Changes

In his mid-teens he began to study painting and woodblock design under [[Utagawa Toyoharu]]. His oldest known print to be published is one from [[1785]], depicting [[kabuki]] actor [[Mimasu Tokujiro I|Mimasu Tokujirô I]] as a female [[ashigaru]].

In his mid-teens he began to study painting and woodblock design under [[Utagawa Toyoharu]]. His oldest known print to be published is one from [[1785]], depicting [[kabuki]] actor [[Mimasu Tokujiro I|Mimasu Tokujirô I]] as a female [[ashigaru]].

Toyokuni then went on to produce privately commissioned ''[[surimono]]'', illustrations for ''[[kibyoshi|kibyôshi]]'' fiction volumes, and calendars, among other works. Beginning in the Kansei era (1789-1801) he produced numerous ''[[bijinga]]'' (images of beautiful women).

Toyokuni then went on to produce privately commissioned ''[[surimono]]'', illustrations for ''[[kibyoshi|kibyôshi]]'' fiction volumes, and calendars, among other works. Beginning in the Kansei era (1789-1801) he produced numerous ''[[bijinga]]'' (images of beautiful women). He also produced a great many kabuki prints, including triptychs of the interior of the [[Nakamura-za]] in which the center print could be swapped out for any number of variants, changing the play or scene being performed while keeping the left and prints (showing the audience members) the same. Toyokuni produced many polyptychs of scenes elsewhere in and around Edo as well.

Utagawa Kunisada took the name Toyokuni (III) in [[1844]].

Utagawa Kunisada took the name Toyokuni (III) in [[1844]].