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Created page with "*''Died: 1525'' *''Japanese'': 相阿弥 ''(Souami)'' Sôami was a cultural advisor to Ashikaga shoguns including Ashikaga Yoshimasa. The ..."
*''Died: [[1525]]''
*''Japanese'': 相[[阿弥]] ''(Souami)''
Sôami was a cultural advisor to [[Ashikaga shogunate|Ashikaga shoguns]] including [[Ashikaga Yoshimasa]].
The grandson of [[Noami|Nôami]], another significant Ashikaga cultural advisor, Sôami advised shoguns in their acquisition and display of paintings, [[tea ceremony|tea implements]], and other works, as well as likely in related affairs such as the design and construction of tea rooms and exhibition spaces.
He is said to have written the ''Kundaikan sôchôki'' ("Manual of the Attendant of the Shogunal Collection"), a listing or catalog of the Ashikaga collection which came to be dispersed as the shogunate began to fall into decline following Ashikaga Yoshimasa's death in [[1490]]. The earliest mention of this catalog known to historians dates to 1511; around that time, and afterwards, a number of manuscript copies of the catalog were produced and perhaps bought and sold. Historian Morgan Pitelka suggests that Sôami may have produced the list in order to aid ''daimyô'' and others in asserting the prestige of the objects in their collections, by providing documentation that those objects had previously been owned by the shoguns themselves. It also seems likely, however, given Sôami's close connections to the shogunate, that he simply wished to record the collection before it was dispersed, as a record of what the Ashikaga had achieved, prior to their decline.
Sôami may have also transcribed his grandfather's ''Gomotsu on'e mokuroku'' ("Catalog of Lordly Paintings"), a circa 1460s record of the Ashikaga collections which is often identified as the earliest such collections catalog in Japan. A manuscript copy of this text produced in the [[Edo period]] is today in the collection of the [[Tokyo National Museum]], and is a highly valuable source for scholars' knowledge of Ashikaga collecting practices.
Sôami is also known as a painter; a series of ''[[fusuma]]'' paintings of the [[Xiao and Xiang Rivers]], held by [[Daisen-in]], a sub-temple of [[Daitoku-ji]] in [[Kyoto]], are identified by the temple as particularly noteworthy.<ref>Plaques on-site at Daisen-in, Kyoto.</ref>
{{stub}}
==References==
*Morgan Pitelka, ''Spectacular Accumulation'', U Hawaii Press (2016), 22-23.
<references/>
[[Category:Muromachi Period]]
[[Category:Artists and Artisans]]
*''Japanese'': 相[[阿弥]] ''(Souami)''
Sôami was a cultural advisor to [[Ashikaga shogunate|Ashikaga shoguns]] including [[Ashikaga Yoshimasa]].
The grandson of [[Noami|Nôami]], another significant Ashikaga cultural advisor, Sôami advised shoguns in their acquisition and display of paintings, [[tea ceremony|tea implements]], and other works, as well as likely in related affairs such as the design and construction of tea rooms and exhibition spaces.
He is said to have written the ''Kundaikan sôchôki'' ("Manual of the Attendant of the Shogunal Collection"), a listing or catalog of the Ashikaga collection which came to be dispersed as the shogunate began to fall into decline following Ashikaga Yoshimasa's death in [[1490]]. The earliest mention of this catalog known to historians dates to 1511; around that time, and afterwards, a number of manuscript copies of the catalog were produced and perhaps bought and sold. Historian Morgan Pitelka suggests that Sôami may have produced the list in order to aid ''daimyô'' and others in asserting the prestige of the objects in their collections, by providing documentation that those objects had previously been owned by the shoguns themselves. It also seems likely, however, given Sôami's close connections to the shogunate, that he simply wished to record the collection before it was dispersed, as a record of what the Ashikaga had achieved, prior to their decline.
Sôami may have also transcribed his grandfather's ''Gomotsu on'e mokuroku'' ("Catalog of Lordly Paintings"), a circa 1460s record of the Ashikaga collections which is often identified as the earliest such collections catalog in Japan. A manuscript copy of this text produced in the [[Edo period]] is today in the collection of the [[Tokyo National Museum]], and is a highly valuable source for scholars' knowledge of Ashikaga collecting practices.
Sôami is also known as a painter; a series of ''[[fusuma]]'' paintings of the [[Xiao and Xiang Rivers]], held by [[Daisen-in]], a sub-temple of [[Daitoku-ji]] in [[Kyoto]], are identified by the temple as particularly noteworthy.<ref>Plaques on-site at Daisen-in, Kyoto.</ref>
{{stub}}
==References==
*Morgan Pitelka, ''Spectacular Accumulation'', U Hawaii Press (2016), 22-23.
<references/>
[[Category:Muromachi Period]]
[[Category:Artists and Artisans]]