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*''Japanese'': 柳沢家 ''(Yanagisawa ke)''
The Yanagisawa clan were [[Edo period]] ''[[kunimochi]] [[daimyo|daimyô]]'' of the 150,000 ''[[kokudaka|koku]]'' [[han|domain]] of [[Koriyama han|Yamato-kôriyama]].<ref>Rebecca Corbett, ''Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan'', University of Hawaii Press (2018), 127-128</ref>
One notable lord of Kôriyama was [[Yanagisawa Nobutoki]] ([[1724]]-[[1792]]), who is known for his love of the [[kabuki]] theater and close social ties with many prominent actors.<ref>Timothy Clark, "Edo Kabuki in the 1780s," ''The Actor's Image'', Art Institute of Chicago (1994), 28-30, 32.</ref>
In the ''daimyô'' rankings by waiting room in [[Edo castle]], the Yanagisawa were assigned to the Teikan-no-ma ("Hall of the Mirror of Emperors").<ref>Gallery label, "Daimyô no kakushiki," Edo-Tokyo Museum.; Yamamoto Hirofumi, ''Edo jidai - shôgun bushi tachi no jitsuzô'', Tokyo Shoseki (2008), 67.</ref>
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==References==
<references/>
[[Category:Clans]]
[[Category:Edo Period]]
The Yanagisawa clan were [[Edo period]] ''[[kunimochi]] [[daimyo|daimyô]]'' of the 150,000 ''[[kokudaka|koku]]'' [[han|domain]] of [[Koriyama han|Yamato-kôriyama]].<ref>Rebecca Corbett, ''Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan'', University of Hawaii Press (2018), 127-128</ref>
One notable lord of Kôriyama was [[Yanagisawa Nobutoki]] ([[1724]]-[[1792]]), who is known for his love of the [[kabuki]] theater and close social ties with many prominent actors.<ref>Timothy Clark, "Edo Kabuki in the 1780s," ''The Actor's Image'', Art Institute of Chicago (1994), 28-30, 32.</ref>
In the ''daimyô'' rankings by waiting room in [[Edo castle]], the Yanagisawa were assigned to the Teikan-no-ma ("Hall of the Mirror of Emperors").<ref>Gallery label, "Daimyô no kakushiki," Edo-Tokyo Museum.; Yamamoto Hirofumi, ''Edo jidai - shôgun bushi tachi no jitsuzô'', Tokyo Shoseki (2008), 67.</ref>
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==References==
<references/>
[[Category:Clans]]
[[Category:Edo Period]]
