| *''Published: [[1790]] ([[Suwaraya Ichibei]], Edo), [[1795]] ([[Hayashi Ihei]], Kyoto)'' | | *''Published: [[1790]] ([[Suwaraya Ichibei]], Edo), [[1795]] ([[Hayashi Ihei]], Kyoto)'' |
| While Morishima omits much of Xu's discussion of geography, climate, economy, trade, and local plants, the ''Ryûkyû banashi'' was nevertheless the first popularly accessible volume to address Ryukyuan culture in a holistic way, in contrast to certain earlier publications which touched upon only [[Ryukyuan dance]], language, music, poetry, or [[kumi odori|theater]], and not all of these together. | | While Morishima omits much of Xu's discussion of geography, climate, economy, trade, and local plants, the ''Ryûkyû banashi'' was nevertheless the first popularly accessible volume to address Ryukyuan culture in a holistic way, in contrast to certain earlier publications which touched upon only [[Ryukyuan dance]], language, music, poetry, or [[kumi odori|theater]], and not all of these together. |
− | Numerous copies survive today in libraries and archives in Japan and overseas; the text and images are also available in modern publication, in ''Morishima Chûryô shû'' ("Collection [of Works by] Morishima Chûryô"). | + | Numerous copies survive today in libraries and archives in Japan and overseas; the text and images are also available in modern publication, in ''Morishima Chûryô shû'' ("Collection [of Works by] Morishima Chûryô").<ref>Takada Mamoru 高田衛, Hara Michio 原道生, and Ishigami Satoshi 石上敏 (eds.), ''Morishima Chûryô shû'' 森島中良集, Tokyo: Kokusho Kankôkai 国書刊行会, 1994.</ref> |