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*''Japanese'': 瓦版 ''(kawara ban)''
''Kawaraban'' were a cheap type of woodblock print popularly circulated in the [[Edo period]] which informed as to recent events. Though the ''[[ukiyo-e]]'' woodblock prints more widely known today were themselves relatively inexpensive ephemera, ''kawaraban'' were even cheaper, being printed on much thinner paper, often only in monochrome, and using blocks cut by less than expert craftsmen. Often compared to European broadsheets, and sometimes regarded as an early precursor to the newspaper, ''kawaraban'' related chiefly exciting local events, often in an over-dramatized fashion.
The first ''kawaraban'' are believed to have been published in [[1615]]. For the first two centuries of the Edo period, they chiefly reported on natural disasters, fires, and affairs concerning local individuals, such as love suicides and revenge stories. The latter often fed ''ichiyazuke'' ("pickled overnight") stage plays which dramatized the story further, and on occasion these developed into fuller plays which entered the traditional repertoire, recording for posterity dramatized versions of real events, again such as love affairs, murders, mothers seeking after their lost child, children seeking to avenge their father's death, and so forth. ''Kawaraban'' also often announced upcoming events of particular interest, such as [[Ryukyuan embassies to Edo|Ryukyuan]] or [[Korean embassies to Edo|Korean embassy processions]], or on at least one occasion, in [[1841]], the shogun's journey to [[Nikko Toshogu|Nikkô Tôshogû]].
In the 19th century, ''kawaraban'' began to report on political events. Edicts were issued attempting to restrict their content or ban them outright, but ''kawaraban'' continued to circulate unabated.
Due to their ephemeral nature and fragile materiality, the vast majority of ''kawaraban'' published do not survive. However, those that do provide a glimpse into another aspect entirely of Edo period society not necessarily represented in any other sources.
{{stub}}
==References==
*William Steele, "Goemon's New World View: Popular Representations of the Opening of Japan," ''Ajia bunka kenkyû'' 17 (1989), 69-83.
[[Category:Edo Period]]
[[Category:Bakumatsu]]
[[Category:Historical Documents]]
''Kawaraban'' were a cheap type of woodblock print popularly circulated in the [[Edo period]] which informed as to recent events. Though the ''[[ukiyo-e]]'' woodblock prints more widely known today were themselves relatively inexpensive ephemera, ''kawaraban'' were even cheaper, being printed on much thinner paper, often only in monochrome, and using blocks cut by less than expert craftsmen. Often compared to European broadsheets, and sometimes regarded as an early precursor to the newspaper, ''kawaraban'' related chiefly exciting local events, often in an over-dramatized fashion.
The first ''kawaraban'' are believed to have been published in [[1615]]. For the first two centuries of the Edo period, they chiefly reported on natural disasters, fires, and affairs concerning local individuals, such as love suicides and revenge stories. The latter often fed ''ichiyazuke'' ("pickled overnight") stage plays which dramatized the story further, and on occasion these developed into fuller plays which entered the traditional repertoire, recording for posterity dramatized versions of real events, again such as love affairs, murders, mothers seeking after their lost child, children seeking to avenge their father's death, and so forth. ''Kawaraban'' also often announced upcoming events of particular interest, such as [[Ryukyuan embassies to Edo|Ryukyuan]] or [[Korean embassies to Edo|Korean embassy processions]], or on at least one occasion, in [[1841]], the shogun's journey to [[Nikko Toshogu|Nikkô Tôshogû]].
In the 19th century, ''kawaraban'' began to report on political events. Edicts were issued attempting to restrict their content or ban them outright, but ''kawaraban'' continued to circulate unabated.
Due to their ephemeral nature and fragile materiality, the vast majority of ''kawaraban'' published do not survive. However, those that do provide a glimpse into another aspect entirely of Edo period society not necessarily represented in any other sources.
{{stub}}
==References==
*William Steele, "Goemon's New World View: Popular Representations of the Opening of Japan," ''Ajia bunka kenkyû'' 17 (1989), 69-83.
[[Category:Edo Period]]
[[Category:Bakumatsu]]
[[Category:Historical Documents]]
