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*''Japanese'': 傾奇者 ''(kabukimono)''
*''Japanese'': 傾奇者・歌舞伎者 ''(kabukimono)''
''Kabukimono'' gangs were groups of flamboyant rogues comprised of increasingly bored samurai during the late [[Sengoku period]] and early [[Edo period]]. The term translates roughly to "eccentric," as the [[kanji|characters]] that comprise it mean, essentially, one (者) who leans (傾) [away from normal, or away from the norm] and is unusual (奇).
''Kabukimono'' gangs were groups of flamboyant rogues comprised of increasingly bored samurai during the late [[Sengoku period]] and early [[Edo period]]. The term translates roughly to "eccentric," as the [[kanji|characters]] that comprise it mean, essentially, one (者) who leans (傾) [away from normal, or away from the norm] and is unusual (奇).
''Kabukimono'' were noted for wearing loud, gaudy kimono and otherwise violating fashion norms (some wore women's kimono) and engaging in wild behavior. An early 17th century painting known as The [[Hikone Screen]] (due to its location in the collection of [[Hikone castle]]) is a particularly famous and oft-cited visual example of the appearance of the ''kabukimono''; it serves as a particularly convenient example because the central figure is not only dressed unusually, but is actually bending or leaning in an eccentric manner.
''Kabukimono'' were noted for wearing loud, gaudy kimono and otherwise violating fashion norms (some wore women's kimono) and engaging in wild behavior, including loud conversation, and singing, dancing, and brawling in the streets. An early 17th century painting known as The [[Hikone Screen]] (due to its location in the collection of [[Hikone castle]]) is a particularly famous and oft-cited visual example of the appearance of the ''kabukimono''; it serves as a particularly convenient example because the central figure is not only dressed unusually, but is actually bending or leaning in an eccentric manner. Some of the stylistic features associated with ''kabukimono'' include long hair not held up in a [[chonmage|topknot]], swords of a longer than normal length and unusually large ''[[tsuba]]'' (handguards), and elements of European clothing.<ref name=ikegami261>Ikegami. p261.</ref>
Most of their members were made up of young men who were not in line to inherit their family positions or holdings. Often these groups were known to bully townspeople and others of lower classes, indulge in protection rackets, become gangs of thieves, or even [[tsujigiri|kill innocent civilians]]. [[Fuwa Kazuemon]] of the [[47 Ronin]] was said to be a member of a ''kabukimono'' gang.
Most of their members were made up of young men on the fringes of the samurai class. Many were younger sons who were not in line to inherit, while others were low-ranking samurai, manservants, or ronin. Often these groups were known to bully townspeople and others of lower classes, indulge in protection rackets, become gangs of thieves, or even [[tsujigiri|kill innocent civilians]]. [[Fuwa Kazuemon]] of the [[47 Ronin]] was said to be a member of a ''kabukimono'' gang.
The theatrical form [[Kabuki]] is often said to have its origins among these ''kabukimono''; [[Izumo no Okuni]], who is usually credited with originating the form, is often described as one. The word for the drama form has, however, come to be written with different characters - namely, 『歌舞伎』, meaning, literally, "song," "dance," and "technique."
The theatrical form [[Kabuki]] is often said to have its origins among these ''kabukimono''; [[Izumo no Okuni]], who is usually credited with originating the form, is often described as one. In particular, just as many ''kabukimono'' wore women's clothing, so Okuni is said to have worn men's garments, to have carried swords and daggers, and to have acted as a man sometimes, e.g. jokingly flirting with other women.<ref>Ikegami. p264.</ref> The word for the drama form has, however, come to be written with different characters - namely, 『歌舞伎』, meaning, literally, "song," "dance," and "technique." These characters were then retroactively applied to the word for the ''kabukimono'', which is now written either of two ways.
The shogunate explicitly banned a number of behaviors and modes of dress in 1615, in an effort to crack down on the ''kabukimono'', who were perceived as disruptive. In addition to the disruption they presented through their loud activities on the streets, the ''kabukimono'' represented a disruption of societal norms in that they often demonstrated stronger loyalty to one another than to their actual samurai masters or families.
Though some ''daimyô'', such as the lords of [[Kaga han]], cracked down on ''kabukimono'', arresting, for example, 63 ''kabukimono'' in [[Kanazawa]] and [[Takaoka]] in 1612 and executing them, many ''daimyô'' in the early decades of the Edo period encouraged, or at least supported, their retainers in showing off and dressing boldly. Further edicts in 1617 and 1632 sought to put an end to the phenomenon by forbidding higher-ranking samurai from being seen in public alongside (people dressed as) ''kabukimono'', but the very fact that such edicts were issued repeatedly indicates that they were not particularly effective.<ref>Ikegami. p263.</ref>
One ''kabukimono'' leader whose name is known was [[Otori Ichibei|Ôtori Ichibei]]. When he was arrested in 1612, he was believed to be associated with a network or gang of hoodlums numbering in the hundreds and responsible for countless acts of street violence. One member of Ichibei's gang killed a ''[[hatamoto]]'', a direct retainer to the shogun, in retribution for the ''hatamoto'' having killed a member of the gang; it was this action for which Ichibei was arrested. He is described as having been neither samurai nor commoner, and thus representing, purely through his failure or refusal to fit into the standard social categories, a threat to the social norms. But he is also described as having been a man of honor, who insisted that he was "the same kind of person" as all the great ''[[daimyo|daimyô]]'', and who claimed to live by a valiant code of honor, his long sword inscribed with the phrase "twenty-five is too long to live!"<ref>Ikegami. p262.</ref>
The ''kabukimono'' phenomenon likely died out around the end of the 17th century. A roundup of two hundred members of a gang known as the "Greater and Lesser Gods," and execution of eleven of its leaders, in [[1686]], is described as being the last major action against the ''kabukimono''.<ref>Ambaras. p14.</ref>
==References==
==References==
* Ambaras, David Richard. ''Bad Youth: Juvenile Delinquency and the Politics of Everyday Life in Modern Japan''. University of California Press, 2006. pp11-14ff.
* [[Ikegami Eiko]]. ''Bonds of Civility: Aesthetic Networks and the Political Origins of Japanese Culture''. Cambridge University Press, 2005. pp261ff.
* Rankin, Andrew. ''Seppuku''. Tokyo: Kodansha International Ltd., 2011.
* Rankin, Andrew. ''Seppuku''. Tokyo: Kodansha International Ltd., 2011.
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[[Category:Terminology]]
[[Category:Terminology]]
[[Category:Edo Period]]
[[Category:Edo Period]]