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As she dances at the temple, her child, who is among the crowd, recognizes her and the play ends with their reunion.
As she dances at the temple, her child, who is among the crowd, recognizes her and the play ends with their reunion.
The play incorporates elements from an earlier play, ''Saga no dainenbutsu no onna monogurui'' (Madwoman at the Great [[Nenbutsu]] Chanting at Saga), which fell out of the repertoire long ago.
The play incorporates elements from an earlier play, ''Saga no dainenbutsu no onna monogurui'' (Madwoman at the Great [[Nenbutsu]] Chanting at Saga), which fell out of the repertoire before or during Zeami's time.<ref>As evidenced by the fact that he writes "''Hyakuman'', which used to be ''Saga monogurui no kyôjo''" in his ''[[Sando|Sandô]]'' ([[1423]]). Thomas Hare, ''Zeami Performance Notes'', Columbia University Press (2008), 162.</ref>
==References==
==References==
*Shelley Fenno Quinn, ''Developing Zeami'', University of Hawaii Press (2005), 58, 60.
*Shelley Fenno Quinn, ''Developing Zeami'', University of Hawaii Press (2005), 58, 60.
<references/>
[[Category:Muromachi Period]]
[[Category:Muromachi Period]]
[[Category:Poetry and Theater]]
[[Category:Poetry and Theater]]