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Shunkô was one of his [[art-name]]s (''gô''); the other was Kishô, while his given name was Tadachika, and he was also known as Dennojô.
 
Shunkô was one of his [[art-name]]s (''gô''); the other was Kishô, while his given name was Tadachika, and he was also known as Dennojô.
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Born the eldest child of Odagiri Matsusaburô, a samurai retainer to the [[Owari Tokugawa clan]], he received a regular [[stipend]] of 100 ''[[koku]]''.
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Born the eldest child of Odagiri Matsusaburô, a samurai retainer to the Owari Tokugawa clan, he received a regular [[stipend]] of 100 ''[[koku]]''.
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He studied under [[Koriki Tanenobu|Kôriki Tanenobu]]<!--高力種信, aka 猿猴庵 Enkôan-->, illustrating secondary copies of Tanenobu's books, as well as producing his own for the [[kashihonya|booklender]] [[Onoya Sohachi|Ônoya Sôhachi]], before beginning study under [[Mori Koga|Mori Kôga]]<!--森高雅-->, a specialist in color.<ref>Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18.</ref> He served in a number of low- to mid-ranking positions, including as ''[[umamawari]]'' (guard), ''shoinban'' (guard of the study), and other positions. In [[1865]], he produced two significant paintings at the order of the domain: ''Owari shi'' and ''Mino shi''. Along with [[Okada Kei]]<!--岡田啓--> he also produced the ''Owari meisho zue'', a collection of [[meisho|famous places]] of the Owari area. His other works include ''Owari eiketsu gaden''<!--尾張英傑画伝-->, a handscroll painting of the lord's ''[[sankin kotai|sankin kôtai]]'' procession, and a number of maps of [[Owari province|Owari]] and other provinces, as well as works depicting the [[Ryukyuan embassies to Edo]], including the ''[[Ryukyu gashi|Ryûkyû gashi]]'' and ''[[Meiyo kenbun zue|Meiyô kenbun zue]]''.
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He studied under [[Koriki Tanenobu|Kôriki Tanenobu]]<!--高力種信, aka 猿猴庵 Enkôan-->, illustrating secondary copies of Tanenobu's books, as well as producing his own for the [[kashihonya|booklender]] [[Onoya Sohachi|Ônoya Sôhachi]], before beginning study under [[Mori Koga|Mori Kôga]]<!--森高雅-->, a specialist in color. He served in a number of low- to mid-ranking positions, including as ''[[umamawari]]'' (guard), ''shoinban'' (guard of the study), and other positions. In [[1865]], he produced two significant paintings at the order of the domain: ''Owari shi'' and ''Mino shi''. Along with [[Okada Kei]]<!--岡田啓--> he also produced the ''Owari meisho zue'', a collection of [[meisho|famous places]] of the Owari area. His other works include ''Owari eiketsu gaden''<!--尾張英傑画伝-->, a handscroll painting of the lord's ''[[sankin kotai|sankin kôtai]]'' procession, and a number of maps of [[Owari province|Owari]] and other provinces, as well as works depicting the [[Ryukyuan embassies to Edo]], including the ''[[Ryukyu gashi|Ryûkyû gashi]]'' and ''[[Meiyo kenbun zue|Meiyô kenbun zue]]''.
    
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==References==
 
==References==
 
*"[https://kotobank.jp/word/%E5%B0%8F%E7%94%B0%E5%88%87%E6%98%A5%E6%B1%9F-1063366 Odagiri Shunkô]," ''Nihon jinmei daijiten'' 日本人名大辞典, Kodansha 2009.
 
*"[https://kotobank.jp/word/%E5%B0%8F%E7%94%B0%E5%88%87%E6%98%A5%E6%B1%9F-1063366 Odagiri Shunkô]," ''Nihon jinmei daijiten'' 日本人名大辞典, Kodansha 2009.
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*Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18.
 
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