Tamagusuku Chôkun had served as the royal dance minister (''udui bugyô'') since 1715, and had traveled to both [[Edo]] and [[Kagoshima]] at least five times before then, during which time he became quite familiar with Noh plays and perhaps viewed kabuki or other arts as well. He is considered the author of the first five ''kumi odori'' dance-plays, commonly known as "Chôkun no Goban" or simply the "Goban," all of which are relatively short and strongly influenced by Noh. | Tamagusuku Chôkun had served as the royal dance minister (''udui bugyô'') since 1715, and had traveled to both [[Edo]] and [[Kagoshima]] at least five times before then, during which time he became quite familiar with Noh plays and perhaps viewed kabuki or other arts as well. He is considered the author of the first five ''kumi odori'' dance-plays, commonly known as "Chôkun no Goban" or simply the "Goban," all of which are relatively short and strongly influenced by Noh. |