Changes

The ''Ryûkyû banashi'' is divided into 31 entries or sections, some as short as a few lines, others going on for several pages, each describing a different aspect about the island kingdom. It begins with a history of the islands, foundation myths, and history of the [[Sho Dynasty|ruling family]], including the story of [[Minamoto no Tametomo]] (from whom the royal family was previously believed to have been descended), but also including mention of a [[Sho En|dynastic change]] some centuries ago. Later entries deal largely with general culture and customs, especially material culture (modes of transportation, architecture, clothing, food) and celebrations and festivals (weddings, New Years, funerals, coming-of-age ceremonies), as well as performing arts, and [[Okinawan language]]. The book includes a few mentions of odd things here and there – such as the islanders’ penchant for sneezing, or a particular market run only by women – but it is for the most part a more serious work, not focusing on unfounded rumors and exotic elaborations.

The ''Ryûkyû banashi'' is divided into 31 entries or sections, some as short as a few lines, others going on for several pages, each describing a different aspect about the island kingdom. It begins with a history of the islands, foundation myths, and history of the [[Sho Dynasty|ruling family]], including the story of [[Minamoto no Tametomo]] (from whom the royal family was previously believed to have been descended), but also including mention of a [[Sho En|dynastic change]] some centuries ago. Later entries deal largely with general culture and customs, especially material culture (modes of transportation, architecture, clothing, food) and celebrations and festivals (weddings, New Years, funerals, coming-of-age ceremonies), as well as performing arts, and [[Okinawan language]]. The book includes a few mentions of odd things here and there – such as the islanders’ penchant for sneezing, or a particular market run only by women – but it is for the most part a more serious work, not focusing on unfounded rumors and exotic elaborations.

While Morishima omits much of Xu's discussion of geography, climate, economy, trade, and local plants, the ''Ryûkyû banashi'' draws heavily on the illustrations from Xu's volume. Only a few images in the ''Ryûkyû banashi'' are not taken from the ''Chûzan denshin roku''.<ref>Yokoyama, 204.</ref>

While Morishima omits much of Xu's discussion of geography, climate, economy, trade, and local plants, the ''Ryûkyû banashi'' draws heavily on the illustrations from Xu's volume. Only a few images in the ''Ryûkyû banashi'' are not taken from the ''Chûzan denshin roku''.<ref>Yokoyama Manabu 横山学, ''Ryûkyû koku shisetsu torai no kenkyû'' 琉球国使節渡来の研究, Tokyo: Yoshikawa kôbunkan (1987), 204.</ref>

Morishima's volume was the first popularly accessible volume to address Ryukyuan culture in a holistic way, in contrast to certain earlier publications which touched upon only [[Ryukyuan dance]], language, music, poetry, or [[kumi odori|theater]], and not all of these together.

Morishima's volume was the first popularly accessible volume to address Ryukyuan culture in a holistic way, in contrast to certain earlier publications which touched upon only [[Ryukyuan dance]], language, music, poetry, or [[kumi odori|theater]], and not all of these together.