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• Jo-ha-kyu
  ...gaku'' piece to be considered a complete performance piece.<ref name=sando>Quinn, ''Developing Zeami''.</ref> ...eace and auspiciousness in the fifth ''dan'' (''kyû'').<ref>Quinn, Shelley Fenno. "How to write a Noh play - Zeami's ''Sandō''." ''Monumenta Nipponica'', v
  6 KB (1,021 words) - 21:43, 17 February 2014
• Kusemai
  ...e and text, with dance elements being relatively sparse and secondary.<ref>Quinn, 59.</ref> *Shelley Fenno Quinn, ''Developing Zeami'', University of Hawaii Press (2005), 55-56, 133-134.
  3 KB (512 words) - 16:30, 19 February 2014
• Sando
  [[Shelley Fenno Quinn]] translates the first of the three "paths," ''shu'', as "material," but po ...o Masafusa]] which mentions Takasago, a bell, a hill, dawn, and frost.<ref>Quinn, ''Developing Zeami'', 139.</ref> Zeami is careful to point out, too, that
  7 KB (1,039 words) - 16:17, 19 February 2014
• Zeami
  ...rmance more sophisticated and appealing to Kyoto audiences.<ref>Hare, 10., Quinn, ''Developing Zeami'', 49, 54.</ref> ...who performed primary roles, and those who performed secondary roles.<ref>Quinn, ''Developing Zeami'', 131.</ref> As is evident in his writings, many other
  8 KB (1,139 words) - 20:33, 24 March 2016
• Noh
  ...ally (in Zeami's time) it was ''waki'' actors who composed the chorus.<ref>Quinn, ''Developing Zeami'', 132.</ref> ...sts his pitch in accordance with the "fragrance" of the actor's voice.<ref>Quinn, ''Developing Zeami'', 135.</ref>
  22 KB (3,481 words) - 00:34, 26 June 2019

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