, political, and economic history of the Edo period, the cultural changes of the Meiji period, and the cultural issues facing Japan today.
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I am a bit obsessed with Japanese and Ryukyuan history and culture, and to a notable extent with those of the wider region of East/SE Asia and the Pacific. I find interest in just about every period or aspect of Japanese history, from the earliest ancient clan conflicts, through the Heian period and the Genpei Wars, the complexities of clan histories and regional histories of the Sengoku period, and into the vivid cultural, political, and economic history of the Edo period, the cultural changes of the Meiji period, and the cultural issues facing Japan today. I am particularly interested in the histories of visual, material, and performance culture, those things that make each period and each region of Japan so vibrantly distinct in their textured cultural look and feel. Please don't mind the weird name - we all picked weird handles back in the early days of the Internet, and on some platforms (such as this one) it's rather difficult to change to a different one.
  
He studied at Jouchi Daigaku in Tokyo for one term back in '03, and completed his MA at the School of Oriental & African Studies (U of London), writing on 17th century relations between the shogunate and Southeast Asian authorities. He then lived in [[Yokohama]] for a year, and devoting the vast majority of his waking hours to improving his Japanese language skills. He is now back home in NY, working for the Japan Society and hoping to return either to Japan or to graduate school in the fall.
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I completed an MA at the School of Oriental & African Studies (U of London), writing on 17th century relations between the shogunate and Southeast Asian authorities, and then attended an intensive advanced-level Japanese-language program in Yokohama for a year. After some various adventures elsewhere in Japan, New York, and elsewhere, I completed a second MA, in Art History, from the University of Hawai'i, and then a PhD in History at the University of California, Santa Barbara, focusing on the 17th-19th century embassies dispatched by the Kingdom of Ryukyu to Edo, and on issues of cultural performance, ritual, and display occurring within those embassies.
  
He's been really active on Wikipedia for several years, and isn't sure how that will continue in the future as he gets more and more involved here. Please do feel free to check out his [http://en.wikipedia.org/wiki/User:LordAmeth user page] over there.
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Travis is no longer active on Wikipedia, finding the endless edit-warring and Talk page arguments stressful and a distraction from the relaxation, enjoyment, and productivity that contributing to a Wiki should bring. I enjoy using the Samurai-Archive Wiki as a great way to take notes, to record details I have come across, and to have a quick and easy way to come back to them, to look them up. Contributing to the Wiki also helps me to read actively and engagingly, actually noticing details and having something to do with them, rather than just passively skimming through materials for an argument, and absorbing little of the content.
  
He first became active on Samurai Archives in June 2007, though he took quite some time off from it, returning in February 2009.
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'''For larger versions of images used on the S-A Wiki, any photos I have taken myself can be found on [http://www.flickr.com/photos/toranosuke/ my Flickr page].'''
  
 
==Interests and Specialties==
 
==Interests and Specialties==
 
As the userboxes do not tell all, I am particularly interested in and/or knowledgeable about:
 
As the userboxes do not tell all, I am particularly interested in and/or knowledgeable about:
 
*History of [[Okinawa]]
 
*History of [[Okinawa]]
*[[Satsuma han]]
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*[[Kabuki]] and [[Noh]]
*[[Kabuki]], [[Noh]], [[Bunraku]]
 
 
*[[Ukiyo-e]] and wider [[Edo period]] art
 
*[[Ukiyo-e]] and wider [[Edo period]] art
*Regional histories of individual clans or domains.
 
  
 
==Projects==
 
==Projects==
Ameth is going to work on creating articles for the above major topics he works on, and will then attempt to convince himself to work from various lists of requested articles, stubs, etc. already posted on S-A rather than going off in his own direction.
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My main projects right now on the Wiki are to continue adding information from things I'm reading anyway (for classes, for research, etc.), and from gallery labels and the like at museums and historical sites I visit. The Wiki thus grows organically and haphazardly, in bricolage fashion... and not, I am afraid, in any coordinated fashion focusing on the most major/significant topics, or on those [http://wiki.samurai-archives.com/index.php?title=Special:WantedPages|pages most linked to that haven't been created yet]. We'll get there eventually, though...
 
 
Though there are a great many central and major topics not covered, he also feels that there are subjects like those relating to the [[Kingdom of Ryukyu]] which will never get covered if he doesn't do it, so please do not mind him if he does after all go off on some random direction.
 
 
 
He has been working to flesh out the Timeline pages as well, primarily because it's quick easy work. His dates and events come almost exclusively from 「新詳日本史」, published by 浜島書店, though the source is not cited on the Timeline pages. If any event seems suspicious, please do not hesitate to call him out on a mistranslation; he's far from fluent, and still working on it.
 
 
 
In addition, he is copying and pasting from Wikipedia those articles which are purely his own work. He will sometimes, if something's not covered on Wikipedia, write a new article and post it on both Wikis.
 
 
 
====Articles to Create====
 
*Note to self: port lineage pages of [[Ichikawa Danjuro]] and others from Wikipedia, along with articles on individual actors.
 
  
A list of articles he has contributed to extensively on Samurai Archives can be found [[User:LordAmeth/Articles|here]].
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*[[User:LordAmeth/Notes]]

Latest revision as of 23:28, 9 August 2021

Edosp.png This user specializes in the
Edo Period.
Sumu.png This user
lives in Japan.
Study.png This user has a college degree in
Japanese History.
Published.png This user is a
published author.
Nihongolevel3.png This user has an
Advanced knowledge of Japanese.
Study.png This user has
studied in Japan.
Tabi.png This user
makes frequent trips to Japan.
Gaijin.png This User
has been personally called a
Gaijin
on numerous occasions.

I am a bit obsessed with Japanese and Ryukyuan history and culture, and to a notable extent with those of the wider region of East/SE Asia and the Pacific. I find interest in just about every period or aspect of Japanese history, from the earliest ancient clan conflicts, through the Heian period and the Genpei Wars, the complexities of clan histories and regional histories of the Sengoku period, and into the vivid cultural, political, and economic history of the Edo period, the cultural changes of the Meiji period, and the cultural issues facing Japan today. I am particularly interested in the histories of visual, material, and performance culture, those things that make each period and each region of Japan so vibrantly distinct in their textured cultural look and feel. Please don't mind the weird name - we all picked weird handles back in the early days of the Internet, and on some platforms (such as this one) it's rather difficult to change to a different one.

I completed an MA at the School of Oriental & African Studies (U of London), writing on 17th century relations between the shogunate and Southeast Asian authorities, and then attended an intensive advanced-level Japanese-language program in Yokohama for a year. After some various adventures elsewhere in Japan, New York, and elsewhere, I completed a second MA, in Art History, from the University of Hawai'i, and then a PhD in History at the University of California, Santa Barbara, focusing on the 17th-19th century embassies dispatched by the Kingdom of Ryukyu to Edo, and on issues of cultural performance, ritual, and display occurring within those embassies.

Travis is no longer active on Wikipedia, finding the endless edit-warring and Talk page arguments stressful and a distraction from the relaxation, enjoyment, and productivity that contributing to a Wiki should bring. I enjoy using the Samurai-Archive Wiki as a great way to take notes, to record details I have come across, and to have a quick and easy way to come back to them, to look them up. Contributing to the Wiki also helps me to read actively and engagingly, actually noticing details and having something to do with them, rather than just passively skimming through materials for an argument, and absorbing little of the content.

For larger versions of images used on the S-A Wiki, any photos I have taken myself can be found on my Flickr page.

Interests and Specialties

As the userboxes do not tell all, I am particularly interested in and/or knowledgeable about:

Projects

My main projects right now on the Wiki are to continue adding information from things I'm reading anyway (for classes, for research, etc.), and from gallery labels and the like at museums and historical sites I visit. The Wiki thus grows organically and haphazardly, in bricolage fashion... and not, I am afraid, in any coordinated fashion focusing on the most major/significant topics, or on those most linked to that haven't been created yet. We'll get there eventually, though...