Difference between revisions of "Sadoyama Anken"

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Sadoyama Anken, also known by his [[Ryukyuan names|Chinese-style name]] Mao Changxi, was a [[Ryukyu Kingdom|Ryukyuan]] court painter. Named to that post at the age of 20, he is known for his ''[[ogoe]]'' (formal posthumous royal portrait) of King [[Sho Iku|Shô Iku]], and also for an [[1843]] painting of a rooster.
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Sadoyama Anken, also known by his [[Ryukyuan names|Chinese-style name]] Mao Changxi, was a [[Ryukyu Kingdom|Ryukyuan]] court painter. Named to that post at the age of 20, he is known for his ''[[ogoe]]'' (formal posthumous royal portraits) of King [[Sho Iku|Shô Iku]] and of a number of earlier kings of the kingdom,<ref>Nagatsu Teizô 永津禎三、"[https://www.ryukyubiken.com/第17回定例研究会 Shô ôke kakeizu to ogoe]"「尚王家家系図と御後絵」、self-published, 9 May 2024.</ref> and also for an [[1843]] painting of a rooster.
  
 
After the [[Ryukyu Shobun|fall of the kingdom]], Anken came to work for the industrial division of the [[Okinawa prefecture]] government, producing maps and technical drawings.<ref name=junko>Junko Kobayashi, "The Demise of Ryukyuan Painting," Okinawan Art in its Regional Context symposium, University of East Anglia, Norwich, 10 Oct 2019.</ref>  
 
After the [[Ryukyu Shobun|fall of the kingdom]], Anken came to work for the industrial division of the [[Okinawa prefecture]] government, producing maps and technical drawings.<ref name=junko>Junko Kobayashi, "The Demise of Ryukyuan Painting," Okinawan Art in its Regional Context symposium, University of East Anglia, Norwich, 10 Oct 2019.</ref>  

Latest revision as of 02:09, 11 October 2024

Sadoyama Anken, also known by his Chinese-style name Mao Changxi, was a Ryukyuan court painter. Named to that post at the age of 20, he is known for his ogoe (formal posthumous royal portraits) of King Shô Iku and of a number of earlier kings of the kingdom,[1] and also for an 1843 painting of a rooster.

After the fall of the kingdom, Anken came to work for the industrial division of the Okinawa prefecture government, producing maps and technical drawings.[2]

In 1884, his grandson Sadoyama Anhô submitted a number of works to the Second National Painting Exposition.[2]

References

  • "The Beauty of the Ryukyu Kingdom," gallery labels, Shuri castle, Jan 2017.
  1. Nagatsu Teizô 永津禎三、"Shô ôke kakeizu to ogoe"「尚王家家系図と御後絵」、self-published, 9 May 2024.
  2. 2.0 2.1 Junko Kobayashi, "The Demise of Ryukyuan Painting," Okinawan Art in its Regional Context symposium, University of East Anglia, Norwich, 10 Oct 2019.