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Created page with "*''Japanese'': 芝居茶屋 ''(shibai jaya)'' ''Shibai jaya'', or theater teahouses, were tearooms attached to theaters, especially kabuki theaters. Not to be confused wi..."
*''Japanese'': 芝居茶屋 ''(shibai jaya)''

''Shibai jaya'', or theater teahouses, were tearooms attached to theaters, especially [[kabuki]] theaters. Not to be confused with "teahouse" as a euphemism for brothels, these establishments offered a place where theatergoers could enjoy food and drink before, after, or during a performance. They were also places where actors could meet with fans and patrons, despite the fact that interactions between actors and "regular" townsmen were in theory strictly legally circumscribed.

The teahouses, as was common in [[Edo period]] Japan, were typically family businesses, being passed down within a lineage. These families often had close ties to the families of actors, playwrights, and theater managers, and sometimes overlapped. A daughter of [[Ichikawa Danjuro V|Ichikawa Danjûrô V]], the top actor of his time, for example, married into a ''shibai jaya'' family, and her son was then adopted back into the [[Ichikawa family]], becoming [[Ichikawa Ebizo V|Ichikawa Ebizô V]] (aka Ichikawa Danjûrô VII).<ref>[http://kabuki21.com/ebizo5.php Ichikawa Ebizô V at Kabuki21.com]</ref>

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==References==
*Donald Shively, "Bakufu Versus Kabuki," ''Harvard Journal of Asiatic Studies'' 18, no. 3/4 (1955), 344.
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[[Category:Edo Period]]
[[Category:Poetry and Theater]]
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