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− | [[Image:Kutu.JPG|right|thumb|300px|A ''[[koto]]'' tuned to Okinawan ''kutu'' tuning.]] | + | [[Image:Kutu.JPG|right|thumb|300px|A Japanese ''[[koto]]'' tuned to become an Okinawan ''kutu''.]] |
| *''Okinawan'': 琴 ''(kutu)'' | | *''Okinawan'': 琴 ''(kutu)'' |
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− | The zither known as the ''[[koto]]'' in Japanese was the only major example of a Japanese instrument adopted into the repertoire of Okinawan classical music, where it is called ''kutu''. | + | The ''kutu'' is the Okinawan name for the 13-string zither called ''[[koto]]'' in Japanese. It is the only major example of a Japanese instrument being adopted into the repertoire of Okinawan classical music. |
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| + | It may have been first introduced into Okinawa in [[1701]].<ref>Miyagi Eishô, ''Ryûkyû shisha no Edo nobori'', Tokyo: Daiichi shobô (1982), 129.</ref> |
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| The ''kutu'' as it is used in Okinawan music is physically identical to the Japanese ''koto'', but is simply tuned differently. It is most commonly played as accompaniment to the [[sanshin]], sometimes, traditionally, alongside the ''kûchô'' (the Okinawan version of the ''[[kokyu (instrument)|kokyû]]'' fiddle). However, there is also a small repertoire of solo Okinawan ''kutu'' songs, mainly ''danmono'' pieces in the style of the [[Yatsuhashi school]] of Japanese ''koto'', along with several other Japanese ''koto'' pieces of unclear origin. One of the most common pieces in this solo repertoire, also commonly played on classical ''sanshin'', is a ''danmono'' piece entitled ''Watarizô-Tachiutushi''. | | The ''kutu'' as it is used in Okinawan music is physically identical to the Japanese ''koto'', but is simply tuned differently. It is most commonly played as accompaniment to the [[sanshin]], sometimes, traditionally, alongside the ''kûchô'' (the Okinawan version of the ''[[kokyu (instrument)|kokyû]]'' fiddle). However, there is also a small repertoire of solo Okinawan ''kutu'' songs, mainly ''danmono'' pieces in the style of the [[Yatsuhashi school]] of Japanese ''koto'', along with several other Japanese ''koto'' pieces of unclear origin. One of the most common pieces in this solo repertoire, also commonly played on classical ''sanshin'', is a ''danmono'' piece entitled ''Watarizô-Tachiutushi''. |
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| + | Though classical music was traditionally practiced exclusively by men (and though men continue to be quite active in the classical sanshin tradition), today it is overwhelmingly women who practice ''kutu''.<ref>Thompson. p313.</ref> |
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| ==References== | | ==References== |
| *[[Robin Thompson|Thompson, Robin]]. "The Music of Ryukyu." ''Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. p309. | | *[[Robin Thompson|Thompson, Robin]]. "The Music of Ryukyu." ''Ashgate Research Companion to Japanese Music''. Surrey: Ashgate Publishing, 2008. p309. |
| + | <references/> |
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| [[Category:Ryukyu]] | | [[Category:Ryukyu]] |
| [[Category:Poetry and Theater]] | | [[Category:Poetry and Theater]] |