Changes

A "Minister of Dance" ([[Okinawan language|O]]: ''udui bugyô'') oversaw these entertainments; ''[[kumi odori]]'', a traditional form of Ryukyuan dance-drama, was first created and performed for entertaining an investiture envoy and his fellows, in 1719<ref name=kumi>Foley, Kathy. "Kumi Odori's Historical Context and Performance Practice." in ''Ryukyu Geino: The Legacy of Kin Ryosho''. Jimpu Kai USA Kin Ryosho Ryukyu Geino Kenkyusho Hawaii Shibu, 2008. pp45-56.</ref>.

A "Minister of Dance" ([[Okinawan language|O]]: ''udui bugyô'') oversaw these entertainments; ''[[kumi odori]]'', a traditional form of Ryukyuan dance-drama, was first created and performed for entertaining an investiture envoy and his fellows, in 1719<ref name=kumi>Foley, Kathy. "Kumi Odori's Historical Context and Performance Practice." in ''Ryukyu Geino: The Legacy of Kin Ryosho''. Jimpu Kai USA Kin Ryosho Ryukyu Geino Kenkyusho Hawaii Shibu, 2008. pp45-56.</ref>.

During their stay in Ryûkyû, the Chinese emissaries performed two rituals: not only the investiture ritual (C: ''ts'e feng''), but also a ritual recognizing the death of the former king as an "Imperial sacrifice" (C: ''yü-chi hsien-wang'')<ref name=chen/>.

During their stay in Ryûkyû, the Chinese emissaries performed two rituals: not only the investiture ritual (冊封, C: ''cè fēng'', J: ''sakuhô'', ''sappô''), but also a ritual recognizing the death of the former king as an "Imperial sacrifice" (諭祭先王, C: ''yùjì xiānwáng'', J: ''yusai sen'ô'')<ref name=chen/>.

===The Investiture Ceremony===

===The Investiture Ceremony===

After another kowtow and some music played by the Ryukyuan royal ensemble, the king knelt as the investiture edict was read. He then performed another kowtow, and the title of "king" (C: ''guo-wang''; J: ''kokuô'') was formally granted to him. Further kowtows accompanied the presentation of the Imperial gifts and of the Imperial patent and edict. Though Chinese custom dictated that the edict and patent be returned to the envoys afterward, Ryûkyû always requested to keep the objects as national heirlooms. The envoys' request to have them returned, Ryukyuan request to keep them, and granting of permission quickly became part of the investiture ritual. Before granting permission, the envoys also requested that the patents and edicts from previous investitures be shown to them<ref name=chen/>.

After another kowtow and some music played by the Ryukyuan royal ensemble, the king knelt as the investiture edict was read. He then performed another kowtow, and the title of "king" (C: ''guo-wang''; J: ''kokuô'') was formally granted to him. Further kowtows accompanied the presentation of the Imperial gifts and of the Imperial patent and edict. Though Chinese custom dictated that the edict and patent be returned to the envoys afterward, Ryûkyû always requested to keep the objects as national heirlooms. The envoys' request to have them returned, Ryukyuan request to keep them, and granting of permission quickly became part of the investiture ritual. Before granting permission, the envoys also requested that the patents and edicts from previous investitures be shown to them<ref name=chen/>.

The investiture ceremony concluded with the envoys being led by the king on a tour of the castle, and by a mutual kowtow of farewell. Throughout, the king was swathed in formal Chinese costume gifted him by the Imperial Court. The formal outfit, or ''hibenfuku'' in Japanese (皮弁服), included a [[dragon robe]], belt (J: ''sekitai''), black silk shoes called ''kanku'', ritual sword (J: ''chiyoganemaru''), and black silk crown. The crown, called ''hibenkan'' in Japanese (皮弁冠; C: ''[[pi bian]] guan'')<ref>Garrett, Valery. Chinese Clothing: An Illustrated Guide. Oxford University Press, 1994. pp5-6.</ref>, was made of a mixture of black ''tsumugi'' and bast fibers, which formed a sort of crepe, molded over a rigid frame and lined with jewels and gold decorations. The crown, visible in official Ryukyuan royal portraits, originally had nine ridges, but after [[1756]], it came to have twelve ridges, indicating a greater honorary rank for the king. An eleven-inch golden hairpin with a dragon motif was then stuck through the crown, which was additionally held on with red-orange braided tassels.<ref name=dress>''Encyclopedia of World Dress and Fashion, Volume 6: East Asia''. Oxford University Press, 2010. p422.</ref> These formal garments, crown, and other accoutrements were provided by the Chinese envoys during the Ming Dynasty, but in the Qing Dynasty, the envoys would provide garments only, and the Ryukyuan Court had to provide the crown and other accoutrements itself.<ref>Tomiyama Kazuyuki 豊見山和行, "''Edo nobori kara Edo dachi he - Ryûkyû shisetsu zô no tenkai''" 「江戸上り」から「江戸立」へー琉球使節像の転回, in ''Ryûkyû shisetsu, Edo he iku!'' 琉球使節、江戸へ行く！, Okinawa Prefectural Museum (2009), 60.</ref>

The investiture ceremony concluded with the envoys being led by the king on a tour of the castle, and by a mutual kowtow of farewell. Throughout, the king was swathed in formal Chinese costume gifted him by the Imperial Court. The formal outfit, or ''hibenfuku'' in Japanese (皮弁服), included a [[dragon robe]], belt (J: ''sekitai''), black silk shoes called ''kanku'', ritual sword (J: ''chiyoganemaru''), and black silk crown. The crown, called ''hibenkan'' in Japanese (皮弁冠; C: ''pí biàn guàn'')<ref>Garrett, Valery. Chinese Clothing: An Illustrated Guide. Oxford University Press, 1994. pp5-6.</ref>, was made of a mixture of black ''tsumugi'' and bast fibers, which formed a sort of crepe, molded over a rigid frame and lined with jewels and gold decorations. The crown, visible in official Ryukyuan royal portraits, originally had nine ridges, but after [[1756]], it came to have twelve ridges, indicating a greater honorary rank for the king. An eleven-inch golden hairpin with a dragon motif was then stuck through the crown, which was additionally held on with red-orange braided tassels.<ref name=dress>''Encyclopedia of World Dress and Fashion, Volume 6: East Asia''. Oxford University Press, 2010. p422.</ref> These formal garments, crown, and other accoutrements were provided by the Chinese envoys during the Ming Dynasty, but in the Qing Dynasty, the envoys would provide garments only, and the Ryukyuan Court had to provide the crown and other accoutrements itself.<ref>Tomiyama Kazuyuki 豊見山和行, "''Edo nobori kara Edo dachi he - Ryûkyû shisetsu zô no tenkai''" 「江戸上り」から「江戸立」へー琉球使節像の転回, in ''Ryûkyû shisetsu, Edo he iku!'' 琉球使節、江戸へ行く！, Okinawa Prefectural Museum (2009), 60.</ref>

When not wearing this ceremonial investiture crown, the king, and certain officials, would often wear a Chinese court cap called ''usanmo'' in Japanese. Made of black silk, its round form enclosed the head, and had long, stiff wings which stuck out to either side.<ref name=dress/>

When not wearing this ceremonial investiture crown, the king, and certain officials, would often wear a Chinese court cap called ''usanmo'' in Japanese. Made of black silk, its round form enclosed the head, and had long, stiff wings which stuck out to either side.<ref name=dress/>

Originally, Ryukyuan kings were given robes of a lower rank, but later would be granted robes indicative of a rank equivalent to Imperial Prince. When the Ming dynasty fell and was replaced by the Manchu Qing dynasty, the Ryukyuans were permitted to maintain Ming costume, but were furthermore permitted to wear Ming costume only for the investiture ceremony itself; outside of the ceremony, even during the continued visit of the Chinese envoys, the Ryukyuan king and his officials were expected to wear Ryukyuan court costume.<ref name=dress/> By the 19th century, this Ming style of court dress, not seen in China for over a century and a half, became a considerable focus of curiosity and attention from the Chinese envoys<ref name=chen/>.

Originally, Ryukyuan kings were given robes of a lower rank, but later would be granted robes indicative of a rank equivalent to Imperial Prince. When the Ming dynasty fell and was replaced by the Manchu Qing dynasty, the Ryukyuans were permitted to maintain Ming costume, but were furthermore permitted to wear Ming costume only for the investiture ceremony itself; outside of the ceremony, even during the continued visit of the Chinese envoys, the Ryukyuan king and his officials were expected to wear Ryukyuan court costume.<ref name=dress/> By the 19th century, this Ming style of court dress, not seen in China for over a century and a half, became a considerable focus of curiosity and attention from the Chinese envoys<ref name=chen/>.

Following the investiture, an emissary would journey to the Chinese capital, to formally express gratitude (C: ''hsieh-en'')<ref name=chen/>.

Following the investiture, an emissary would journey to the Chinese capital, to formally express gratitude (謝恩, C: ''xie en'', J: ''shaon'')<ref name=chen/>.

==Hiding the Japan Connection==

==Hiding the Japan Connection==