Changes

*Portraits - were chiefly made "to aid memory or for the ritual purpose of veneration or funeral." The more elite someone was, the more elite someone would need to be to see that person's portrait; "the rule of thumb seems to have been that if you could meet the person, you could view their portrait; if not, not." - Timon Screech, ''Obtaining Images'', 165.

*Portraits - were chiefly made "to aid memory or for the ritual purpose of veneration or funeral." The more elite someone was, the more elite someone would need to be to see that person's portrait; "the rule of thumb seems to have been that if you could meet the person, you could view their portrait; if not, not." - Timon Screech, ''Obtaining Images'', 165.

*Paired screens were the loftiest format; triptychs were one step down. - Tim Screech, Obtaining Images, 33.

*Paired screens were the loftiest format; triptychs were one step down. - Tim Screech, Obtaining Images, 33.

*David Noble translates 中華 as "central flowering." - Mitani Hiroshi, David Noble (trans.), ''Escape from Impasse'', 38.

*David Noble translates 中華 as "central flowering." - Mitani Hiroshi, David Noble (trans.), ''Escape from Impasse'', 38.

*The word ''[[yari]]'' is said to appear for the first time in the Miidera chapter of the ''[[Taiheiki]]'', and in no earlier literature. - Told Round a Brushwood Fire, 142, 294n180.

*The word ''[[yari]]'' is said to appear for the first time in the Miidera chapter of the ''[[Taiheiki]]'', and in no earlier literature. - Told Round a Brushwood Fire, 142, 294n180.