Difference between revisions of "Odagiri Shunko"
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Shunkô was one of his [[art-name]]s (''gô''); the other was Kishô, while his given name was Tadachika, and he was also known as Dennojô. | Shunkô was one of his [[art-name]]s (''gô''); the other was Kishô, while his given name was Tadachika, and he was also known as Dennojô. | ||
| − | Born the eldest child of Odagiri Matsusaburô, a samurai retainer to the | + | Born the eldest child of Odagiri Matsusaburô, a samurai retainer to the Owari Tokugawa clan, he received a regular [[stipend]] of 100 ''[[koku]]''. |
| − | He studied under [[Koriki Tanenobu|Kôriki Tanenobu]]<!--高力種信, aka 猿猴庵 Enkôan-->, illustrating secondary copies of Tanenobu's books, as well as producing his own for the [[kashihonya|booklender]] [[Onoya Sohachi|Ônoya Sôhachi]], before beginning study under [[Mori Koga|Mori Kôga]]<!--森高雅-->, a specialist in color. | + | He studied under [[Koriki Tanenobu|Kôriki Tanenobu]]<!--高力種信, aka 猿猴庵 Enkôan-->, illustrating secondary copies of Tanenobu's books, as well as producing his own for the [[kashihonya|booklender]] [[Onoya Sohachi|Ônoya Sôhachi]], before beginning study under [[Mori Koga|Mori Kôga]]<!--森高雅-->, a specialist in color. He served in a number of low- to mid-ranking positions, including as ''[[umamawari]]'' (guard), ''shoinban'' (guard of the study), and other positions. In [[1865]], he produced two significant paintings at the order of the domain: ''Owari shi'' and ''Mino shi''. Along with [[Okada Kei]]<!--岡田啓--> he also produced the ''Owari meisho zue'', a collection of [[meisho|famous places]] of the Owari area. His other works include ''Owari eiketsu gaden''<!--尾張英傑画伝-->, a handscroll painting of the lord's ''[[sankin kotai|sankin kôtai]]'' procession, and a number of maps of [[Owari province|Owari]] and other provinces, as well as works depicting the [[Ryukyuan embassies to Edo]], including the ''[[Ryukyu gashi|Ryûkyû gashi]]'' and ''[[Meiyo kenbun zue|Meiyô kenbun zue]]''. |
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==References== | ==References== | ||
*"[https://kotobank.jp/word/%E5%B0%8F%E7%94%B0%E5%88%87%E6%98%A5%E6%B1%9F-1063366 Odagiri Shunkô]," ''Nihon jinmei daijiten'' 日本人名大辞典, Kodansha 2009. | *"[https://kotobank.jp/word/%E5%B0%8F%E7%94%B0%E5%88%87%E6%98%A5%E6%B1%9F-1063366 Odagiri Shunkô]," ''Nihon jinmei daijiten'' 日本人名大辞典, Kodansha 2009. | ||
| + | *Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18. | ||
<references/> | <references/> | ||
Latest revision as of 18:03, 16 October 2017
- Born: 1810
- Died: 1888/10/19
- Other Names: 歌月庵 (Kagetsuan), 喜笑 (Kishou), 小田切忠近 (Odagiri Tadachika), 小田切伝之丞 (Odagiri Dennojou)
- Japanese: 小田切春江 (Odagiri Shunkou)
Odagiri Shunkô was a samurai and court painter in service to the Tokugawa lords of Owari han (Nagoya) in the late Edo and early Meiji periods.
Shunkô was one of his art-names (gô); the other was Kishô, while his given name was Tadachika, and he was also known as Dennojô.
Born the eldest child of Odagiri Matsusaburô, a samurai retainer to the Owari Tokugawa clan, he received a regular stipend of 100 koku.
He studied under Kôriki Tanenobu, illustrating secondary copies of Tanenobu's books, as well as producing his own for the booklender Ônoya Sôhachi, before beginning study under Mori Kôga, a specialist in color. He served in a number of low- to mid-ranking positions, including as umamawari (guard), shoinban (guard of the study), and other positions. In 1865, he produced two significant paintings at the order of the domain: Owari shi and Mino shi. Along with Okada Kei he also produced the Owari meisho zue, a collection of famous places of the Owari area. His other works include Owari eiketsu gaden, a handscroll painting of the lord's sankin kôtai procession, and a number of maps of Owari and other provinces, as well as works depicting the Ryukyuan embassies to Edo, including the Ryûkyû gashi and Meiyô kenbun zue.
References
- "Odagiri Shunkô," Nihon jinmei daijiten 日本人名大辞典, Kodansha 2009.
- Yokoyama Manabu 横山学, Ryûkyû koku shisetsu torai no kenkyû 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 211-212n18.
