contributor
26,977
edits
Changes
Created page with "right|thumb|400px|[[Shisa, ceramic dragons, and the like on display at a shop in Tsuboya]] [[File:Kinjojiro.jpg|right|thumb|400px|A ceramic vase wit..."
[[File:Tsuboya-shisa.jpg|right|thumb|400px|[[Shisa]], ceramic dragons, and the like on display at a shop in Tsuboya]]
[[File:Kinjojiro.jpg|right|thumb|400px|A ceramic vase with fish motifs by [[Kinjo Jiro|Kinjô Jirô]], representative of Tsuboya style]]
*''Japanese'': 壺屋焼 ''(Tsuboya yaki)''
The Tsuboya neighborhood of [[Naha]] is the center of [[Ryukyuan pottery]] production. It was established as such in [[1682]], when the royal government ordered the kingdom's potters to relocate to the area, and it remains the center of Ryukyuan pottery today. Located within the [[Mawashi]] area of the city, the district is a major tourist site today, and includes a number of kilns and pottery shops organized around Yachimun-dôri ("pottery street"), as well as a Tsuboya Pottery Museum.
Following the formation of Tsuboya as a pottery district, a distinctive Tsuboya style emerged out of the interactions between potters from across the [[Ryukyu Kingdom|kingdom]] now brought together in this district. Up until the [[Meiji period]], Tsuboya remained a center of production of relatively simple ''arayachi'' (荒焼, "rough wares"), or unglazed ceramics. It was only in the [[Taisho period|Taishô period]] that, seeing the great popularity of [[Arita wares]] in the mainland Japanese market and seeking to expand their market share, the Tsuboya potters began producing ''jôyachi'' (上焼, "completed wares"), that is, glazed ceramics, with elaborate designs of fish, dragons, and the like. [[Kinjo Jiro|Kinjô Jirô]], [[Kobashigawa Eisho|Kobashigawa Eishô]], and [[Aragaki Eisaburo|Aragaki Eisaburô]], known as the "Three [Potters] of Tsuboya" (''Tsuboya no sannin otoko''), were particularly influential in the development of this style, prominently incorporating these motifs. Beginning in the 1960s-1970s, many potters moved elsewhere in the [[Okinawa prefecture|prefecture]], but Tsuboya remains prominent and vibrantly active.
The [[Aragaki]] house and ''agari-nu-gama'' ("eastern kiln") pottery kilns in the district have been designated [[Important Cultural Properties]] at the national level, while the district's ''fee-nu-kama'' ("southern kiln"), the only still-active ''arayachi'' kiln in the district, is a prefectural important cultural property.
{{stub}}
==References==
*Gallery labels, Okinawa Prefectural Museum.; Gallery labels, "The Tsuboya-yaki region" and "Okinawan pottery," Gallery 4: Minzoku, National Museum of Japanese History.
[[Category:Ryukyu]]
[[Category:Art and Architecture]]
[[File:Kinjojiro.jpg|right|thumb|400px|A ceramic vase with fish motifs by [[Kinjo Jiro|Kinjô Jirô]], representative of Tsuboya style]]
*''Japanese'': 壺屋焼 ''(Tsuboya yaki)''
The Tsuboya neighborhood of [[Naha]] is the center of [[Ryukyuan pottery]] production. It was established as such in [[1682]], when the royal government ordered the kingdom's potters to relocate to the area, and it remains the center of Ryukyuan pottery today. Located within the [[Mawashi]] area of the city, the district is a major tourist site today, and includes a number of kilns and pottery shops organized around Yachimun-dôri ("pottery street"), as well as a Tsuboya Pottery Museum.
Following the formation of Tsuboya as a pottery district, a distinctive Tsuboya style emerged out of the interactions between potters from across the [[Ryukyu Kingdom|kingdom]] now brought together in this district. Up until the [[Meiji period]], Tsuboya remained a center of production of relatively simple ''arayachi'' (荒焼, "rough wares"), or unglazed ceramics. It was only in the [[Taisho period|Taishô period]] that, seeing the great popularity of [[Arita wares]] in the mainland Japanese market and seeking to expand their market share, the Tsuboya potters began producing ''jôyachi'' (上焼, "completed wares"), that is, glazed ceramics, with elaborate designs of fish, dragons, and the like. [[Kinjo Jiro|Kinjô Jirô]], [[Kobashigawa Eisho|Kobashigawa Eishô]], and [[Aragaki Eisaburo|Aragaki Eisaburô]], known as the "Three [Potters] of Tsuboya" (''Tsuboya no sannin otoko''), were particularly influential in the development of this style, prominently incorporating these motifs. Beginning in the 1960s-1970s, many potters moved elsewhere in the [[Okinawa prefecture|prefecture]], but Tsuboya remains prominent and vibrantly active.
The [[Aragaki]] house and ''agari-nu-gama'' ("eastern kiln") pottery kilns in the district have been designated [[Important Cultural Properties]] at the national level, while the district's ''fee-nu-kama'' ("southern kiln"), the only still-active ''arayachi'' kiln in the district, is a prefectural important cultural property.
{{stub}}
==References==
*Gallery labels, Okinawa Prefectural Museum.; Gallery labels, "The Tsuboya-yaki region" and "Okinawan pottery," Gallery 4: Minzoku, National Museum of Japanese History.
[[Category:Ryukyu]]
[[Category:Art and Architecture]]