Changes

*''Other Names: Ôkichiya (''[[yago|yagô]]''), Uemura Kichizaemon, Yamamura Kichiya, Kamimura Kichiya I, Uemonjiya Kichizaemon<ref>Kabuki21.com. The latter two names were not stagenames, but other names Kichiya used at various times in his life, outside of the theatre.</ref>

*''Other Names: Ôkichiya (''[[yago|yagô]]''), Uemura Kichizaemon, Yamamura Kichiya, Kamimura Kichiya I, Uemonjiya Kichizaemon<ref>Kabuki21.com. The latter two names were not stagenames, but other names Kichiya used at various times in his life, outside of the theatre.</ref>

*''Japanese'': 初代上村吉弥 ''(Shodai Uemura Kichiya)''

*''Japanese'': 初代[[上村]]吉弥 ''(Shodai Uemura Kichiya)''

Uemura Kichiya I was an ''[[onnagata]]'' [[kabuki]] actor active in [[Kamigata]] (specifically, Kyoto) in the 1670s. He was particularly celebrated for his dances, and but is known chiefly for his influence on women's fashions, including the popularization of a certain kind of basket hat, a type of face powder, and certain ways of tying one's ''[[obi]]'' (kimono belt).

Uemura Kichiya I was an ''[[onnagata]]'' [[kabuki]] actor active in [[Kamigata]] (specifically, Kyoto) in the 1670s. He was particularly celebrated for his dances, and but is known chiefly for his influence on women's fashions, including the popularization of a certain kind of basket hat, a type of face powder, and certain ways of tying one's ''[[obi]]'' (kimono belt).

*Waterhouse, David. "The Hishikawa Mode." ''Impressions'' 31 (2010). pp42-49.

*Waterhouse, David. "The Hishikawa Mode." ''Impressions'' 31 (2010). pp42-49.

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