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*''Born: [[1810]]''
*''Born: [[1810]]''
*''Died: [[1888]]/10/19''
*''Died: [[1888]]/10/19''
*''Other Names'': 歌月庵 ''(Kagetsuan)''
*''Other Names'': 歌月庵 ''(Kagetsuan)'', 喜笑 ''(Kishou)'', 小田切忠近 ''(Odagiri Tadachika)'', 小田切伝之丞 ''(Odagiri Dennojou)''
*''Japanese'': 小田切春江 ''(Odagiri Shunkou)''
*''Japanese'': [[小田切]]春江 ''(Odagiri Shunkou)''
Odagiri Shunkô was a samurai and court painter in service to the [[Owari Tokugawa clan|Tokugawa]] lords of [[Owari han]] ([[Nagoya]]) in the late [[Edo period|Edo]] and early [[Meiji period]]s.
Odagiri Shunkô was a samurai and court painter in service to the [[Owari Tokugawa clan|Tokugawa]] lords of [[Owari han]] ([[Nagoya]]) in the late [[Edo period|Edo]] and early [[Meiji period]]s.
He studied under [[Mori Koga|Mori Kôga]]<!--森高雅--> and [[Koriki Tanenobu|Kôriki Tanenobu]]<!--高力種信, aka 猿猴庵 Enkôan-->.<ref>Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211n18.</ref> He served in a number of low- to mid-ranking positions, including as ''[[umamawari]]'' (guard), ''shoinban'' (guard of the study), and other positions. In [[1865]], he produced two significant paintings at the order of the domain: ''Owari shi'' and ''Mino shi''. Along with [[Okada Kei]]<!--岡田啓--> he also produced the ''Owari meisho zue'', a collection of [[meisho|famous places]] of the Owari area. His other works include ''Owari eiketsu gaden''<!--尾張英傑画伝-->, a handscroll painting of the lord's ''[[sankin kotai|sankin kôtai]]'' procession, and a number of maps of [[Owari province|Owari]] and other provinces, as well as works depicting the [[Ryukyuan embassies to Edo]], including the ''[[Ryukyu gashi|Ryûkyû gashi]]'' and ''[[Meiyo kenbun zue|Meiyô kenbun zue]]''.
Shunkô was one of his [[art-name]]s (''gô''); the other was Kishô, while his given name was Tadachika, and he was also known as Dennojô.
Born the eldest child of Odagiri Matsusaburô, a samurai retainer to the [[Owari Tokugawa clan]], he received a regular [[stipend]] of 100 ''[[koku]]''.
He studied under [[Koriki Tanenobu|Kôriki Tanenobu]]<!--高力種信, aka 猿猴庵 Enkôan-->, illustrating secondary copies of Tanenobu's books, as well as producing his own for the [[kashihonya|booklender]] [[Onoya Sohachi|Ônoya Sôhachi]], before beginning study under [[Mori Koga|Mori Kôga]]<!--森高雅-->, a specialist in color.<ref>Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18.</ref> He served in a number of low- to mid-ranking positions, including as ''[[umamawari]]'' (guard), ''shoinban'' (guard of the study), and other positions. In [[1865]], he produced two significant paintings at the order of the domain: ''Owari shi'' and ''Mino shi''. Along with [[Okada Kei]]<!--岡田啓--> he also produced the ''Owari meisho zue'', a collection of [[meisho|famous places]] of the Owari area. His other works include ''Owari eiketsu gaden''<!--尾張英傑画伝-->, a handscroll painting of the lord's ''[[sankin kotai|sankin kôtai]]'' procession, and a number of maps of [[Owari province|Owari]] and other provinces, as well as works depicting the [[Ryukyuan embassies to Edo]], including the ''[[Ryukyu gashi|Ryûkyû gashi]]'' and ''[[Meiyo kenbun zue|Meiyô kenbun zue]]''.
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