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*''Genre: [[Jidaimono]]''
*''Premiere: 1697; [[Nakamura-za]], [[Edo]]''
*''Japanese'': しばらく ''(Shibaraku)''
<i>Shibaraku</i> is among the most popular pieces in the [[kabuki]] repertoire, and one of the celebrated ''[[Kabuki Juhachiban|Kabuki Jûhachiban]]'' (Eighteen Great Plays). The flamboyantly dramatic costume and makeup (''[[kesho|keshô]]'') used in this scene is famous and widely associated by the average Westerner with kabuki in general. The English translation of the title is akin to "Stop a Moment!"
Originally staged by [[Ichikawa Danjuro I|Ichikawa Danjûrô I]] in January 1697 at the [[Nakamura-za]], it was very popular, and quickly began to be included at the annual ''[[kaomise]]'' celebrations of each theatre in [[Edo]]. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by [[Ichikawa Danjuro VII|Danjûrô VII]], and reworked again by [[Ichikawa Danjuro IX|Danjûrô IX]] at the end of that century. This version has been performed since then.
A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certain level of energy and interest on the part of the audience. The plot centers around the figure of [[Kamakura Gongoro Kagemasa|Kamakura Gongorô Kagemasa]], who has become the stereotypical bombastic hero of the kabuki stage, with red-and-white striped makeup and strong, energetic movement. The historical Kamakura Kagemasa is famous for his bravery for having continued to fight after losing an eye in battle in the [[Gosannen War]] (1083-1087).
The climactic moment of this short work takes place when a goodly samurai is being assaulted by a number of villains. Kagemasa shouts "Shibaraku!" (Stop a moment!) loudly from behind a curtain (''agemaku'') and then steps out onto the ''hanamichi'' (a raised platform extending through the audience to the stage) in magnificent costume and makeup. Arriving at the stage, he sits on a stool (''aibiki'') and, in a special kind of monologue called ''[[tsurane]]'', explains his story. He then drives the villains off and, as the curtain falls, greets the audience from the ''hanamichi'', not as the hero, but as the actor.
The work is derived from an actual occurrence involving Danjûrô I. On this particular occasion, when his fellow actors refused to give him his cue to make his entrance, Danjûrô dramatically shouted "Shibaraku!", and stepped onto the ''hanamichi'', making his entrance<ref>''Shinbashi Enbujo: Hatsuharu Hanagata Kabuki: Narukami Fudô Kitayama-zakura.'' (Theatre Program) 2008: Shôchiku K.K., Tokyo. p57.</ref>.
In 1746 or so, a parody called ''Onna Shibaraku'' emerged, which follows the same plot, but with a female role in place of the hero. This piece, too, became standardized, and now follows the form established by [[Nakamura Shikan V]] in 1901. The idea of parody is central to the origins, and the nature, of kabuki. This arrangement also allows ''[[onnagata]]'', actors devoted to playing female roles, to take part in this most popular of dramatic archetypal stories.
==References==
<references/>
*''This article was written by [[User:LordAmeth]] and contributed to both S-A and Wikipedia; the author gives permission for his work to be used in this way.''
*[http://kabuki21.com/shibaraku.php Shibaraku at Kabuki21.com]
*Miyake, Shutarô (1971). "Kabuki Drama." Tokyo: Japan Travel Bureau, Inc.
[[Category:Culture]]
*''Premiere: 1697; [[Nakamura-za]], [[Edo]]''
*''Japanese'': しばらく ''(Shibaraku)''
<i>Shibaraku</i> is among the most popular pieces in the [[kabuki]] repertoire, and one of the celebrated ''[[Kabuki Juhachiban|Kabuki Jûhachiban]]'' (Eighteen Great Plays). The flamboyantly dramatic costume and makeup (''[[kesho|keshô]]'') used in this scene is famous and widely associated by the average Westerner with kabuki in general. The English translation of the title is akin to "Stop a Moment!"
Originally staged by [[Ichikawa Danjuro I|Ichikawa Danjûrô I]] in January 1697 at the [[Nakamura-za]], it was very popular, and quickly began to be included at the annual ''[[kaomise]]'' celebrations of each theatre in [[Edo]]. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by [[Ichikawa Danjuro VII|Danjûrô VII]], and reworked again by [[Ichikawa Danjuro IX|Danjûrô IX]] at the end of that century. This version has been performed since then.
A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certain level of energy and interest on the part of the audience. The plot centers around the figure of [[Kamakura Gongoro Kagemasa|Kamakura Gongorô Kagemasa]], who has become the stereotypical bombastic hero of the kabuki stage, with red-and-white striped makeup and strong, energetic movement. The historical Kamakura Kagemasa is famous for his bravery for having continued to fight after losing an eye in battle in the [[Gosannen War]] (1083-1087).
The climactic moment of this short work takes place when a goodly samurai is being assaulted by a number of villains. Kagemasa shouts "Shibaraku!" (Stop a moment!) loudly from behind a curtain (''agemaku'') and then steps out onto the ''hanamichi'' (a raised platform extending through the audience to the stage) in magnificent costume and makeup. Arriving at the stage, he sits on a stool (''aibiki'') and, in a special kind of monologue called ''[[tsurane]]'', explains his story. He then drives the villains off and, as the curtain falls, greets the audience from the ''hanamichi'', not as the hero, but as the actor.
The work is derived from an actual occurrence involving Danjûrô I. On this particular occasion, when his fellow actors refused to give him his cue to make his entrance, Danjûrô dramatically shouted "Shibaraku!", and stepped onto the ''hanamichi'', making his entrance<ref>''Shinbashi Enbujo: Hatsuharu Hanagata Kabuki: Narukami Fudô Kitayama-zakura.'' (Theatre Program) 2008: Shôchiku K.K., Tokyo. p57.</ref>.
In 1746 or so, a parody called ''Onna Shibaraku'' emerged, which follows the same plot, but with a female role in place of the hero. This piece, too, became standardized, and now follows the form established by [[Nakamura Shikan V]] in 1901. The idea of parody is central to the origins, and the nature, of kabuki. This arrangement also allows ''[[onnagata]]'', actors devoted to playing female roles, to take part in this most popular of dramatic archetypal stories.
==References==
<references/>
*''This article was written by [[User:LordAmeth]] and contributed to both S-A and Wikipedia; the author gives permission for his work to be used in this way.''
*[http://kabuki21.com/shibaraku.php Shibaraku at Kabuki21.com]
*Miyake, Shutarô (1971). "Kabuki Drama." Tokyo: Japan Travel Bureau, Inc.
[[Category:Culture]]
