Difference between revisions of "Buddhist sculpture in Korea"
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| + | [[File:Maitreya83.jpg|right|thumb|400px|Replica on display at Incheon Airport of [[National Treasure of Korea]] #83, a gilt-bronze Maitreya sculpture very closely related in style to the 7th century [[Koryu-ji|Kôryû-ji]] sculpture which was the first to be designated a [[National Treasure]] in Japan]] | ||
Buddhism is believed to have been introduced into the Korean kingdoms of [[Koguryo]] and [[Paekche]] in the 4th century, via the [[Northern Wei Dynasty]] ([[386]]-[[534]]), a dynasty of the [[Tuoba]] people, a Turkic people descended from the [[Xianbei]].<ref name=rawski123>Evelyn Rawski, ''Early Modern China and Northeast Asia: Cross-Border Perspectives'', Cambridge University Press (2015), 123-125.</ref> Though Korea initially copied Chinese styles of Buddhist sculpture, distinctive styles later emerged in each of the [[Three Kingdoms (Korea)|Three Kingdoms]]. These styles then merged into a single set of typical styles following the unification of Korea under the kingdom of [[Silla]] in the 7th century. | Buddhism is believed to have been introduced into the Korean kingdoms of [[Koguryo]] and [[Paekche]] in the 4th century, via the [[Northern Wei Dynasty]] ([[386]]-[[534]]), a dynasty of the [[Tuoba]] people, a Turkic people descended from the [[Xianbei]].<ref name=rawski123>Evelyn Rawski, ''Early Modern China and Northeast Asia: Cross-Border Perspectives'', Cambridge University Press (2015), 123-125.</ref> Though Korea initially copied Chinese styles of Buddhist sculpture, distinctive styles later emerged in each of the [[Three Kingdoms (Korea)|Three Kingdoms]]. These styles then merged into a single set of typical styles following the unification of Korea under the kingdom of [[Silla]] in the 7th century. | ||
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| + | ==See also== | ||
| + | *[[Buddhist sculpture]] | ||
| + | *[[Buddhist sculpture in China]] | ||
| + | *[[Buddhist sculpture in Ryukyu]] | ||
==References== | ==References== | ||
Latest revision as of 08:00, 11 August 2019
Buddhism is believed to have been introduced into the Korean kingdoms of Koguryo and Paekche in the 4th century, via the Northern Wei Dynasty (386-534), a dynasty of the Tuoba people, a Turkic people descended from the Xianbei.[1] Though Korea initially copied Chinese styles of Buddhist sculpture, distinctive styles later emerged in each of the Three Kingdoms. These styles then merged into a single set of typical styles following the unification of Korea under the kingdom of Silla in the 7th century.
Tang Dynasty sculptural styles had a notable influence in the 7th-8th centuries, and Korean Buddhist sculpture developed into a "mature classical style" in the 8th century, a period sometimes described as a "golden age" for Korean Buddhist art. Meanwhile, the supply of copper dwindled, and the construction of Buddhist sculpture in iron - not widely used in Chinese or Japanese sculpture at all - flourished.
Chinese influences faded beginning in the 9th century, and the 10th to 12th centuries saw considerable growth and development in native Korean styles, including the production of a number of colossal Buddhist images. Buddhism and Buddhist sculpture flourished in the Goryeo Kingdom (918-1392), and came to be influenced by Tibeto-Mongolian styles in the 13th-14th centuries as the Mongol Yuan Dynasty rose to dominance in China.
The adoption of neo-Confucianism as the official political philosophy of state under the Joseon dynasty (1392-1897) brought some considerable suppression of Buddhism; however, images continued to be constructed and worshipped throughout that period, down to today.
See also
References
- ↑ Evelyn Rawski, Early Modern China and Northeast Asia: Cross-Border Perspectives, Cambridge University Press (2015), 123-125.
